Liu Jianming's Personality Evaluation

Jianming loves calligraphy and is crazy about it, especially the list of books. Bangshu calligraphy is known as "poetry without words and no dance"; Painless paintings, silent music. In the past, the front hall of Weiyang Palace was built by Emperor Gao Han, and Xiao He asked him to write an inscription, which is also the beginning of this book. Regular script is a unique calligraphy style, which comes from inscribed plaques, cliffs and stone carvings. And plaques and stone carvings can be passed down through the ages and are the most common and popular art forms for the public.

He searched hard and got the true meaning of calligraphy. Its list is vigorous, ups and downs, such as dragon, unrestrained, lively and chic, rich in connotation, full of interest and publicity. It looks like a running river, or if it is flowing, it is full of weather and can come out at any time.

The ancients said: Words are born in ink, and ink is born in water. Ink and wash, the blood of words is also. There is a saying: words are like people. Jianming's calligraphy is different. He is gentle, gentle, well-mannered and has no pride. However, his words are free and easy, wild and unrestrained, regardless of the color of the pen and ink, so the suffix often appears white, and the exaggerated brushwork is natural and pure. His calligraphy has the following three characteristics: exquisite brushwork, extending in all directions; Where the strength is exerted, the bones and muscles must be strengthened first. It's like carving an axe with a knife The ups and downs are colorful, flexible and unconstrained, just like birds and beasts, reaching people's hearts.

There are pictures in the book, and there are books in the picture, just like a big freehand painting on raw rice paper.

Jianming is good at tea, so the word tea ceremony is also one of the common calligraphy in Jianming. Jianming writes a few strokes of tea, with mountains and water. A thousand-year-old tea tree between mountains and rivers leaps into the clouds in the mountains, with far-reaching artistic conception. Teapots and teacups under the tree are arranged neatly, while an old man in the distance, "picking chrysanthemums under the hedge, leisurely seeing Nanshan", wrote a book "Tea" by Jianming, and his mentality of pursuing natural harmony jumped from the paper, and his image was penetrating the back of the paper.

On the one hand, calligraphy works with the word "Fu" are like old people surrounded by their children, enjoying family happiness; on the other hand, hieroglyphic caskets reflect the patterns of ancient coins, which fully embodies the simplest interpretation of happiness in Chinese traditional culture.

In the long history of human culture, wine is not only an objective material existence, but also a cultural symbol. Through artistic techniques, Jianming outlined the three points on the left side of the basic form of the word "wine" as wine drops and wine glasses, while on the right side, he outlined an altar with a low left and a high right, and poured the wine on bottle paper. It vividly depicts the shape of wine "drunk, suddenly awakened, listened to thunder, regardless of the mountain". I can't feel the feeling of cutting muscles in cold weather and summer. Overlooking everything, it is like duckweed in Jianghan, which vividly shows the charm and meaning of wine.

In Jian Ming's work Shou, a point in the upper right corner of the word Shou was sketched as a peach by painting and calligraphy. A long-lived star's forehead, white beard in the upper part, and elegant beard make people envy, which makes "Shou" go with the flow, calm down, abandon other thoughts, and vividly show the highest state of quietism.

Jianming's word "bamboo" is even more unique. Writing bamboo is more like painting bamboo, drawing vivid bamboo knots with a brush, showing the complete and firm image of bamboo to the fullest, and the works express Jianming's indifferent and quiet attitude towards life.

His work "Dragon" uses pictographic techniques to vividly outline the shape and momentum of the dragon, showing the majestic and indulgent state of loong and the charm of China's calligraphy. Self-contained, lasting appeal.

Jianming likes to make seals for calligraphy. Commonly used seals include incense burners, teapots, Guanyin and lotus flowers. It is a kind of mentality that shows inner purity, lack of desire and aestheticism. Its incense burner is engraved and smoky; Its Guanyin seal, dressed in white, holding a lotus flower in his left hand and Buddha's light on his head, makes people calm; Its teapot printing, full of tea fragrance, makes people feel immersive; And the lotus seal, a bunch of lotus leaves, a bunch of lotus leaves, suddenly feel cool.

"Half an acre of square pond, day put * * *. The canal is so clear, because there is a source of living water. " Jianming's achievements in calligraphy are due to his integration with nature and broad vision, but also because of his careful thinking about life and persistent exploration of art. His enthusiasm and tenacity for work can be fully demonstrated in his calligraphy works. When that piece of black and white, such as the birth of a baby, brought him countless times of joy and singing, but also lit up his artistic life again and again.

Nowadays, in Liu Jianming's world, calligraphy, work and life complement each other. He cultivated his sentiments with books and made friends with them. He found pleasure in calligraphy, and then realized the art of calligraphy from life, thus inspiring people's love for life and yearning for happiness. Jianming's inner cultivation is not sensitive to words, and his temperament is all in one stroke and one painting. Why is his calligraphy disorganized?