First, start with the basic skills.
Three combinations: temporary paste and creation, big and small characters, regular script and running script.
Third, look: 1, usually look at famous posts, 2, look at calligraphy exhibitions, 3, look at famous people. Draw nutrition from good works.
Second, the recommended models
Many scenic buildings, poems about immortals, poems about Yan, ancient poems about Yan and Yan, etc.
Third, three creative principles
★ The lines are firm and muddy-passion comes from proficiency in lines. Line is the combination of force and potential, so the pen should be calm and pleasant, steady and light, emphasizing the pen potential (that is, potential), and the typesetting should be based on the size of the font size, the lines are inclined, and the overall vertical potential.
★ Strange and steady structure-pay attention to the center of gravity. Side, escapement, density and height.
★ Consistent composition-there is a gap in the number of bamboo knots (a few words); Penetrating bead type (centerline); Serpentine (swinging from side to side); Thin shadow type (sparse and bright).
Four, seven general layout points
1, not a word.
2, there is echo between words, connecting the preceding with the following, connecting the left and right, and the line spacing and word spacing cannot be equal. Put the book eye in the middle, but it can be bigger. The words are connected with the surrounding air.
Generally speaking, exhibit's works use strong pen and ink. Hanging at home is suitable for thinning.
4. There should be no typos in the works, and the variant characters should not be too uncommon.
5. The overall layout of the work is light on the top and light on the bottom.
6. The quality of a work mainly depends on the overall visual effect: rhythm, ink color and pen use.
7. In twos and threes, it seems to be scattered and continuous, and the pulse condition is consistent. This layout is also wonderful.
Five, ten writing keywords
1, eight fronts. With the help of the eight peaks, the ink color naturally changes in light and dark, dry and wet, dry and wet, shades and shades, making the work full of rhythm.
2. combine rigidity with softness. Rigid force-iron silver hook (thick): soft force-running water (thin).
3, cherish ink as gold. Regular script requires dipping in ink once to write a word or even a number; Write 3-5 words with cursive strokes. At the end of each stroke, the bristles should be restored and the paper should be lifted.
4, suddenly enlightened. Blank space is wide and narrow, and the wide space gives people a feeling of being suddenly enlightened. Art is a process from creating contradictions to solving them.
5, the middle side is used. The center has a solid foundation and the winger has changed. Center is the requirement of rationality and the core of calligraphy aesthetics; The side is the embodiment of emotion and the means of communication between calligraphy and spirit.
6. Thoughtful. Think again and again before you create, so that you have a well-thought-out plan.
7. One go. Calligraphy is an expression of feelings, not skills. Write in a good physical and emotional state. Write casually, in one go.
8, patchwork. In general, the line spacing of works should be wide and the word spacing should be important. Avoid juxtaposition and interlacing of words. There is a gap between the number of sections, the arrangement and combination should be rhythmic, the size and characters should be staggered, and the middle book eye should be highlighted.
9. The pen is interesting. Calligraphy is silent music and invisible dance. Respond to changes, make the whole harmonious, and have a strong sense of rhythm and visual impact. Make good use of my poor pen, use it slowly, move, and write ink.
10, pay attention to gas penetration. The spirit of calligraphy refers to the echo between strokes and different words, and the trend between words.
Six, twelve details
1, cursive script is not horizontal. Cursive scripts with horizontal lines should be as short as possible and have a sense of verticality. You can use dotted lines and thin lines instead.
2, to avoid the phenomenon of flat drag, dry pen, thickness unchanged caused by fast, everywhere.
3, the ink is light and there is no god. Start from thick ink again, and the strokes of thick ink characters should be clearly stated.
4. Avoid using the word "eyes" to prevent too many "eyes".
5. The center line is the focus of the work. In a work, there should be several outstanding, wonderful and individual words. This is also called "book eye".
6. Long line characters are very important. Be careful when you collect the pen. Generally, dry pen is used at the end of strokes.
7. Words with heavy pen and ink should not be equal in area, and there should be a transition between the weight of words and the lightness of words, so as not to be uneven.
8. Fine pens should be tough and thick pens should be strong. There should be a thick pen with iron and silver grooves and a fine pen with running water.
9. Ink is slightly slower when it is dry, slightly faster when it is wet, slightly slower when it is thick and slightly faster when it is thin.
10, when handing in the pen, the beginning and the end are very clear, and each pen should be explained clearly.
1 1. Pay attention to the pressure increase: even but uneven, straight but not straight, straight in the curve, straight in the curve. To "press down with a pen".
12, the middle edge is used, the eight edges are out of the front, the details are used in the middle and the thick parts are used.