First, "truth", Dong Qichang's calligraphy pays attention to the true expression of pen and ink, and strives to deduce the essential form of things. He pays attention to the accuracy and strength of his pen, trying to make his works have a distinct three-dimensional sense and vivid image.
Second, "Gong", Dong Qichang has excellent calligraphy skills and makes good use of various fonts. In his early years, he studied official script, learned from the characteristics of Han steles and formed his own unique official script style. At the same time, he also dabbled in other fonts, such as regular script and running script. , and can be skillfully applied to their own works.
Third, "Xiu", Dong Qichang's calligraphy is famous for its beauty. His handwriting is smooth and elegant, his lines are round and smooth, and his brushwork is powerful and feminine. He gave full play to the characteristics of the brush, making his works show beautiful curves, rhythms and rhythms.
Fourth, "Yi", Dong Qichang's calligraphy is free and has a unique style and personality. On the basis of inheriting the tradition, he injected his own innovation and change, which made his works full of vitality and artistic appeal. Make good use of ancient characters such as seal script and seal script to make the works more diverse.
Dong Qichang and his main achievements.
1, Introduction
Dong Qichang was born in Huating, Songjiang (now Maqiao, Minhang District, Shanghai) and was a painter and calligrapher in the Ming Dynasty. In the seventeenth year of Wanli, he was a scholar, awarded the editing of the Hanlin Academy, and was appointed to the Nanjing Ritual Department.
Dong Qichang took the exam at the age of 17, but failed to win the championship because of his ugly handwriting, so he worked hard on his handwriting. Dong Qichang is good at painting landscapes, and his brushwork is delicate and neutral, quiet and spacious. His calligraphy is unique in Jin and Tang Dynasties, and he can also write poems.
Dong Qichang's representative works include Rock Residence Map, Eight Scenes of Autumn in Dong Qichang in Ming Dynasty, and Zhou Jintang Map. His works have become a model of literati painting since the late Ming Dynasty. Dong Qichang studied under Dong Yuan, Huang and Ni Zan.
2. Style
Dong Qichang is known as "Zhang Xing Mi Dong" in calligraphy, that is, he is tied with Linyi Xingdong, Zhang Jin Jiang Ruitu and Xu Tianmi; There is a saying in the painting that the south is east and the north is rice. Mo Shilong and Chen Jiru advocated the theory of "North-South School", that is, the landscape paintings of "courtyard style" and "literati painting" were divided into two schools.