What's the difference between running script and cursive script?

The difference between cursive script and running script is mainly reflected in font structure, pen rotation and line drawing.

Let's talk about font structure first. Cao Zhang's fonts are basically flat, almost equal in size, and there is no connection between words, so it is easier to identify. This cursive script is uneven in size and I am used to it. Simplify by deleting complex words, and the same radical of words can represent different meanings. Walking around, rigorous and free. It's hard to read.

Although the running script is uneven in size, it is not as big as this grass. The running script font is mainly regular script, and the font is relatively flat. This knot is not grass and it is not true. It is easy to read.

In addition, use a pen to make it rotate. Zhang Caoyuan is a calligrapher, and there are still waves in his works. This kind of grass basically has no official script. With a pen, you can write freely. Every word has its own specific rules, and it can't be "formed by gathering ink with any pen", as Sun said: stippling is actually a shape, so it can be turned into emotion. Grass takes stippling as its emotion and turns into shape. You can't write without painting; Drawing a picture is really a loss, but sadness can be remembered.

The front of the running script can be hidden and exposed, leaving the square garden. "It's not too late to write, but silly, absent, it's too late. You can't be too connected, even if you are embarrassed, you will lose your posture. " Don't worry, I still need to change it quickly, but there is no cursive disease. Compared with regular script, its turning trace can be seen on paper more or less; Compared with cursive script, its stippling form is more obvious in the turning trace. . Turn the connection into a fracture in brushwork, so that its dynamic potential is slightly exposed at the end of the point.

Finally, talk about the white component.

In terms of composition, this grass is dense, inverted, upturned, welcoming, light, heavy, virtual, real, uneven, big and big, big and big, big and dense, big and slow. Grasp the balance in line flow. Still dangerous, still moving. The strategic plan built by putting pen to paper has a prominent pulse rhythm.

The layout of running script is mainly flat pen, supplemented by danger. I like to walk alone. There is convergence and divergence in the words and divergence in the lines. This is neither correct nor straight. On the whole, the square is right, the pen is wrong, and it is natural and smooth.