His running script is duck head pill post. Duck Head Pill Post is a cursive script written by Wang Xianzhi. In the second line, the text says: "Duck head pills are not good. When you are clear, you must get together and meet you. " * * * 15 is a note from Wang Xianzhi to his friend. The original is now in Shanghai Museum. The whole post is dry and moist with ink. Jiang Kui's "Ink for Continuing Books" said: "Writing a script should be dry, but not too dry. Take the grass dry and moist, take the beauty by moistening, and take the risk by doing it. " "Duck Head Pill Post" has two meanings. Dip in ink twice, sentence by sentence, the ink color is moist, from thick to light, and the ink color is distinct. Thus showing the rhythm ups and downs and natural changes of the charm of the whole post. The cursive script of Manuscript Grass is Wang Xianzhi's original calligraphy style, and Duck Head Pill Post is his masterpiece.
Wang Xianzhi's brushwork is vigorous, beautiful and vigorous, and his brushwork is as good as his father's. His writing speed is faster and smoother, and his edges and corners are better. Wang Xianzhi's calligraphy achievement is to turn his father's inner pen into an outer pen, and turn the word group into a continuous "stroke". This is an important contribution. Wang Xianzhi also has the method of "being besieged on all sides". When writing, he often has a quick and quite hidden "point" action, ready to pop up the pen tip. The pen tip flies at a high speed, up and down, turns around layer by layer, gently lifts it, presses it again, and prepares for the front in all directions.
Wang Xianzhi's calligraphy is more natural and unrestrained, with more external brushwork, ethereal and natural structure, taking advantage of the situation. Wang Xianzhi's calligraphy is neither grass nor line. Fluency and convenience tend to be cursive. The structure of opening and closing is similar to running script. This is a performance, and it is very simple. Love is in the air, and you can enjoy it.
Wang Xianzhi's calligraphy is clear-cut, coherent in words, coherent as a whole, full of charm and energy. Wang Xianzhi's calligraphy is far less subtle and mysterious than Wang Xizhi's, and the focus of change often shifts to the relationship between lines, or tends to be dense or generous. The composition obviously inherits the characteristics of a book by Zhang Zhi, which is bold, continuous and vast. It broadens the infinite changes of writing and composition, and also opens up a broader space for the infinite improvement of pen power.
Learning Wang Xianzhi's calligraphy can be vigorous and powerful, which can increase the strength and speed of writing. Later, Mi Fei worked hard on Wang Xianzhi's calligraphy, so he basically inherited Wang Xianzhi's brushwork and composition, and of course he was more bohemian in his brushwork and composition.