"Peace, Ruru, Fengju three posts" are all running scripts, and the three posts are all running scripts, but they are different in style, but they are quiet and elegant and changeable in posture.
Menstruation Post and First Moon Post are now in Liaoning Provincial Museum. These two posts are the first and second posts in "Long Live the Tian Tong Post" engraved by Wu Zetian in the Tang Dynasty. In these two types of letters, the letters in the aunt's posts are round and dignified, vigorous and powerful, and the style still retains some official script styles, which belong to the ancient style. The first moon post was probably written by Wang Xizhi in his later years, with the center as the protagonist, ups and downs, charming and unique.
"Mourning, thanking and showing three posts" consists of three posts, which are the ink of the Tang Dynasty. According to legend, Jian Zhen was brought to Japan during the eastward crossing of the Tang Dynasty, and now he is regarded as a national treasure by Japan and kept in the national treasure room. The work was probably written by Wang Xizhi when he was 50 years old. When he recorded it in "The Joy of Maureen", he wrote: "Clever is clumsy, old is tender, and there is infinite beauty."
Shangyu Post uses cursive script, which is smart and colorful and handwritten in white.
Cold Cut Post is now collected in Tianjin Art Museum. This is an imitation of the Tang Dynasty. The font is round and smooth, full of fun, and it feels leisurely. It should be a cursive style written by Wang Xizhi in his middle and late years.
"Shangyu Tie" was presented by imitation hemp paper in Tang Dynasty and is now in Shanghai Museum. The inscription of this post is also extremely fine, and its grass method is smart and graceful. Seventeen Posts was named Seventeen Posts because it was preceded by the word "seventeen". This post * * * contains 28 letters, * * 107 lines, 942 words, delivered with a pen, with a vigorous posture. There is no connection between the characters at all, but the characteristics of coherent momentum, rigorous statutes and clear stippling are all presented in the font.
As for Wang Xizhi's regular script "On Le Yi", "Huang Tingjing" and "Painting Praise in Dong Fangshuo", all of them have their engraved versions handed down from generation to generation, which are excellent examples of lower case letters.