It means close.
The ancients grinded ink blocks, so the quantifiers were equivalent.
Zhang Zhi is a master of cursive writing.
Suo Jing is also a calligrapher.
That square is a symbol of seal, isn't it?
The brush became a grave, and so much ink was written in a pond. It is not as close to Wang Xianzhi as Wang Xizhi. The pen is bald and the ink is polished. Not as good as Zhang Zhi's-Su Dongpo's problem.
Background of this link:
On Su Shi's Skills
The second article Wang Shu
Pen into grave, ink into pool, it is better to offer it. Pen bald thousand tubes, ink grinding ten thousand collars, not Cecilia Cheung Suo Jing.
After the words written in the book
Learn books if you give less, and take their pens from behind if you give less, until they grow up to be famous. The servant doesn't think so. Knowing books is not in the prison of pens. Haoran listens to the pen without losing his statutes, but it is worth it. And those who are too easy to escape, so they pay attention to their own inadvisability, just use their youngest son to cover up their intentions, and their intentions are not in the pen before they start. Otherwise, they are powerful people in the world.
Postscript JUNG WOO Xi tie
When Wu Daozi first saw Zhang Sengyou's paintings, he said, "The waves are very attractive." I've been sitting under it and can't walk for three days. At the beginning of the Western Expedition, he was not satisfied with leisure, and there was a saying of "domestic chickens and wild owls". Later, he was reborn as Boying. Looking at its stones today, it is far behind that child, just like Yang Xiner.
Zhangshu Changshi calligraphy
The world saw a Taohua Taoist priest in ancient times, vying to praise Taohua, and he ate it. I have eaten this meal for 50 years and haven't talked about it. Just as Zhang Changshi saw her husband and princess fighting for the way, he got the method of cursive script. If you want academic history books, you will have to ask for them every day. How can I get it?
Public judgment without books
Zhang Xu, the commander of Changshu, was pleased to accept the complaint from an elder. If you complain again in a few days, you will be sentenced. He came back day after day, and Zhang was very angry and thought he was easy to go to court. I kowtowed and said, "I dare not sue. I really see that Shaogong's writing is wonderful and I want to hide at home. " If Zhang Jing asks for details, his father will cover the whole world. Zhang therefore makes the brushwork wonderful. The ancients had their own brushwork, and Zhang Yong's sword was reasonable. Mrs. Lei's "Jane" is a cloud that hears the sound of the river, and it uses all brushwork, but you can also see snakes fighting when you write and write, and the cursive script is very long, which is ridiculous.
Books about Mo Jun.
If you are familiar with your handwriting, you will have a solid and lingering appearance, which is a silent enjoyment. However, if you often suffer from lack of leisure, is it because you often lack of fun? Since Su Zimei died, I think this brushwork is unique. In recent years, Cai has been fighting alone, and he often refuses to stand out. A few years ago, if a drama called you, learning books was like going back to the rapids, exhausting your physical strength and staying in the old place. You have a bright future, so you can give an example. I've been thinking about this for more than forty years, but how can it be?
Ba Maw junshufu
Mo Jun was the first in my comments on the recent Feng Shu, but the commentator was either not, and it was almost impossible to talk with the ignorant. Calligraphy should be written in small print. Is it right to call grass? Mo Jun is 29 years old, and Kaifa is like this. Know how it ends.
Postscript of Chen's reclusive book
Chen Gongmi published his ancestor Mr. Seclusion. Mr. Shi's book, Mr. Cai's book, is like the jade jade crowned by the three fairs. Shi also believes that learning Mr. Wang's books, such as Ma's so-called learning dragon, is also a way to be human. Calligraphy is prepared in official books, overflowing with cursive script, but it has not been completed in the daytime, and I still don't know Zhuang language.
Postscript of Ouyang Wenzhong's official letter
Ouyang Wenzhong uses a sharp pen to dry ink, making wide words, which are beautiful and frosty. Later generations look at it, such as seeing its bright eyes and rich cheeks, and advancing towards prosperity.
Postscript to King Gong Jing's letter
Gong Jing can learn the impossible method, but he can't and can't. Therefore, the servant book is like Cai doing his best, slightly proud of Yang Fengzi, and even more eloquent.
Postscript Huang Luzhi cursive script
As long as there is a pen in cursive script, it is not too much for Huo Qubing to say that he does not learn ancient art of war. Lu Zhi's book.
It is wrong not to learn the ancient method. Learning is not, and it is impossible without learning. Purple stretches.
Postscript of Qin Shaoyou
Recently, if you don't write cursive script, you will have the taste of the Eastern Jin Dynasty, and your poems will be more beautiful. Knowing that this person can't be idle, he has all kinds of skills. Not without technological progress. If you swim less, you can improve your skills.
