Longde calligraphy

Liang was a flower exploration in Yongzheng period! Liang studied under Dong Qichang and Zhao Mengfu in his early years, and his calligraphy style was beautiful and elegant, and his brushwork varied. Later, Liang Shi was studying the pavilion style, and his book style began to become correct and elegant, which became the object of study for all ministers in the Qing Dynasty!

The quality of calligraphy can't be judged by its beauty. This does not mean that good-looking calligraphy must be bad, and bad-looking calligraphy must be good. This is also the most fundamental difference between calligraphy and writing! There is a question of the level of realm to judge the quality of a work:

First of all, look at the style. The style of a work determines the level of this work. Works with low style, no matter how ingenious, are difficult to reach the top level! The charm of a calligraphy is inseparable from the author's education, experience and so on! Second, look at the charm. Charm is the core of a work. If the charm is not vivid, then the work is dead. Without good charm, a work can't be considered a success! Moreover, it is useless to talk about anything just by looking at the technology. Techniques are the most basic elements of calligraphy.

Liang's calligraphy is excellent in technique, charm and content style. It is known as the most beautiful running script in 300 years, but it is not too elegant! Liang later became the imperial calligrapher of Emperor Qianlong, so his words appeared in the postscript of many precious famous posts!

Emperor Qianlong studied martial arts in literature all his life, especially cherished the treasures of calligraphy and painting. His Sanxi Hall collected many precious calligraphy and painting, and most of these precious calligraphy and painting were inscribed by Qianlong!

However, in the postscript at the end of the volume, there is often admiration for Liang, and the book style is peaceful and full of extravagance! For example, Wang Xizhi's Sunny Snow Days, Fuchun Shan Jutu and Fuchun Shan Jutu all have afterwords! In the chorus of Korean literati's poems, it is often the Emperor Qianlong who sings poems. Why did Liang write and become a story for a while! Liang wrote the running script and regular script of the pavilion to the extreme, so beautiful!

Judging from the postscript of Liang's poems, some of them have obvious Yan Zhenqing style, elegant and colorful, and are quite colorful. In the era when the pavilion style is popular, it is rare to bring forth the old and bring forth the new! Liang has been able to study Confucian classics and history since he was a child, and he is even more proficient in calligraphy. At 27, I fell in love with flowers. Later, as a teacher of the prince, his knowledge and character can be seen!