Small regular script is an artistic expression form of Chinese calligraphy, which has its own unique morphological beauty. So, how much have you admired Liu Gongquan’s fonts? Below is a picture appreciation of Liu Gongquan’s thousand-character essay in small regular script that I compiled.
Appreciation of pictures of Liu Gongquan’s thousand-character essay in small regular script 1
Appreciation of pictures of Liu Gongquan’s thousand-character essay in small regular script 2
p> Appreciation of pictures of Liu Gongquan’s Thousand-Character Prose in Small Regular Script 5 Characteristics of Liu Gongquan’s calligraphy
1. The calligraphy is strong, precise and meticulous. In terms of the characteristics of the characters, they are famous for their thinness and strength. The regular scripts they write have strong and charming postures and strong bones. The running script and regular script are the most exquisite. Also because of the unique characteristics of his works. The calligraphy is balanced, thin and hard, resolutely pursuing the Wei stele, the stippling is sharp and straight, the bones are strong and the structure is rigorous, which is said to be "the bones of the face and the bones of the willow". The regular script of "The more expensive the calligraphy is, the thinner and the harder it is, the more it can communicate with the gods", is slightly more uniform, thinner and harder than Yan's style.
2. His calligraphy was famous in the Tang Dynasty, and there was a saying among the people that "one character of Liu character is worth a thousand gold". The calligraphy is strong, rigorous and meticulous.
3. The writing style of Liu Kaishu is strong and sophisticated, stable but not vulgar, dangerous but not strange, old but not dry, moist but not fat, harmonious in manner, and unparalleled in charm. The strokes are uniform, hard and thin, with exposed edges and corners, and are full of variety to avoid repetition in a single stroke.