1, regular script should not be too straight, uniform but not good-looking, you need to take the odd as the right.
It is really the same. It is printed, not calligraphy. The fundamental reason is that calligraphy is used to express feelings. Of course, this should be based on obeying the law, otherwise ugly books will be scribbled. Taking the odd as the right, the overall result is to write the word correctly, but we should use the "odd" way or artificially make the structure of the word "odd". Writing regular script in this way will make regular script lively and natural.
2, regular script is square, round is round, don't over-modify, avoid tacky.
The handwriting should be good-looking, and the strokes should not be used too much, just right, or it will be vulgar. Vulgar books often overuse round pens. Without Fang Bi's cooperation at this time, calligraphy would be greasy and tacky. There will be no "beauty of stone" as Wang Xizhi said.
3, point, horizontal, skimming, folding exercises need to have their own methods, different, the same is horizontal, not the same.
Every pen is different, and it's different. When writing regular script, we should "connect the pulse" between the stippling, that is, the echo of the stippling before and after, and avoid writing regular script in print. This is the key. Wang Xizhi believes that horizontal painting should not be flat, but should be "three folds". In fact, the horizontal painting that looks straight has been changed many times. When writing some paintings, the brush strokes should not be flat, but should be changing, Rainbow Xizhi's "Three Folds".
It is true that the regular script written in this way has a soul, and of course it needs repeated practice.