Huai Su's Qianzicao is a classic handed down from ancient times, and its original paper copy was first discovered by scholar Huang Jinxiang. This "Thousand Characters" was originally a pasting paper (white linen paper), each page was 26.8 cm long and 13.5 cm wide; A total of 9 pages ***42 lines (half of the original script), 530 words. The envelope outside the post was inscribed with eleven characters by the old collector: "Huai Su Biography Ink" cursive thousand words ". Some experts speculate that this post was hidden in the Tang Dynasty or a long time ago in Japan, and once flowed into the Central Plains in the Qing Dynasty to avoid many wars and disasters. Now it is hidden by Mr. Huang Jinxiang. This "Thousand-character cursive script" is the only work in Huai Su that regulates cursive script. In ancient times, it had the reputation of "a word is worth a thousand dollars", so it is also called "thousand-character paste", which is "the best grass in the world", in contrast to its first cursive script "self-narrative paste" There are several hidden fingerprints in the mail. When you open the whole post and overlook it, the handwriting as big as nails is dynamic and pleasing to the eye. Throughout the grass, the pen is thin and elegant; Echoing up and down, high spirits. Huang Tingjian, one of the "Song Sijia", praised: "Huai Su cursive script has a long history (referring to Zhang Xu) at dusk. . . "This statement pointed out that Huai Su was in good health in his later years, so that he could write such a high-level masterpiece and let future generations admire and admire him!
Qian Zi Wen, a cursive script written by Huai Su in the Tang Dynasty, is an original paper, which is similar to Autobiography. Both of them are flowing, vigorous and elegant, which fully shows the skill of Huai Su's cursive script, and it is one of the most standardized models of cursive writing in the calligraphy field at present. Huai Su's cursive script, whether historical or documentary, is the only original handed down from generation to generation. This is a real "golden paste", which has always been a masterpiece that painters and collectors dream of. At present, the effect of rubbings on Huai Su grassland is as good as at home and abroad. It can be said that the original is as exquisite as the inscription, and it is the first precious material to study Huai Su grass in China. . . (Note: The picture below shows the rubbings of Huai Su base paper. )