://baike.baidu/view/2527。
Second, Ou Yangxun.
://baike.baidu/view/25404。
Third, Yan Zhenqing.
://baike.baidu/view/4 146。
Fourth, Huai Su.
://baike . Baidu/view/ 144777。
Verb (abbreviation of verb) Liu Gongquan
://baike.baidu/view/36458。
Sixth, Su Shi.
://baike.baidu/view/25 17。
Seven, Huang Tingjian
://baike.baidu/view/7373。
Eight, Mimi
://baike.baidu/view/69377。
Nine, Zhao Mengfu
://baike . Baidu/view/3647 1 1。
X. Dong Qichang
://baike.baidu/view/656 10。
Second, in the history of China, calligraphers ranked flying heroes in modern times.
In the ancient history of China:
1. Book Saint-Wang Xizhi! No. 1 It is beyond reproach. It is correct to say that in history, four people can be called "grass saints", but only one person can be called "book saints". His work "Preface to Lanting Collection" is known as "the best running script in the world". According to legend, Li Shimin, Emperor Taizong of Tang Dynasty, collected the Preface to Lanting before his death and was buried in Zhaoling after his death. What's left is just a copy of others. What people see today is a Preface to Lanting. Famous works include official slave post, orange post, sunny post in the snow, Huang Tingjing and so on. Later generations commented: "floating in the clouds will be shocking." .
2. Yan Zhenqing! One of the four masters of regular script, the book style is strong. The cursive script "Handwriting of the Lost Nephew" produced by the funeral was later rated as "the second running script in the world"
3. Liu Gongquan In my opinion, Zhao Mengfu is the best of the four regular script writers, followed by Liu Gongquan. Yan Zhenqing came second behind me because he didn't want to write a book when he was sad, but he wrote the second running script in the world! I think this is the highest realm of calligraphy. People can only reach the peak inadvertently in such a painful life!
Liu Gongquan ranked third thanks to the contemporary calligraphy education in China. Most primary school students practice writing brush basically from Liu Ti. Since both schools and families choose it this way, the word should be good, so it ranks third. Of course, Liu is beautiful and dignified, which is why regular script is suitable for beginners. ) Liu Ti and Yan Ti are also called "Yan Liu Jin Gu".
The following rankings are hard to distinguish: (Calligraphy is an art, and art should be appreciated. Since there is appreciation, it must be decided from the viewer's point of view, so it is inevitable that different people have different views. The above three articles are just my personal "comments". And calligraphy can be divided into official script and cursive script. )
Mrs. Wei-Wei Shuo! Wang Xizhi's copying objects and teachers from the age of seven to twelve.
Wang Xianzhi! Wang Xizhi's seventh son studied books with his father when he was young. Later, he adopted Zhang Zhi's method and created his own style. Like his father, he was named "Two Kings".
The other two of the four regular script writers-Ou Yangxun Zhao Mengfu
Su Huang Camo (Su Shi Huang Tingjian, Mi Fei, Cai Xiang) was one of the four great calligraphers in the Song Dynasty. Another way of saying "Cai" is Cai Jing. Legend has it that Cai Jing forcibly replaced Cai Xiang's name and added his own. But Cai Jing's calligraphy is not weak.
Four Sages of Grass-Zhang Zhi in the Eastern Han Dynasty (who was also copied by the "Two Kings") and Xu (the Sage of Grass among the Top Ten Sages in China) and two Sages of Grass recognized by China in the 20th century: Yu Youren and.
Monk Tang Huaisu! Copying Wang Xizhi's Preface to the Lanting Pavilion can be confused with the original.
5. Liu Yong! Calligraphers in the Qing Dynasty should find it difficult to compete with these people, but they are very famous and their handwriting is really good. Let's row here first! Haha ~
Who are the top ten calligraphers? Wang Xizhi, a native of the Eastern Jin Dynasty, made great contributions to the development of China's calligraphy and was honored as a "calligrapher".
