The most important sign to distinguish whether a poem is an ancient poem or a modern poem is whether the poem distinguishes between flat and parallel. Our requirements for leveling may not be as strict as those of the ancients, but we can't completely abandon them.
Rules: There are three main rules for the combination of parallel style and parallel style in modern poetry: 1. Take five words as an example, whenever the first rhythm is "flat", the second rhythm must be "flat" and the third rhythm must be "flat", and vice versa. Analogy of seven-character poems. It's for the rules of sentence making. 2. Relational sentence: If the sentence is "flush", the antithesis should be "flush" and the antithesis should be "flush", which is a combination rule. 3. It is a rule that the levels and levels of the upper and lower parts should be "sticky", that is, the same. What are the up and down links? There are only four quatrains in modern poetry, and there are no couplets. There are eight regular poems, every two of which are couplets, and each poem is quadrupled. For example, Wang Chun (Du Fu) is a leopard cannot change his spots. Flat and light. Petals shed like tears, Pingping, lonely birds sang their sadness. It is flat. After three months of war, a piece of news from home is worth a ton of gold. Flat and light. I stroke my white hair. It has grown too thin, Pingping, and there is no room for hairpins. It is flat. The first two sentences are "first couplet", three or four sentences are "jaw couplet", five or six sentences are "neck couplet" and seven or eight sentences are "tail couplet". Inside each couplet, it is parallel to each other, and between the upper and lower couplets, it is parallel to each other (that is, the same), which is the parallel arrangement rule of a metrical poem. Knowing these three rules, it is easy to calculate the plane format of a poem. In addition, if you have been able to distinguish flush lines, you will find that the flush lines listed above are not exactly the same as those in the example. If you look carefully, the original flat lines in bold are different. For example, the third sentence "where petals flow like tears" should be "flat lines" according to regulations, but the first word is "flat lines". No, this involves another important law of modern poetry: "One, three, five, two, four and six are distinct". In fact, the words in the singular position of each poem can be leveled, and the words in the even position should be strictly used. As can be seen from the example, all the words "informal" appear in the singular form. What about the fifth word (the seventh word of seven words)? Because modern poetry can only rhyme with "ping", all rhyming positions (the fifth word of five words and the seventh word of seven words) can only rhyme with ping, that is to say, even sentences, according to the law that upper and lower sentences should be even, odd sentences (the first 1357 sentence) should rhyme with ping. Another flexibility of modern poetry is the last word of the first sentence. As I said before, the first sentence can rhyme or not. If it rhymes, the last word of the first sentence should also use the word "Ping". At this point, the meter of modern poetry has basically been finished. The following summarizes the most common formats for your reference when creating. There are many traditional ways to mark flat tiles. According to practice, I use the following flat tile labeling method to label each format of flat tiles. This method is the most common in ancient books, very simple and easy to remember. Marking method: the position that should rhyme is indicated by "red".