Zikai Comics 1926, Kaiming
Zikai Painting Collection 1927, Kaiming
History of Western Art 1928, Kaiming
Yuanyuantang Essays (Prose Collection) 1931, Kaiming; Revised edition, 1957, Humanities
Zi Kai's Essays Collection 1933, Shanghai Kaihua Publishing House
Essays Twenty Articles 1934, Tianma
Artistic Interest (Essays Collection) 1934, Kaiming
Painting and Literature (Essays Collection) 1934, Kaiming < Liangyou
The Art Conghua (Essays) in 1935, Liangyou
Feng Zikai's Selected Works (Essays) in 1936, Shanghai Antique Bookstore
Random Talk on Art in 1936, Shanghai Renjian Bookstore
Rewriting at Yuanyuantang (Essays) in 1937, Kaiming < Chengdu Puyi Library
Fundamentals of Artistic Cultivation (Essays) 1941, Guilin Culture Supply Society
Poems in Pictures (Poems with Pictures) 1943, Guilin Wenguang Bookstore
Teachers' Diary (Diary Essays) 1944, Chongqing Chongde Bookstore
Art and Life (Essays) Kaiming
Children's Pictures (the second complete works of Zi Kai's cartoons) l945, Kaiming
Student Pictures (the third complete works of Zi Kai's cartoons) 1945, Kaiming
Folk Pictures (the fourth complete works of Zi Kai's cartoons) 1945, Kaiming
Urban Pictures (the fifth complete works of Zi Kai's cartoons) 1945. Shanghai Wanye Bookstore
Adventures of Small Banknotes (Fairy Tales) in 1947, Shanghai Wanye Bookstore
Selected Zikai Comics in November 1955, People's Fine Arts Publishing House
The Complete Works of Zikai Comics in November 1962, and Hong Kong Lingnan Publishing House
The Legacy of Yuanyuantang Collection in Mingchuan, 1979. Zhejiang Literature and Art
Translation Bibliography:
Symbol of Depression (theoretical collection) by Shirakawa, Japan, 1925, Business
Introduction to Art by Tian Peng, Japan, 1928, Enlightened
First Love (novel) by Turgenev, Russia, 1931, Enlightened
. Wensheng
Tale of Genji (novel) was written by Murasaki shikibu, Japan. In 1987, People's Literature Publishing House
was the executive director of China Artists Association, the chairman of Shanghai Branch of Artists Association, the president of Shanghai China Painting Academy and the vice president of Shanghai Foreign Culture Association after liberation. It is praised by international friends as "the most artist-like art in modern China".