Calligraphy inkstone
The inkmaker of inkstone must spend a lot of ink and return it without spending a sum. It is more difficult to have both virtue and inkstone. Big characters are difficult to bind. Small print is often cramped; Real books are hard to take off, and cursive books are hard to take off. Tea is bitter but not beautiful, and wine is beautiful but not spicy. Everything is fine, but you can laugh.
Related articles:
Su Shi in literature has long been known to the world. In calligraphy, Su Shi often needs to get rid of layers of fog to get an accurate understanding. The so-called "fog" does not refer to the evaluation of Su Shi's calligraphy achievements in the past dynasties-the calligraphy in the Song Dynasty, Su Shi, Huang Mi, Cai and others have already made a clear evaluation-but refers to Su Shi's comments on calligraphy and the understanding of his comments by the world.
Su Shi's most famous comment on calligraphy is that "books are not attentive, and they are troublesome." Since "intentional" and "impossible", of course, I am too lazy to study the lottery. Su Shi also said: "Although I am not good at writing, my writing is not much better. If you can understand it, you often say that you can't learn. " As long as you can understand the meaning of ancient books, you don't have to learn those basic techniques.
Does Su Shi really ignore the ancient law? That's not true. From what he said, "the pen becomes a grave, and the ink becomes a pool, it is better to offer; It is his strong desire to strive to reach the level of the previous generation of calligraphers. From his student Huang Tingjian's evaluation of him, we can also see his experience in learning books: "Dongpo was a large-scale Xu Huiji when he was young, with a round style and full of charm. "In middle age, I like to write Yan Shangshu (Zhenqing) really well. If I expect it, I want to be poor. In the evening, I am very happy with Li Beihai's book. It is so strong. " So, how should we understand Su Shi's exposition of calligraphy above?
First of all, Su Shi has a very clear understanding of the previous calligraphers: "The traces of Zhong and Wang are ancient and far-reaching, and they are beyond pen and ink. When they arrived at Hehe Liu, they began to collect ancient and modern brushwork and made them all. When the book changes, the world suddenly thinks it is the Lord, but Zhong and Wang Fa are of little benefit. " Since it is difficult for later generations to surpass the Tang Dynasty in law, and the method of Zhong and Wang in Wei and Jin Dynasties is of little benefit, Su Shi will compete with his predecessors on the basis of inheriting and carrying forward the "small three swords" in Wei and Jin Dynasties.
Of course, times have changed. Scholars in Wei and Jin dynasties are elegant and talkative, and they are romantic and calm. The beauty of peace, nature, implication and neutrality brought by intangible emotions is no longer available. What Su Shi can do is to be comfortable and let nature take its course, focusing on the free expression of personal interests, feelings and personality. But what he pursues is cheerful and open-minded, regardless of work, avoiding ugliness and not sticking to formal beauty, so his works are full of innocence. Su Shi is quite complacent about the ancients, but he doesn't imitate them. "Although my book is not very good, it is quick success if I don't practice the ancients!"
Secondly, Su Shi is a talented and knowledgeable person, and the cultivation of articles is an indispensable part of his calligraphy art. Huang Tingjian commented on Su Shi's calligraphy: "The spirit of learning articles is depressed, and Sandy comes from pen and ink, which is inferior to others." . He himself said, "It is not enough to retire like a mountain. You have to read thousands of books to understand God." It is this kind of reading that makes his calligraphy so natural and distinctive; It is because of this extensive reading that in the history of China's painting, he was the first to clearly put forward the concept of "literati painting" and the famous proposition of "painting in poetry and poetry in painting". He not only broke through the shackles of "writing words by sound" and created his own "river of no return", but even dared to "fabricate" allusions in the imperial examination, blinding the examiner.
Ye Mengde's Shi Lin Shi Hua and Yang Wanli's Cheng Zhai Shi Hua both recorded a story: Su Shi's Scientific Examination and Jin Shidi used an allusion in their papers, and the learned examiners Ouyang Xiu and Mei drew books from nowhere. Afterwards, Mei asked Su Shi, and Su Shi replied slowly: "Of course there must be a source."
This is Su Shi! No wonder Ouyang Xiu was taken aback:' This man can be said to be a good reader, and writing articles in the future will also be chinese odyssey'. Being good at reading and using books gave Su Shi the courage not to look up to the ancients. Lenovo's current book circles generally regard calligraphy as an exercise of writing skills, and dare to doodle casually even without basic skills. Understanding Su Shi in this way is not only the sorrow of Su Shi, but also the sorrow of today's social culture.