Appreciation of Jiang Niao's Calligraphy Boutique
Pictures of Jiang Niao's Exquisite Calligraphy Works 1
Pictures of Jiang Niao's exquisite calligraphy works 2
Figure 3 Jiang Niao's exquisite calligraphy works.
Figure 4 Jiang Niao's exquisite calligraphy works.
Brief introduction of Jiang Niao
Jiang Niao, pen name Honggen Shen, was born on February 26th, 1943. Vice President of China Calligraphy Association, Member of China Calligraphers Association, Senior Consultant of Hard Pen Calligraphy World Website.
Jiang Niao's hard-pen calligraphy started in Tang Kai and traced back to the seal script of Qin and Han Dynasties. Then he attacked "Two Kings" as cursive script, followed by "Zhang Dian Zuisu" and "Song Sijia", and then learned from Wei Bei and Han bamboo slips. His calligraphy style was lofty, elegant and fluent. In style, his regular script is more powerful, with the legacy of Jin and Tang dynasties; The cursive script, especially the big cursive script, can better reflect the majestic atmosphere, and the characters are bold but not wild. They are spiritually taken from the ancients, but they care about themselves when waving.
Mr. Jiang Niao's hard-pen cursive script gained Wang Xizhi's samadhi: "moving", "Tao" and "moistening". The so-called "moving" is mainly manifested in the fact that words crossing are rarely straight and symmetrical, but mostly swing from side to side and up and down, and the beauty lies in their instability. The so-called "autumn" is mainly manifested in the fact that the pen tip often moves in stippling, and the pen is astringent. Only at the turning point, the center is supplemented by the side peak. Although the thickness of strokes does not change much, it plays a natural role, often penetrating the back of the paper, with less exposure, more content, flexibility, power and charm; Coupled with the structure of the word, it is often tight inside and loose outside, forming a cohesive structural force, with tendons and bones, round and intriguing. The so-called "embellishment" is mainly manifested in the pen and ink embellishment.
Calligraphy theory knowledge
What do you mean? Come back through the paper : In painting and calligraphy? Force? It is an abstract expression of pointillism, linearity and the author's inner spirit. Specifically, if you can stroke in the center, that is, when you stroke, the bristles are evenly scattered and the pen center walks in the strokes. The strength of the arm can be cut into the paper through the soft pen tip. This is called? Come back through the paper . If the bristles are twisted or twisted into a ball when writing, the bristles are not properly adjusted and spread evenly, and the bristles sweep across the paper like paint. What kind of stroke is this? Shit? Come out, like ink pig, pen power is out of the question. The strength of brush strokes has nothing to do with the thickness of lines, but the key lies in the author's ability to control the brush and write with the center.
From Chu Suiliang's Preface to the Big Wild Goose Pagoda, we can see that there are many tiny strokes, delicate and powerful. From Yan Zhenqing's "Yan Family Temple Monument", we can feel the dignity of the writing brush, which is like an iron hook and a silver painting. These are all examples that run through the back of the paper.
What is a diversion? "Diversion" means that the stippling of each part of a word gives way and echoes each other, so that words with more strokes do not appear dense, and words with fewer strokes do not appear sparse, such as the words next to "horse" and "bird", and the left side should be written straight to make room for the half word on the right; Other words with left and right radicals are also analogized.
What are the requirements for shelves? The size, length, width and inclination of Chinese characters should be appropriate.
What are the basic rules for learning calligraphy? To learn calligraphy, we must master the four basic laws of writing, transportation, use and construction.
Why can't you hold a pen with your fingers? If you move the pen tube with your fingers, the pen tube cannot remain upright, and the range of motion of the pen tube is very small. I can barely cope with writing small words, but I can't write middle letters, big letters or even bigger words. Moreover, the fingers of the pen are not practical, and the words written are vain.