1. A collection of four-character calligraphy idioms
The pen moves like a dragon and a snake, the tendons and willow bones of the face, the iron painting and the silver hook, the power penetrates the back of the paper, and the brush moves freely bǐ zǒu lóng shé Definition: Describe The calligraphy is very beautiful and skillful. Yan Jin Liu Gu yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes calligraphy that is strong, soft and beautiful and penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes calligraphy that is strong and powerful, with the tip of the pen almost showing through to the back of the paper. It also describes poems with profound ideas and concise words.
huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases. 2. A collection of 4-character calligraphy idioms
Falling from the peak, changing grace, embodying meaning in the middle, powerful and majestic, well-proportioned, elegant and charming, thundering, hard, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a startling dragon, majestic , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and frank, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and clear, combining hard and soft, and created by foreign teachers.
3. A collection of four-character calligraphy idioms
The bottom of the pen is like a dragon and a snake. It still means that the pen is like a dragon and a snake. Calligraphy is described as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."
The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.
Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just got it. "
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Volume 1 of "Yao Lu" of the Southern Dynasty and Song Dynasty quoted Yang Xin of the Southern Dynasty and Song Dynasty as "Able to Write Names of People from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy in the world."
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and happy life."
Fengjin Duolifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and the commentators said that it was rich in muscles and strong, and it was able to travel in the clouds and rain. Sudden trend. ”
Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.
Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."
The phoenix dances and the dragon flies to describe calligraphy. The writing style is strong and flexible.
Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: "Fu Yun Fu" by Lu Ji of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."
Ancient and modern times The different styles of calligraphy are metaphorical.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fatness in ancient times, and Zijing is called barrenness today. Both ancient and modern times are different, but fatness and thinness are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.
Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is "Bee's Waist", the second word must not sound the same as the fifth word...The fourth is "Crane's Knees", the fourth is "Crane's Knees". The five characters must not have the same sound as the fifteenth character. "
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."
The calligrapher's method of painting with sand seal clay is a metaphor.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
/p>