The most famous work is Preface to Lanting, which is known as "the best running script in the world". Calligraphers of all ages lamented the great changes. Other works, such as Seventeen Sticks, On Music and Yi, Mourning Sticks, Clearing Sticks with Quick Snow, etc. , but also has a far-reaching impact. Later calligraphers almost never copied Wang Xizhi's calligraphy, and even Emperor Taizong ordered people to do it. In addition, another contribution of Wang Xizhi is the reform of calligraphy style, which improved the running script with Li flavor into a real running script. If Liu Desheng in the Han Dynasty created the running script, then Wang Xizhi in the Eastern Jin Dynasty perfected and published the running script, so it is hard to be the first.
Yan Zhenqing, a great calligrapher in the Tang Dynasty, is famous for his full and magnificent "Yan Ti", which has a great influence on later generations. Representative works of regular script include Dover Pagoda, Exquisite Monument, The Story of Magu Xiantan, etc. It turned the beautiful style since Wang Xizhi and the rigid calligraphy norms in the early Tang Dynasty into masculine beauty, which can be described as the peak of the art of wiping calligraphy.
In addition, he also has profound attainments in the field of running script, and "Sacrifice for Nephew" is known as "the second running script in the world". Wang Xianzhi, the seventh son of Wang Xizhi, studied calligraphy with his father when he was a child, especially cursive script. He is known as a "little saint" in the history of calligraphy, and he is also called "two kings" with his father.
Although he inherited the family law, he did not stick to the rules, learned from others and dared to innovate. He turned to his father's calligraphy, and his brushwork was charming and graceful. The regular script is represented by Thirteen Lines of Luoshen Fu, the best running script is Duck Head Pill Post, and the cursive masterpiece Mid-Autumn Post is listed as one of the "three wedding invitations" in Qing Dynasty.
Unfortunately, God was jealous of his talent and died at the age of 42. If Wang Xianzhi can live for another 20 years, I believe his achievements in calligraphy will surpass his father's. Liu's Gongquan calligraphy was very famous in the Tang Dynasty. He absorbed Ou Yangxun's rigor and Yan Zhenqing's generosity and broadness, and formed a kind of "Liu Ti" with vigorous brushwork, which was called "Yan Liu Jin Gu" with Yan Zhenqing.
There is even a saying among the people that the word "Liu" is worth a thousand dollars. Representative works include Mysterious Tower Monument, Shence Army Monument and Diamond Sutra Carving. It has become a model for the most people to learn in later generations. Huai Su, a great calligrapher in the Tang Dynasty, was Tang Sanzang's apprentice. He is famous for Weeds, as well as Zhang Xu. He was called "drunk" by later generations.
I like to comb my hair when I am drunk, and my pen is round and powerful, unrestrained and natural, in one go. Representative works include autobiographical posts, fish-eating posts, cursive thousands of words and so on.
The brushwork is vigorous, wild and unpredictable, which has always been valued by the world. Ou Yangxun and Ou Yangxun's regular script is rigorous and precipitous, which is unparalleled in the world.
Calligraphy first took the method from Wang Xizhi, and then took part in the calligraphy of inscriptions in the Six Dynasties, which became a unique school and was called "European style" in the world. At that time, it was called the first regular script in Tang Dynasty. It can be said that calligraphy in the early Tang Dynasty was Ou Yangxun's era. The masterpiece "Jiuchenggong Liquan Ming" is known as "the ultimate rule of regular script" and is deeply loved by people.
Others are world-famous, such as the Buddha Taming in Huadu Temple, the Yu Gong Gong Wen Yan Bo Monument, the Huangfu Birthday Monument, and the Meng Dian Tie Post. Su Huang Camouflage by Mi Songfei, regardless of Su Dongpo's status as a literary giant or Huang Tingjian's influence as a leader of Jiangxi poetry school, Mi Fei has the deepest skill in calligraphy art, especially the greatest achievement in running script.
There are Shu Sutie, Tiaoxi Tieshi and Zhong Baiyue Mingtie handed down from generation to generation, and their books are called "calligraphy", especially Shu Sutie, which is bold and unrestrained, while taking research and showing off on all sides. In addition, Mi Fei is good at copying ancient calligraphy, which can achieve chaos.
