Wang Shumin's calligraphy stippling arrangement is very compact, and so is the Chinese Palace. They take care of each other, look forward to each other's love, and meet from beginning to end. Mr. Wang Shumin likes calligraphy and painting art since he was a child. For more than 30 years, he has been copying in the cold and hot summer. Study hard, pay attention to tradition, and gradually form your own calligraphy style. Hundreds of works were published in provincial and municipal newspapers. Wang Shumin's calligraphy works are reported twice every four years on the third and fifth TV stations.
Expand knowledge:
Cao Zhang was produced by the sketch of official script, and its name came from this: one thought that the handwriting given to the emperor at that time was written in regular script of official script, so it was called Cao Zhang; Another way of saying it is that this font was produced in the period of Emperor Gaozu Zhang, so it is called.
There are eight strokes in regular script: one point, horizontal, vertical, skimming, picking, hooking and folding. Learning regular script requires mastering the writing essentials of these eight strokes first. There are eight different strokes of the word "Yong" in regular script, so most regular script teachers use the word "Yong" as an example to explain stippling, so there is the theory of "eight methods of harmony". This theory began in the Tang Dynasty, and the Song people explained it in detail, so that later generations could follow it.
Yan Zhenqing's regular script has a far-reaching influence on later generations and is known as "Yan Ti". Its word structure is broad and broad, and its momentum is open; Dotting is horizontal and thin, vertical and thick, round and strong, and it is contained in bones and muscles. Liu Gongquan's regular script has a great influence on later generations. He is called "Liu Ti". His word structure is tight, his pen is sharp, and he has both pen and Fiona Fang, winning by strength, and paying equal attention to horizontal painting and vertical painting. Their calligraphy style is vigorous, vigorous, tall and straight, fat and thin, each leading the way.
Monuments first appeared in the Spring and Autumn Period, and there were stone tablets and wooden tablets in the Warring States Period. During the Western Han Dynasty, stone tablets engraved with words began to appear. During the Eastern Han Dynasty, the atmosphere of carving steles was very prosperous, and the shape of steles gradually stabilized. The front of the monument is called "Beiyang", the back is called "Yin Bei", and the monument is on it. The pedestal under the tablet is called "Fang Zi" or "The tablet seat is in the history of calligraphy in China". Most of the words carved on the tablet are to remember people's stories and praise and so on. The official script of the Han tablet has an important position and value.