Compared with the brush pen, the hard pen lacks the line change brought by lifting the pen. But many copybooks don't pursue this, such as the exquisite pen and pen heart of seal script. So any font can be written with a hard pen. As long as the most basic shelf and structure are written at the end, it is quite characteristic of fonts. And because of the limitation of tools, technology will stop here.
Pay attention to the selection and posting range, and it is best not to exceed the lower case. Small letters are not only closer to hard pens, but more importantly, there are fewer decorative pens, unlike large-character strokes. The hard pen is obviously not suitable for making rich strokes. You can refer to some books, such as Ling Fei Jing, Selected Works in Small Letters, etc.
Secondly, when touching the hard pen, you should pay attention to the following points:
First, remember to exaggerate. For example, the "horizontal" brush has bends at both ends, which is euphemistically called "starting and closing the pen", but beginners exaggerate two points. In addition, there is a slightly longer copybook, such as the common "city". Beginners often write vertically as long as a mouse's tail. These are all exaggerations. In short, they put too much personality into words.
Second, pay attention to the rhythm. Whether it is a hard pen or a brush, rhythm is very important. Blindly fast, slightly exaggerated; If you are slow, you will become rigid. Therefore, writing should be written rhythmically like music, so that you will not only fall in love with writing, but also make others fall in love with your calligraphy. Regarding the rhythm, to put it simply, after all, mobile phone code words are very difficult and hard.
Third, pay attention to contrast. The contrast between the thickness of hard pen characters is not obvious, but the structure comparison can refer to the brush copybook. Such as size comparison, virtual reality comparison.
Extended data:
The connotation of calligraphy mainly includes the following aspects:
1. Calligraphy refers to the art of expressing emotions with Four Treasures of the Study as a tool. The particularity of tools is an important aspect of the particularity of calligraphy art, and it is an important part of calligraphy techniques to fully embody the performance of tools with the help of Four Treasures of the Study. Without Four Treasures of the Study, there would be no calligraphy art.
2. Calligraphy art takes Chinese characters as the carrier. The particularity of Chinese characters is another important aspect of calligraphy particularity. China's calligraphy can not be separated from Chinese characters, and the form of Chinese character stippling and the collocation of radicals are the contents that writers pay more attention to. Different from other pinyin characters, Chinese characters are a combination of form, sound and meaning, which has strong formal significance.
The so-called "six books" of the ancients refer to six methods of pictographic, fingering, comprehending, pictophonetic, transliteration and borrowing of Chinese characters, which is of great guiding significance to the analysis of Chinese character structure.
3. The background of calligraphy art is China traditional culture. Calligraphy is rooted in China traditional culture, which is the background of its existence and development.
The calligraphy theory we see today since the Han Dynasty has its own systematicness, integrity and orderliness. Calligraphy theory, like other literary theories, includes not only the technique theory of calligraphy itself, but also the aesthetic theory of calligraphy, all of which shine with the wisdom of ancient China literati.
For example, the theory of how to express the categories of "spirit, qi, bone, flesh and blood" in calligraphy, the theory of techniques such as brushwork, calligraphy and composition, and the theory of creation and evaluation all have their own systems.
4. Calligraphy art noumenon includes brushwork, word method, structure method, composition method, ink method, pen gesture and so on. Calligraphy brushwork is the core content of its techniques. The brushwork, also known as "using a pen", refers to the pen-lifting method with a front.
Morphology, also known as "knot" and "structure", refers to the relationship of collocation, insertion, echo and avoidance. Composition, also known as "white cloth", refers to the overall layout of a word, including the handling of the relationship between words and lines. Ink method is the method of using ink, which refers to the treatment of thick and thin dry and wet ink.