Appreciate the italic pictures of calligraphy fonts 1
Calligraphy font italic picture 2
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The key to regular script writing
Pen transport includes: writing, that is, the beginning of pen transport and the beginning of paper. Pick up the pen, press the pen on the paper, apply force to the wrist, apply force to the end of the pen with your fingers, and apply force moderately. Lift the pen slightly after lifting it. Don't leave the pen tip on the paper. Keep the height well. Pen, also called pen, pen, pen straight and straight. Turn the pen, the pen will turn when it falls behind, or left or right. Use this method before writing some pictures or hiding the front. Put away your pen and write until you finish painting. When you want to hide the front end, the front end of the pen will stop. When there is a turning point in paddling, pause paddling slightly, then lift paddling slightly to leave the original position and continue paddling. Vertical row, row will be exhausted, row will not be closed and exposed. With the stroke, the stroke will be lifted up, or left and right, or exposed, which is called vertical stroke. In the pen, the pen does not leave the paper, does not travel, makes a short stay, and does not lift the pen.
In the process of carrying a pen, due to the different angles formed by the wrist, hand and pen in the movement, the front, side and side of the pen are used to complete stippling and fonts with different effects. Most of the ancients denied the slant and flank, blindly emphasized the central style of writing, and even degraded the slant to? Heart is wrong? . In fact, this is too narrow and extreme. In actual writing, oblique edges are indispensable, such as regular script, running script and cursive script. When using a pen, the tilt, front and side of the pen lead to different effects of the square and circle of the stroke shape. Generally speaking, the diagonal and the edges should be written in square strokes with a pen, and the middle should be written in round strokes with a pen. If you write both square and round characters, then the front, side and side should be used, and it is not easy to write only the center. The beauty of calligraphy lies in the use of pens. The pen is expensive by heart, the heart can turn the wrist, and the hand can turn the pen. The ancients wrote books only with the intention of writing first. They wrote for a reason and never wrote in vain. Therefore, the key to writing is the combination of heart, hand and pen.
Regular script style
The so-called brushwork is to study the reasonable trajectory of pen stippling. Although this trajectory has no fixed shape, it must conform to the objective laws of nature.
Potential is composed of structure, spirit and composition. The internal relationship between stippling and stippling constitutes structure, the internal relationship between words constitutes spirit, and the internal relationship between lines constitutes composition.
In calligraphy, gestures are mostly invisible, and occasionally signs appear in cursive scripts, which are only expressed by means of imagination. Although the posture is hidden in the fate and the elephant is invisible, it occupies an extremely important position in the art of calligraphy.
When writing small letters, it is most important to pay attention to the richness of God. The ancients observed that the relationship between God and Qi is the closest. For example, Gou Jian of Shen Jian said: Anyone who talks about God will not approach anger. ? Qi is not only the expression of strength in life movement, but also the expression of one's spiritual temperament. Bao said in "The Story of a Written Talk". Words are flesh and blood, full of gas, and out of gas. ? Therefore, if the words are energetic and powerful, the whole picture will be organized, full of energy, lively in attitude and United in training, and the barriers will be closed. ? Although writing small print is not as magnificent as cursive script, waving eight poles, dripping vinegar and swallowing rivers and mountains, it lurks in the room, and there is a dynamic momentum in the dignified silence, which is closely related to cursive script.
Lower case is more expensive than nature. Although stippling and knot writing are ever-changing, they can't be produced by pen gestures. The so-called winning work is divided into muscles and guided by the situation. If it is popular on the surface of the water, it will be written naturally, out of the rock, and it will be in a state unintentionally. Every stippling is arranged in a suitable position, which is very iron, reasonable and easy to operate. ? Only works that are reasonable and conform to the trend can be natural.
Small letters are hard to be vivid. Although vivid expression involves the rules of using the pen, the ups and downs of the pen gesture and the abundance of the pen force, the most important thing is the momentum, full of vitality and vitality, the pen machine is smooth and inexhaustible, and the rhyme is vivid. In his inscription, Jiang Heng said: My husband's book must be full of meaning first, and rotate in one breath. Whether it is real grass or not, it is natural and smart. Settle down one by one and stay at work. ? Pavilion-style lower case letters in Qing Dynasty are famous for their neatness, but they are not smart and have no gestures, so they are called symbols. Therefore, lowercase letters are the most taboo for tablets.
As can be seen from the above, brushwork is a kind of spatial artistic conception that expresses the artistic connotation of calligraphy, and it is a vivid and natural expression technique. Let's talk about the specific methods of gesture coherence in lower case.