Different from the classic "Red Rock" which originated from The Book of Songs Xiaoya Red Rock and has a long history, "White Rock", as a poetic allusion, appeared late, with special meaning and subtle symbol and sustenance. White Goose is from Liu Yin's poem White Goose. This poem is as follows:
The north wind is easy to cool at first, and the river is dry again. The north wind blows white geese three times, and Zhu Yashan is cold and thin. Gan Kun was angry for 300 years, and a gust of wind swept the floor without leaving residue. Wan Li Jianghu should be natural and unrestrained, waiting to see the geese return in spring.
Liu, a native of Rongcheng, Baoding, published the Chronicle of Yuan Poetry for five years. The first name is Jian, the word dream horse. The table is called a retreat. In the nineteenth year of Zhiyuan, I worshipped the right doctor. Twenty-eight years, known as the bachelor of Jixian county, I can't afford to resign. Shi Wenjing. (Su Tianjue) Zi Xi Manuscript:' I am good at whistling. Try to visit the western hills. When the autumn wind falls, make a song and feel it. Julian Waghann cut the Song Dynasty, and Mr. Wang wrote Du Jiang Fu to mourn. Taste and love Zhu Gekongming's words of "quiet to cultivate one's morality", which means retiring. "..." This is the story of Liu Yin.
Liu Yin is a scholar with national feelings. At that time, Mongolia wanted to go south to destroy the Song Dynasty, and it was invincible because it tasted Du Jiang Fu. About this article, he said, "Gai thought Song was a new moon, so he didn't want it to die." . This is a glimpse of Liu Yin's national complex under the rule of the early Yuan Dynasty. Chronology of Yuan Poems also lists Liu Yin's poems, including the poem White Goose.
This poem laments the situation that the Song Dynasty has been faced with foreign invasion and national subjugation since the founding of the People's Republic of China. In the four sentences of Shoulian and Julian, the "north wind" refers to the three national military regimes that rose in Saibei successively-the Liao State of Qidan nationality, the Jin State of Jurchen nationality and the Yuan Dynasty of Mongolian ancients. Like the fierce and biting north wind, they continued to shake and eventually overthrew the lofty foundation of the Song Dynasty for more than 300 years. A.D. 1279, Song and Meng fought a naval battle at Yashan, and the Song Dynasty was defeated. Lu Xiufu, the prime minister, threw himself into the sea with Zhao Min, an 8-year-old emperor, and all the residents of100000 died in the sea. The Song Dynasty perished, which is the so-called "cold and thin Zhu Yashan". Necklace "worked for 300 years, and a gust of wind swept the ground without residue", directly lamenting that the 300-year-old Dasong Dynasty was swept away by the strong wind. At the end of the couplet, the poet pretends to be forgetful, presenting us with a picture of the rivers and lakes, watching the geese crossing the place and losing everything!
The "white goose" in this poem is especially symbolic. "The Remains of the West Lake" said: "First of all, there is a rumor in Lin 'an:' If Jiangnan is broken, the white goose has arrived. "Beggars Bo Yan's prophecy. Liu Baiyan, cover the fable. "It can be seen that" White Goose "is a metaphor for Bo Yan, the coach of Mongolia in the Song Dynasty (White Goose is the homonym of Bo Yan). The Yuan people also thought that the white goose was a metaphor, and Liu Yin's contemporary Wang Yun's Legend of Yutang had four clouds. "Before the Song Dynasty, there was a saying in Jiangnan: If Jiangnan is broken, a hundred geese will come. I didn't mean to. And Wu Song, renamed refers to the prime minister Bo Yan also ". Amin Xu Xian's Miscellaneous Notes on the West Garden in Xiangyang commented on Liu Yin's White Goose Walk: "It was the place where the king was built in Yuan and Song Dynasties. "Dropping out of Farming" and "Yutang Story" said: Before the Song Dynasty, Jiangnan said, "If Jiangnan is broken, hundreds of geese have come." I didn't mean to. Retire YunBaiYan also refers to? "Also Qing Weng Fanggang's" Zhou Shi Poetry "Volume 5" Song people said:' If you break the south of the Yangtze River, the white goose has come.' The retreat of the "white goose" is also endowed with this matter. "It can also be evidence. From the writings of Wang Yun, Tian Rucheng, Tao, Weng Fanggang and others, it can be seen that since the Yuan, Ming and Qing Dynasties, scholars have realized that the image of "white goose" in Liu Yin's poems is a metaphor for the commander-in-chief of the Yuan army and has special cultural implications.
