How high is the literary value of calligraphy?

1 natural

Honesty is the soul of all arts, and the most valuable works of art are often obtained inadvertently. Su Shi said, "Yoga Yu is a beauty when the book is unintentional", but the artistic value of the artificial and deliberate works is not high. Wang Xizhi's Preface to the Lanting Pavilion, Yan Zhenqing's Postscript to My Nephew, and Su Shi's Cold Food Sticker in Huangzhou are known as the best running script in the world, all of which are handed down to future generations in the form of drafts. Although it is a draft, it has the highest artistic value. If you want to write a good work deliberately, you may not get it: Huang Tingjian's Huangzhou Cold Food Sticker laughed and said, "Fu!

Two ideas

Su Shi has a saying, "It's not enough to pay back the pen like a mountain. Only by reading thousands of books can you understand the spirit.". A calligrapher without thoughts is a calligrapher at best, and his calligraphy has no artistic value. It's not a bad thing to be called nonsense by laymen. You may be a real calligrapher: truly valuable calligraphy has ideological connotation and is a kind of beauty expressed by the author with a unique aesthetic vision. For example, although Jin Nong's calligraphy works are childish, they are consistent with the lifestyle and attitude they pursue, and their artistic value is not the same as that of a child who doodles with his hands. Ni Yunlin is a generation of Gao Shi, who lives in seclusion on the shore of Taihu Lake, so his calligraphy works have an elegant and ancient atmosphere; As the grandson of the Song Dynasty, Zhao Mengfu was recruited as an official by the Yuan Dynasty. He pursues a sleek and sophisticated golden mean, and his works are gentle and elegant, which is in line with his thoughts.

3 Creativity

Only innovation is valuable. The creativity of calligraphy lies in connecting the preceding with the following. In the Tang Dynasty, Shi Yaqi said in On Books that "all books change", and it is worthless to learn from other people's things. Calligraphers are neither good nor bad. The real calligrapher lies in his uniqueness. No matter how art develops, it must be based on tradition. Anything that abandons tradition cannot be called art, but calligraphers become calligraphers because they can learn from tradition and become a family. This is creativity. In the history of calligraphy, almost all calligraphers have been influenced by the two kings to varying degrees, but only a few people have really become famous. Among them, Yan Zhenqing has gained strength, Liu Gongquan has his bones, Dong Huating has his elegance, and Zhao Mengfu has his charm, style, meaning, momentum and wisdom, until forever.

4 field

There are three realms of calligraphy: the realm of mind copying and hand chasing, the realm of handy, and the realm of mind forgetting. Its forgetting center state is the highest state. The artistic value of calligraphers' works in different realms is different. When the calligrapher's realm is improved, the artistic value of his works is also improved.