He has held and participated in many art exhibitions and won awards in Beijing, Xi'an, Jinan, Heze, Changzhou, Taiyuan and other places, and his works have been collected by many art galleries and museums. In 1996, the work "Qing Qi" was collected by Ms. Chen Xiangmei, the world-famous Chinese-American Communist Party and Party Chairman.
In 2003, his work "Winter Song" won the silver medal in the "Calligraphy and Painting Competition to Commemorate the 20th Anniversary of China's Reform and Opening Up" sponsored by the Chinese Art Research Institute of the Ministry of Culture, and was included in the "Collection of Outstanding Works by Chinese Artists".
In 2006, he was invited to participate in the "Western Style" invitational exhibition of famous Chinese calligraphers and painters organized by China Artists Association's "Art" magazine, Shaanxi Provincial Department of Culture and other units. The works are included in the "Collection of Works of the Invitational Exhibition of Chinese Painting and Calligraphy Masters with Western Style".
In 2007, works and articles were published in important publications such as "The World of Calligraphy and Painting", "Chinese Great Painters", "Chinese Art Education", and "Art Observation".
For more than 20 years, he has devoted himself to the theoretical research and creation of Chinese calligraphy and painting. He has published in "Literary Research", "Art Observation", "Chinese Calligraphy", "Decoration", "Journal of Shaanxi Normal University", "Northwestern Fine Arts" "More than 30 professional papers have been published in national authoritative and core journals such as "Plastic Arts", five of which were reprinted in full in "Plastic Art" edited by the Reproduction Center of Renmin University of China. Special introductions have been made in "Literary Research", "Art Observation", "Chinese Calligraphy", "World of Calligraphy and Painting", "Chinese Calligraphy and Painting News", and "Traditional Chinese Painters". Published more than 300 professional works.
Theoretical monograph "Learning from Paintings—Theoretical Research on Traditional Chinese Painting and Calligraphy" is published.
In 1994, the art work "Twilight" was selected for the 45th National Day of Shaanxi Province and the 8th National Art Exhibition.
In 1996, the art work "Qing Qi" was collected by the world-famous Chinese-American Ms. Chen Xiangmei.
In 1999, the art works "Autumn Song", "Morning Song" and "Pure Land" participated in the Shaanxi Artists Painting Exhibition and Meticulous Painting Exhibition held by the Shaanxi Provincial Department of Culture respectively.
1999-06 He held art exhibitions in Xi'an, Jinan, Changzhou, Taiyuan, Heze and other places.
In 2001, the art work "Blockbuster" won the Excellence Award in the "Ode to Yan'an Art Works Exhibition to Commemorate the 80th Anniversary of the Birth of the Communist Party of China" sponsored by the Chinese Artists Association.
In 2003, the art work "Song of Winter" won the silver medal in the "Calligraphy and Painting Competition to Commemorate the 20th Anniversary of China's Reform and Opening Up" sponsored by the Chinese Art Research Institute of the Ministry of Culture, and was included in the "Collection of Outstanding Works of Chinese Artists".
In 2006, he was invited to participate in the "Western Style" invitational exhibition of famous Chinese calligraphers and calligraphers organized by China Artists Association's "Art" magazine, Shaanxi Department of Culture and other units, and his works were included in the "Collection of Works of the Invitational Exhibition of Chinese Calligraphy and Painting Masters with Western Style"
In 2007, his works were selected by the editor-in-chief of the China National Academy of Painting, and the China Federation of Literary and Art Circles Publishing House published the "Excellent Collection of Chinese Contemporary Calligraphers and Painters"
In 2007, he was named one of the "One Hundred Masters of Chinese Calligraphy and Painting". ,
In 2008, it was rated as one of the 30 companies with the greatest potential for appreciation among those born in the 1960s from Shandong in contemporary Chinese painting circles.