-Writer and calligrapher Wu Zhongyang freehand brushwork.
I know Mr. Wu Zhongyang, a Dalian writer and calligrapher, because Shi Feng is a painter with imaginative artistic thinking. He published many novels, among which The Sea won many praises and was also broadcast on Xi 'an Radio Station. His writing is full of the beauty of logical construction of self-presence, which explains the height of human nature as much as possible, and it is also the process in which writers trample on their own souls. His understanding of life and soul has strengthened his decades-long life course, so the words he writes show his understanding and respect for human nature.
The writer's living area, with the shore and the sea, is vast, which shapes the writer's broad mind and mellow wisdom of narrative language. He is in it, with the sea as the other side and the sea as the shore, looking for the return of life between the lines. He not only turned words into the direction of the soul, but also sought the harmony of seeking people in the process of self-life intervening in survival and life. In addition, the profound connotation of traditional calligraphy is explored in the images highlighted by calligraphy lines.
Maybe it has something to do with his tall figure. He gave me the impression of being steady and confident. And his calligraphy is also full of self-confidence, massiness, and shows a warm and heavy traditional temperament, full of confidence in artistic life. He not only pays attention to the temporary study of pen and ink, but also realizes the magnificent ecstasy from the calligraphy of Yan and Mi. Pay more attention to the pen and ink practice of calligraphy, and show your personality in the writing process of calligraphy's interest, ink method, word method, composition and brushwork. His calligraphy, between words, has a very good relationship of care, mutual communication, mutual concession; Ink is heavy and solid, and go forward bravely; Flying white nature, such as Sherman dance; The layout of the rules is full of charm. Writing is permeated with the fluctuation of life consciousness and the return of spiritual orientation. He likes Yan Zhenqing and Mi Fei's books, Yan's integrity is the basis of his life cognition, and Mi's madness is the object of his admiration. He learned from it, took its meaning, and sought the highest realm of calligraphy art, so that individual life could be surpassed.
After a long period of practice, his calligraphy has formed a refined, vigorous, straight, round and dignified writing personality on the basis of inheriting the tradition, which shows his profound understanding of calligraphy. His voice is rich and magnetic, and at first glance, he will think that he is from broadcasting. But after contact for a long time, you will find that his thoughts and knowledge will reverberate in the empty space and time with his mellow and magnetic voice, which will make your thoughts feel vast, broad and far-reaching, and you will feel that the word "Wu Zhongyang" is as famous as its name. And his calligraphy, just like his mellow magnetic voice, is vigorous, powerful and simple, reflecting the free and easy lines of pen and ink between thick and colorful.
God is always creating encounters for individuals. When Mr. Shi Feng is imaginative, let's get together and get to know each other in Xi 'an. During the dinner, Mr. Wu Zhongyang expressed his unique understanding of life and human nature with a magnetic voice. I felt that he was an extraordinary person. When Mr. Shi Feng once again emphasized that he was a writer from Dalian, I was even more impressed with him. From what he said at dinner, I felt that his thoughts were rebellious and open-minded. Later, I looked up his information on the Internet and found that since he resigned from his job in Liangwo, he has realized that his independence is beyond the times. After swimming in the sea for ten years, he lived in a humble abode and wrote five novels with ten years' hard work. He realized that the birth of his freedom of soul originated from his innate mission spirit. Then, he returned to tradition with calligraphy, sought the mystery of life intervening in the soul in calligraphy, and explored the era significance of ancient writing symbols and contemporary writing, which became his existing life intervention.
Therefore, looking back on his artistic path, you will find that in his life consciousness, the other shore is an extension of the sea, consciousness and thought. The vast sea continues to extend, and the realm of life is also extending into the distance in the continuous extension of the sea. Therefore, the extension of the sea and the importance of the shore are self-evident. The shore is the refuge of the sea, and the sea is the extension of the shore. Where the coast is connected, rows of huge waves come and go, forming an unspeakable story in life, which keeps flowing in Wu Zhongyang's heart lake. ...
20 17 10 was written on1October 29th in Hao Yutang.
2017101October 3 1 changed to haoyutang.
(Cai Yongsheng: 1969 was born in Lintong, Xi. Art critic, writer and curator. He has published many collections of art criticism, such as China Art Memorandum, Breath, Ruan, Feed the Master of Tiger House, Heart-fragrant Crane Shadow, etc. He used to be the editor-in-chief of cultural China newspaper, cultural China magazine, art observation and other art publications, and also operated online media such as Cultural China Network. Now he has written and edited more than 20 collections of art criticism. Commentary articles are scattered in nearly 100 newspapers such as People's Daily, China Culture News, China Reform News, Art News, China Painter, Shenzhen Business Daily, Beijing Evening News, Heilongjiang Daily and Shaanxi Daily. There are personal online account carriers such as Art City, blog China and Today Headlines to express artistic opinions and humanistic thoughts. The book Song of Soul, Myth and Art's Alternative Cognition is being revised. )