Ma Baoshan Excellent Calligraphy Picture Appreciation Ma Baoshan Excellent Calligraphy Picture 1 Ma Baoshan Excellent Calligraphy Picture 2 Ma Baoshan Excellent Calligraphy Picture 3 Ma Baoshan Excellent Calligraphy Picture 4 Mountain Personal Profile
Ma Baoshan, Shou Chang, pen name Fu Ying, real name Yi Ming. Calligrapher, Yi Dao calligraphy, creator. 194 1 Gujiao, Taiyuan City, Shanxi Province, university degree, senior editor. He has served as vice president of Legal Daily and deputy editor-in-chief of China Lawyer's Newspaper for many years. He is currently the executive vice president of China Behavioral Law Society, the president of Tiantai Yi Dao Research Institute, the president of Yi Ming Painting and Calligraphy Institute, and the honorary president of Huaxia Metropolitan Journalists Club.
He has published Yi Dao Calligraphy, Yi Dao Yao Shuo, Yi Dao Ji, Yi Dao Gua Shuo, Yi Dao Taiji Shuo, Yi Dao Xiang Shu Logic and Yi De Shuo. In the field of philosophy research of the Book of Changes, a brand-new perspective, a brand-new concept, a brand-new method, a brand-new argument and a brand-new system are given.
Calligraphy creation has principles.
One, three creative principles
1, the lines are firm and muddy-* * * The original proficiency in lines. Line is the combination of force and potential, so the pen should be calm and pleasant, steady and light, and tend to be * * * when it is heavy. According to the font size and typesetting trend, the lines are oblique and the whole is vertical.
2, the structure is strange and stable-pay attention to the center of gravity. Side, escapement, density and height.
3. The composition is consistent-there is a gap between the number of words in * * * and the number of * * in a section; Penetrating the center line of the bead * * * * *; Serpentine * * * swinging from side to side * * *; Thin film type * * * sparse and bright * * *.
Second, the seven layout points
1, not a word.
2, there is echo between words, connecting the preceding with the following, connecting the left and right, and the line spacing and word spacing cannot be equal. Put the book eye in the middle, but it can be bigger. The words are connected with the surrounding air.
Generally speaking, exhibit's works use strong pen and ink. Hanging at home is suitable for thinning.
4. There should be no typos in the works, and the variant characters should not be too uncommon.
5. The overall layout of the work is light on the top and light on the bottom.
6. The quality of a work mainly depends on the overall visual effect: rhythm, ink color and pen use.
7. In twos and threes, it seems to be scattered and continuous, and the pulse condition is consistent. This layout is also wonderful.
Three or ten writing keys
1, Eight Faces Out: With the help of Eight Faces Out, the ink color naturally presents light and dark, dry and wet, dark and light, and the work is full of rhythm.
2, combining rigidity with softness: rigidity-silver hook iron strokes * * * thick * * *: softness-flowing water * * * thin * * *.
3, cherish ink as gold: regular script requires a word or even a number to be written in ink at one time; Write 3-5 words with cursive strokes. At the end of each stroke, the bristles should be restored and the paper should be lifted.
4, suddenly enlightened: the blank place is wide and narrow, and the wide place gives people the feeling of being suddenly enlightened. Art is a process from creating contradictions to solving them.
5, the middle is also used: the center position is strong, and the winger has the potential to change. Center is the requirement of rationality and the core of calligraphy aesthetics; The side is the embodiment of emotion and the means of communication between calligraphy and spirit.
6. Deliberate: Before you create, you should be thoughtful and deliberate repeatedly, so as to be "prepared".
7. In one go: Calligraphy is the expression of feelings, not the expression of skills. Write in a good physical and emotional state. Write casually, in one go.
8. Patchwork: Under normal circumstances, the line spacing of works should be wide and the word spacing should be important. Avoid juxtaposition and interlacing of words. There is a gap between the number of sections, the arrangement and combination should be rhythmic, the size and characters should be staggered, and the middle book eye should be highlighted.
9. The pen is interesting. Calligraphy is silent music and invisible dance. Respond to changes, make the whole harmonious, and have a strong sense of rhythm and visual impact. Make good use of my poor pen, use it slowly, move, and write ink.
10, pay attention to gas penetration. The spirit of calligraphy refers to the echo between strokes and different words, and the trend between words.
Four, twelve details
1, cursive script is not horizontal. Cursive scripts with horizontal lines should be as short as possible and have a sense of verticality. You can use dotted lines and thin lines instead.
2, to avoid the phenomenon of flat drag, dry pen, thickness unchanged caused by fast, everywhere.
3, the ink is light and there is no god. Start from thick ink again, and the strokes of thick ink characters should be clearly stated.
4. Avoid using the word "eyes" to prevent too many "eyes".
5. The center line is the focus of the work. In a work, there should be several outstanding, wonderful and individual words. This is also called "book eye".
6. Long line characters are very important. Be careful when you collect the pen. Generally, dry pen is used at the end of strokes.
7. Words with heavy pen and ink should not be equal in area, and there should be a transition between the weight of words and the lightness of words, so as not to be uneven.
8. Fine pens should be tough and thick pens should be strong. There should be a thick pen with iron and silver grooves and a fine pen with running water.
9. Ink is slightly slower when dry, slightly faster when wet, slightly slower when coarse, and slightly faster when fine. Cursive script means regular script, so you should write regular script.
10, when handing in the pen, the beginning and the end are very clear, and each pen should be explained clearly.
1 1. Pay attention to the pressure increase: even but uneven, straight but not straight, straight in the curve, straight in the curve. To "press down with a pen".
12, center and winger, eight wingers, center details, winger thickness.
Five or four signature points
Inscription is an integral part of writing and cannot be underestimated. Key points:
1, the signature is less than half the size of the text. These two lines should be right high and left low. Don't change pens.
2. Don't leave too many spaces in the signature, and pay attention to the proportion of light and heavy.
3. Impressed works are filled with glass and books.
4. It is best not to have more than three seals.
1. Appreciation of Ma Baoshan's Excellent Calligraphy Works
2. Ma Baoshan's exquisite calligraphy appreciation
3. Ma Baoshan's classic calligraphy
4. Ma Baoshan's excellent calligraphy
5. Ma Baoshan's excellent calligraphy appreciation
6. Appreciation of Ma Baoshan's calligraphy selection
7. Appreciation of Ma Baoshan's Classic Calligraphy
8. Ma Baoshan's calligraphy appreciation