Huang Tingjian's running script is vigorous and elegant, with peculiar structure and outstanding style. The most obvious feature of this book is that it is very exaggerated and is called "Valley Style". Together with his teacher Su Shi, he became an outstanding representative of the calligraphy circle in the Northern Song Dynasty, which completely freed the calligraphy style in the Song Dynasty from the shackles of the calligraphy style in the Tang Dynasty.
The main representative works are Songfengge and Jingfubo Temple Poetry. Wang Xizhi's seventh grandson, Zhi Yong, became a monk in his early years. His calligraphy style is greatly influenced by family law and he studies hard. According to legend, he did not go downstairs for decades and eventually became a great calligrapher.
At that time, there were so many people looking for books that the wooden threshold in the temple was trampled through. The most famous is the elegant and handsome "True Grass Thousand Characters", which is regarded as the best model for learning cursive script.
Zhao Mengfu, Ou Yangxun, Yan Zhenqing and Liu Gongquan are also called "four masters of regular script". Three of them are from the Tang Dynasty, and Zhao Mengfu is from the Yuan Dynasty. He is versatile and has the highest achievements in painting and calligraphy. Among them, calligraphy has the deepest attainments and the widest influence in original calligraphy and running script. His representative works include Danba Monument and Luoshen Fu, which are internationally known as "Zhao Ti".
Calligraphy is a beautiful school of calligraphy, with round appearance, plump bones and muscles, vigorous stippling, beautiful structure, soft outside and rigid inside.
Four, ten famous calligraphers in the history of China, whose calligraphy do you like best?
Calligraphy is very good in all aspects, such as Li, Cao, Kai and Xing. It is a unique style with far-reaching influence. Preface to Lanting, the masterpiece, is known as "the best running script in the world", which is the only love of Emperor Taizong, and the sunny post in the snow is also the favorite of a generation of emperors. Second, Yan Zhenqing.
In the history of calligraphy, Yan Zhenqing created a unique realm of calligraphy with "Yan Ti". Yan calligraphy is characterized by excellent spirituality and natural magnificent realm; It is cast by its powerful soul, and its realm is naturally vigorous; It enriches the people, and the realm is naturally broad. In his later years, he still pursued perfection and perfection. Its "face" stands firm in the book world. The Manuscript for Sacrificing My Nephew is a memorial to my nephew Yan Jiming by Yan Zhenqing in Tang Dynasty. Write in one go, regardless of work, often write to death. It is known as "the second running book in the world".
Third, Ou Yangxun.
He and Yu Shinan were both famous for their calligraphy in the early Tang Dynasty, also known as "Ou Yu". Later generations see danger in Chinese books, which is the most convenient for beginners and named "European style".
Representative regular script includes Jiuchenggong Li Quanming, Huangfu Birthday Monument, Huadu Temple Monument, and running script includes Zhong Nimeng's stippling and running script with thousands of characters. He has his own unique views on calligraphy, including eight methods of calligraphy works, teaching strategies, pen theory and thirty-six methods. Written by the Buddhist monk Huadu Temple Pagoda Inscription, Gonggong Wenyanbo Monument and Huangfushengchen Monument are called "the first regular script in the Tang Dynasty".
Fourth, Su Shi.
Su Shi was a literary leader in the mid-Northern Song Dynasty, and made great achievements in poetry, ci, writing, calligraphy and painting. His writing is arbitrary; His poems are broad in subject matter, fresh and healthy, good at exaggeration and metaphor, and unique in style. He is also called "Su Huang" with Huang Tingjian. His words are bold and unconstrained, and they are both bold and unconstrained representatives with Xin Qiji, and they are also called "Su Xin" [4]; His prose creation is rich and unrestrained, and he is also called "Ou Su" with Ouyang Xiu, and he is one of the "Eight Masters in Tang and Song Dynasties". Su Shi is also good at books and is one of the "Song Sijia"; He is good at painting, especially at ink bamboo, strange stones and dead wood.
