What is the contrarian trend in calligraphy?

Reverse stroke is a writing skill. When you put pen to paper, the tip of the pen goes backwards first, and then turns back to the pen. Also known as "oblique front" and "lateral front". If you write horizontally, you should turn right first, that is, when you write, you should push the pen tip to the left and then write to the right. Such strokes are square and easy to contain bones and muscles. In order to hide the front and spread it out, the method of "down first, then right, first left" is adopted, and the words written in the opposite direction are often full of vigor and vitality. Liu Xizai in the Qing Dynasty said, "If you want to write with a sharp pen, you must use an inverse formula. Le Zefeng leads the right tube to the left tube, and Nuze leads the lower tube, which is also the case. However, it is just a secret machine, and it is wrong. " Whether it is positive or negative, it is a skill, a means, not an end. The purpose is to make the words look good and make the strokes of the words more colorful. Speak far, some words are sharp, some words are ready to go, and each has its own beauty. The stroke lines written on the reverse side and the front side are different, and insiders will see that unless your reverse side is not standardized. The following information is for reference only: I don't know how many people have missed their pens. It should be said that there are 98% calligraphers. Did people really write like this in the Jin and Tang Dynasties? A close study of Preface to Lanting Collection shows that it is rare to write against the wind in the real sense. Looking back, it should be said that the result is the same. Su Dongpo's Huangzhou Cold Food Post was created by my book and should not be set up in this way. As for Xu Su's "Weeds", how can he write a front against harm? Of course, someone must be reading ancient posts with a pen in front of him, and there is nothing we can do about it. He slowly "copied" ancient posts on thin ice, wrote all the living calligraphy to death, and insisted on respecting the original posts of the ancients. We can only sigh. I wonder why there is an argument that calligraphy is declining, but calligraphy is losing its strength and vitality, and most of it is senile. Antiques do not exist, not because people are not ancient, but because technology does not exist. Don't raise the ancients too much, this is the scientific and artistic view that calligraphers should have.