Chen Meng of Chen Meng Pot.

Yang Xian's Teapot System says "I don't know when", but only knows that he is good at antique utensils and his calligraphy is skillful, simple and skillful. Scholars praise his calligraphy as "not vulgar" and "excellent in Chu Henan". The surname Hui was learned from the big white sand pot collected by Quanshan Pavilion. Eleven characters are written in regular script at the bottom of the pot: "The Jingxi Club was made in Chen Meng in the year of Ding Mao in the Apocalypse".

Hui is famous for making small pots at home and abroad. The pot he made has thin side walls, exquisite craftsmanship, light posture, simple shape and seamless cover. There is an inscription "Hui Zhi" in regular script at the bottom of the pot, which is very suitable for congou tea. "The cup is as small as a walnut, and the pot is as small as a fragrant rafter. Every time you pour it ..." (Mei Qingyuan's "Food List with the Garden"

Hui's pot art is outstanding and unique. His works are characterized by many small pots, few medium pots and the rarest big pots. The big one is simple, and the small one is exquisite. Good at preparing all kinds of mixed sand mud, including white sand, purple sand, cinnabar, more cinnabar and less white sand. The pot body is round and flat, with a high body, flat shoulders, pear shape, bulging belly, round belly and fan shape. Especially the pear-shaped pot has the greatest influence.

Huizhou school not only pays attention to the simplicity and exquisiteness of the pot body, but also pays attention to seal cutting calligraphy. His seal cutting calligraphy is very beautiful, not far from the Tang Xian style, and his brushwork is definitely like that of Chu Suiliang, a great calligrapher in the Tang Dynasty.