Verb (abbreviation of verb) Liu Gongquan
Liu Gongquan's calligraphy is famous for regular script. He learned from Wang Xizhi at first, and later visited the famous calligraphers in the Tang Dynasty. He absorbed Yan Zhenqing's strengths and new ideas, and created his own unique "Liu Ti", which was famous for its infinite strength and was later known as "Yan Gu". It is also called "Yan Liu" with Yan Zhenqing, and "four masters of regular script" with Ou Yangxun, Yan Zhenqing and Zhao Meng. Inscriptions handed down from ancient times include diamond sutra, mysterious pagoda monument, Su Feng monument, etc. Cursive scripts include Shen Fu, The Sixteenth Day, Insulting Fragrant Posts, etc. , and Meng Zhaotie, Wang Xianzhi send pear postscript and other ink. Liu Gongquan also writes poems. Complete Tang Poetry contains five poems, and Complete Tang Poetry contains one poem.
Sixth, Zhao Meng
Zhao Meng is well-read, good at poetry writing, understanding economy, industrial calligraphy, fine painting, good at epigraphy, law and appreciation. Especially in calligraphy and painting. In painting, he created a new painting style in Yuan Dynasty, which was called "the crown of Yuan people". Zhao Meng is also good at seal script, official script, official script, regular script, running script and cursive script, especially at regular script and running script. His elegant style of calligraphy, neat structure and skillful brushwork created Zhao Ti Shu, which is called "four masters of regular script" with Ou Yangxun, Yan Zhenqing and Liu Gongquan.
Seven, Zhang Xu.
Zhang Xu is famous for his cursive script, dancing with Li Bai's poems and Pei Minzhi's sword, which is called "Three Musts". Poetry is also unique, famous for its seven wonders. It is as famous as Li Bai, He and others. Together with He, Zhang and Bao Rong, they are called "four sons of Wuzhong". Calligraphy is as famous as Huai Su.
Good sex wine, according to "Old Tang Book", every time you get drunk, you scream and go crazy, and writing is called Zhang Dian. It also shows that he is crazy about art and was called "the sage of grass" by later Buddhas.
Eight, Mimi
He is one of the "four calligraphers of Song Dynasty" (Su, Mi, Huang and Cai) and is second to none. He is good at seal cutting, official script, regular script, running script and cursive script, and he is good at copying ancient calligraphy, reaching the level of confusion. His writing style is bold and unconstrained, and his statutes are rigorous. "The Biography of Wen Yuan in the History of Song Dynasty" said: "My calligraphy is particularly wonderful and I am deeply impressed by Wang Xianzhi's brushwork." Shu Su Tie is written in the column, but its momentum is not limited at all, unrestrained and uninhibited, with a pen, flying with a pen, with changeable turns and twists and turns. Dong Qichang wrote the postscript: "This volume is like a lion fighting an elephant. Go all out to cooperate for life. " .
Nine, Zhong You
Zhong You was good at seal script, official script, original script, running script and cursive script, and he was quite accomplished in calligraphy, which promoted the development of regular script (small script) and was honored as the "originator of regular script" by later generations. Zhong You had a far-reaching influence on later calligraphy, and Wang Xizhi and others had devoted themselves to his calligraphy. Also known as "Zhong Wang" with the calligrapher Wang Xizhi of the Eastern Jin Dynasty. In the Southern Dynasty, Yu Jianwu listed Zhong You's calligraphy as "top grade", and in the Tang Dynasty, Zhang Huaiguan rated his calligraphy as "excellent" in Book End.
X. Dong Qichang
Dong Qichang is good at painting mountains and rivers, learning from Dong Yuan, Huang and Ni Zan, and his brushwork is delicate and neutral, quiet and elegant; Clean and bright with ink fragrance, gentle and plain; Green, simple and generous. He is an outstanding representative of Huating School of Painting and has the beauty of "Yan Gu Zhao Zi". His painting and painting theory had a great influence on the painting world in the late Ming and early Qing dynasties. Calligraphy in and out of the Jin and Tang dynasties, sui generis, can make poetry.