First, the center of gravity is stable.
Chinese characters are often composed of multiple parts, just like the pyramid of architecture, building blocks and acrobatics. First of all, they are not in danger of collapse, which means keeping the center of gravity stable. This is what Sun meant by "beginner in distribution, but seeking justice".
The simplest form of stability is symmetry, that is, it is arranged on both sides of the central axis in the same number and shape. In seal script and artistic characters, words like Wen, Li, Quan, Yu, Nan and Bei can be written very symmetrically, but not in regular script. Because the horizontal painting of regular script is generally inclined to the left low and the right high, the vertical painting is not so straight.
Second, the cloth is symmetrical.
When stippling is written into words, white paper is divided into large and small blocks, and words become words precisely because there are blanks. Deng, a calligrapher in the Qing Dynasty, said that the structure should be "as white as black", that is, virtual and real are equally important. The simplest requirement of symmetry is that the space width and size between strokes should be roughly equal.
Third, stagger and avoid.
Regular script is based on fairness, but if it is too neat and consistent, it will appear dull. Therefore, when horizontal paintings overlap, there must be long and short, and when vertical paintings are juxtaposed, there must be changes in length and inclination. When you are together at three or four o'clock, you must have your own posture and back. And so on. The irregular changes of regular script should be carried out on the basis of fairness, that is, seeking changes in unity.
Avoidance is particularly important if the system is combined up, down, left and right. It is forbidden to stay away from each other and "go their own way", but "you have me and I have you", which are intertwined and integrated.
Fourth, knowledge is interlinked.
Although regular script is not connected with each other, it can't be written as plain books such as Accumulated Salary and Arranged Chess Manual, but as Zhang Huaiguan, a book critic in the Tang Dynasty, said, "You must know your feelings before you can process them."
Regular script, a font of Chinese characters, is also called regular script, regular script, original script and regular script. It gradually evolved from official script, becoming more simplified and more horizontal and vertical. The book Ci Hai is interpreted as "square in shape and straight in brushwork, which can be used as a model". This kind of Chinese character has the correct font and is a modern popular handwritten orthographic Chinese character.
Introduction to regular script:
Regular script, a font of Chinese characters, is also called regular script, regular script, original script and regular script. It gradually evolved from official script, becoming more simplified and more horizontal and vertical. The book Ci Hai is interpreted as "square in shape and straight in brushwork, which can be used as a model". This kind of Chinese character has the correct font and is a modern popular handwritten orthographic Chinese character.
Regular script is also the official name. In the book "Two Chapters of Guan Bai in the New Tang Dynasty", there are 20 regular calligraphers in the Provincial History Museum and 18 regular calligraphers. Regular script, as a formal name, is also called regular script player, who is in charge of calligraphy and writing, and is listed in the same institution because of the different specific division of labor. "Tongdian Official Twenty-two" records that the regular script writer is an outstanding official. There were no regular script players in Song Dynasty, only regular script.