The poetic style of White Goose is painful, which really led to Bo Yan's destruction of the Song Dynasty. Yu Jiaxi's evaluation of this poem is: "This poem is a white goose. I doubt the language at that time, and the communicator mistook it for the ears of a hundred geese. The north wind is a metaphor for Yuan, which means to destroy the gold first, then invade the Song Dynasty, and finally break the cliff mountain. It means sighing, not what outsiders can say. " Liu Yin also has a seven-metrical poem "Crossing Dong 'an". Dong 'an has the Tomb of Zhao and Song Zu, and Liu Yin has a sense of rise and fall through this place. He said in the last two sentences: "This is the ancient area, but that's all. The five tombs mourn the geese into the autumn clouds." It can be seen that in Liu Yin's poems, the appearance of the image of wild goose is always covered with a thick layer of sadness.
I think Bo Yan crossed the river with his troops that day. He was in high spirits. He once wrote a poem "Accepting Jiangnan". We can compare it with White Goose to understand the different psychological feelings of the conqueror and the conquered. This poem is as follows:
The sword means the green hills crack, and the horse drinks the Yangtze River. Millions of elite soldiers went to Jiangnan, but their blood was not stained.
Comparing Bo Yan's poems with Liu Yin's "Flying in the Wild", we can feel Wang Yuanliang's mentality of "Southerners Cry, Northerners Laugh". Although Liu Yin was first a Han Chinese in the Jin Dynasty and then entered the Yuan Dynasty, he preferred the Southern Song Dynasty to the Mongolian Yuan Dynasty. "White Goose" refers to "Bo Yan", which is a symbol with the allegorical cultural implication of alien invasion and the fall of home country. Knowing this, it is easy to understand the deep meaning of the allusions about white geese in Qian Zhongshu's "Old Country" and Chen Yinque's "The Day after the Spring Festival".
The poem quoted by Mr. Xie Yong is "Huanglong strikes in vain, and evil sees white geese coming". It is compared with Yue Fei's "Go straight to Huanglong" and Liu Yin's "White geese go" and "White geese come from the north wind" that the recovery of lost land in Northeast China has failed and the enemy will cross the river again. Chen Shiyun: "The oriole's dream is empty and bitter, and the white goose is tired with the sun." As Jin Tang Chang Xu's "Spring Complaint" "drives the oriole away, all the fun comes from the tree. They woke her up. When she dreamed, she went to Liaoxi camp to join him there. "Poetry, with Liu Yin's poetic allusions, was falling, and the strong enemy was rampant. "Huanglong" and "Liaoxi" in the two poems clearly refer to the occupied areas in Northeast China. Undoubtedly, Qian's poem was published in 1934, when Japanese pirates had already occupied the territory of the Three Seas and invaded Jiangnan again (1932, the "November 28th Incident" occurred, and Japanese pirates advanced on Shanghai). The "white goose" in both poems refers to the enemy. Qian Zhongshu and Chen Yinque, two masters of Chinese studies, were naturally worried when the Japanese invaders tried to destroy China in the 1930s and 1940s. With their cultural background of learning from Heaven and being an official by learning to be excellent, it is easy to link the situation of foreign invasion at that time with the situation at the end of the Song Dynasty and sigh endlessly, so as to express the poet's anxiety and patriotism. This is also a natural thing.
At this point, we can make a summary: the literary image of "White Goose" has become a symbol of unique cultural meaning in China's classical poems, which originated from the poem "White Goose" written by Liu Yin, a poet in Yuan Dynasty. It was originally a homonym of "Bo Yan" and a metaphor for foreign conquerors who came from outside to destroy China. Therefore, "White Goose Comes" is indeed the "evil" that Shi Qian said. Because the image of "White Goose" profoundly embodies the thoughts of home and country, the feelings of rise and fall, and finally condenses into allusions in classical literature. When the foreign invasion is deeper and stronger, it will appear in the poet's poems that worry about the country and hurt the country.
The above essay is only my humble opinion, and I urge readers to be generous.