Introduction of ancient calligraphers

Yan Zhenqing was a famous calligrapher in Tang Dynasty.

In order to learn calligraphy, Yan Zhenqing first learned from Chu Suiliang, and then worshipped Zhang Xu as his teacher. Zhang Xu was a famous calligrapher in Tang Dynasty. He could write all kinds of fonts, especially cursive script. Yan Zhenqing hopes that under the guidance of this famous teacher, he will soon learn the tricks of writing and become famous at one fell swoop. However, Zhang Xu did not reveal any secrets of calligraphy after learning from a teacher. He just introduced some famous copybooks to Yan Zhenqing, and simply pointed out the characteristics of copybooks for Yan Zhenqing to copy. Sometimes, he takes Yan Zhenqing to climb mountains, go swimming, go to the market and go to the theatre. Let Yan Zhenqing practice calligraphy when he gets home, or watch him write calligraphy.

A few months passed in an instant, and Yan Zhenqing was so anxious that he couldn't come up with the secret of the teacher's calligraphy that he decided to ask the teacher directly.

One day, Yan Zhenqing stood up and said with a red face, "The students have something to ask. Please ask the teacher to teach them the secret of calligraphy."

Zhang Xu replied: "To learn calligraphy, one must' learn engineering', that is, study hard and practice hard; Second, we should "comprehend", that is, accept the inspiration of all natural phenomena. Didn't I tell you many times? "

Hearing this, Yan Zhenqing thought that the teacher was unwilling to teach the secret and stepped forward. On him, he pleaded: "I know everything the teacher said, such as' engineering' and' understanding'." What I need most now is the secret recipe of the teacher's stunt, so please teach me. "

Zhang Xu still patiently enlightened Yan Zhenqing: "I saw the princess arguing with the porter and examining the brushwork. When I saw Gong Sundaniang dancing sword, I got the charm of writing. Apart from hard training, I have observed nature and nothing else. "

Then, he told Yan Zhenqing the story of Wang Xianzhi, the son of Wang Xizhi, a book sage in Jin Dynasty, practicing calligraphy. Finally, he said seriously, "If there is any secret to learning calligraphy, it is to study hard and practice hard. Remember, people who don't work hard won't achieve anything. "

Yan Zhenqing was greatly inspired by his teacher's teaching, and he really understood the learning methods. From then on, he studied hard, studied hard, learned the charm of calligraphy from life, made rapid progress, and finally became a great calligrapher, ranking first among the four calligraphers.

Mr. Ouyang Xiu's father died when he was four years old. His family is poor and has no money to study. The wife wrote on the beach with a reed pole and taught him to write. And taught him to read many ancient chapters. When I am old and have no books to read at home, I go to a nearby reader's house to borrow books, and sometimes I copy them. In this way, day and night, sleepless, just concentrate on reading. Poems and essays written since childhood are written at the level of adults, so high.

Su Dongpo gave way.

One day, Su Dongpo, a university student in the Song Dynasty, went on an outing and saw many farmers picking mud and fertilizing. He wandered to a small ridge and didn't want to meet a peasant woman who was carrying mud. Two people meet each other halfway. Su boasted: "Everything is inferior, but reading is superior. I am a scholar, and your wife will make way for me. " The woman smiled and said, "Since you call yourself a scholar, how can you be right?" Dongpo said: "It is certainly right to hide the bull in your chest!" The woman then blurted out, "A lot of mud is blocking the road."

Su Dongpo was too scared to speak for a long time. The people who sent mud back from the ridges on both sides looked at his embarrassment and laughed. When Su Dongpo saw this scene, he suddenly realized something. He quickly "borrowed the ladder" and stepped down and said, "Two rows of grandfathers looked back and smiled."

Although he is right about the second couplet, he is still worried. I think, there are such smart peasant women in the countryside, and I can't take it for granted to be in such a crazy state. Then take off your shoes and socks, go down to the paddy field and make way.

Liu Gongquan practices calligraphy hard.

One day, Liu Gongquan and several friends held a "reading club". At this time, an old man selling tofu saw his handwriting, "I can write about Feng Fei's family background and dare to boast in front of people." He felt that the child was too proud and frowned and said, "This word is not well written, just like my tofu, it is soft, flat and spineless. Is it worth boasting in front of people? " Hearing this, Hsiao Kung chuan said unhappily, "Write some words for me if you can."

The old man smiled heartily and said, "No, I dare not. I am a clown and can't write well. " However, some people write with their feet much better than you! If you don't believe me, go to Huajing. "

The next day, Xiao Gongquan got a vigil and went to Huajing alone. As soon as he entered the capital of China, he saw many people gathered around a big pagoda tree. He squeezed into the crowd and saw a black and thin old man, without arms and barefoot, sitting on the ground, his left foot pressing paper, his right foot holding a pen, writing couplets freely, and his handwriting was like a galloping horse, while flying while flying, which won applause from the onlookers.

Xiao Gongquan plopped down on his knees in front of the old man and said, "I would like to worship you as a teacher, please tell me the secret of writing ..." The old man quickly pulled Xiao Gongquan up with his feet and said, "I am a lonely man, born without hands, and I can only live skillfully with my feet. How can I be a teacher? " Xiao Gongquan begged, and the old man spread a piece of paper on the ground and wrote a few words with his right foot:

"Write eight cylinders of water, inkstone dyed black; When you win hundreds of parents, you will get a phoenix in Yi Long. "

Liu Gongquan kept the old man's words in mind and worked hard to practice calligraphy. Thick cocoons were ground on the hands and the elbows were patched layer by layer. After hard training, Liu Gongquan finally became a famous calligrapher in China.

Liu Gongquan is a famous calligrapher in China. His calligraphy is clear and straight, which is admired and studied by later scholars. Why did he achieve such success? The above passage answers this question. At first, he thought his handwriting was excellent. He wrote the words "I can write Feng Fei's family background and dare to boast in front of people", which shows his pride. However, when the old man deliberately satirized Liu Gongquan's words as "tofu, soft and flat, spineless" in "Burden", Liu Gongquan was extremely angry. "Write a few words for me if you have the ability." The pride is beyond words. When the old man challenged him with the phrase "Some people write with their feet much better", Liu Gongquan didn't fly into a rage. However, from his action of "vigil the next day and going to Huajing alone", we can also see that he is not convinced, which is the pride of writing Liu Gongquan. When Liu Gongquan entered Huajing, he saw "a black and thin old man without arms", "writing couplets freely" and writing "Like Ma Benteng, flying". So he was dumbfounded. He plopped down on his knees in front of the old man and begged him to be his teacher. Here, a "shock", "kneeling" and "begging" fully show the change of Liu Gongquan's thought, and his pride is swept away. When the old man told Liu Gongquan the "secret" of writing, he suddenly realized that "practicing calligraphy hard from now on" finally became a generation of famous artists. Full-text details are "full of energy", and "writing" is briefly written, which gives us profound enlightenment.

Liu Shuzhigui.

Liu Gongquan, a calligrapher in Tang Dynasty, is famous for his calligraphy. Official to Prince Taishi, together with Yan Zhenqing, is called "Yan Liu". At that time, ministers thought that if the calligraphy of inscriptions or epitaphs could not be written on Liu Gongquan, it would be unfilial to future generations. Even foreigners come to the imperial court to pay tribute, and often buy Liu Gongquan's calligraphy works and bring them back, which shows how far his reputation is spread.