Weibei's calligraphy style was gradually formed on the basis of Han Li. Its calligraphy features are: broad and broad, round and powerful strokes, and Yan Zhenqing is very popular with it. Yan Zhenqing's handwriting can be seen from Wei Bei's Epitaph of Yuan Biography, from which his pen came. Wei Bei's brushwork is vigorous and powerful, with sharp stippling, long brushwork, magnificent corners, obvious brushwork at the turning point and round structure. For example, most of Ou Yangxun's horizontal paintings and pen collections are Fang Bi, including Wei Bei's brushwork. The composition of Weibei is natural and dense, leaning vertically and horizontally, and patchwork. In the early days of Weibei, stippling was solemn and heavy, with rigorous and square structure, fantastic artistic conception, majestic and majestic, vigorous and powerful, like a northern man, rough and heroic, fantastic and changeable artistic conception, full of interest and masculine beauty. For example, Zhang Menglong's strength, Zhang Hei's heroic spirit, and the massiness and vigor of Longmen 20 products are all among them.
Jiuchenggong is a classic regular script copybook, from which many calligraphers have benefited a lot. Let's analyze "virtue" first. This is a word with a left-right structure, narrow left and wide right. First, next to the double, there are two sketches of the double, one is long and the other is short. Also, pay attention to the starting position of the second sketch. The first stroke in the right half is short horizontal, and the last stroke is vertical, with slightly heavier strokes. This vertical painting should be stripped of its meaning, so it will be more interesting to handle.