Brief introduction of Liu Hao.

Consultant of Jinan Calligraphers Association, member of Shandong Calligraphers Association, Deputy Secretary-General of Jinan Folk Calligraphy and Painting Art Research Association, Director of Jinan Confucian Merchants Research Association, Dean of Wen Tai Calligraphy and Painting Research Institute of Shandong Province, and Art Consultant of Art Appreciation column of Jinan Education TV Station, etc. When I was a child, my tutor gradually learned calligraphy, starting from Tang Kai and catching up with Wei and Jin Dynasties, and also dabbled in seal script, official script, Oracle Bone Inscriptions and inscriptions, especially Ou Yangxun. He often wrote cursive scripts, studied under two French kings, and learned from others. Following the artistic aim of learning from the past, respecting the present and writing the heart, and pursuing a fresh and elegant artistic style, we have been studying and studying calligraphy art as a profound traditional culture in China, and have made unremitting explorations on the techniques, techniques, calligraphy and Taoism of calligraphy art from the philosophical level. Under the careful guidance of famous calligraphers such as Zhang, Liu Wen and so on, after work, he devoted himself to hard training, and gradually formed an artistic style with both form and spirit, which is elegant and free, yet quiet and elegant, and won the praise of his peers.