Brief introduction of Liang.

Liang (1723— 18 15) was born in Qiantang (Hangzhou, Zhejiang). Calligrapher of Qing Dynasty. The word Ying, named List Boat, was later named Buweng and Shiweng, and later named Changweng. It was also called "Three Beams" with Bozhou (now Qiaocheng District, Bozhou City, Anhui Province) and Huiji (Shaoxing, Zhejiang Province). The son of college student Liang. Born smart, end thick and steady. In the 12th year of Qianlong (1747), in the 17th year of Qianlong, he was awarded the position of scholar, changed to Jishi Shu, imperial academy, and worked as an editor in the scattered museum. Later, he served as the examiner in the examination room of Shuntian Township, the examiner in the meeting, the lecturer of Hanlin Academy, and the daily lecturer, and gave lectures in Xueshi Street. Worried about not coming back. Ruling the family with the same book, leading by example, strict family law, so people in Hangzhou praise Liang Jiafa. Life is simple, clothes and hats are never changed, and guests are not entertained or gifts are not given at ordinary times. Bi Yuan once gave Chu Shu the same big inkstone, but he refused to accept it. Bi Yuan insisted on giving it to each other and had to accept it. A few years later, he asked his friend to return the inkstone. Calligraphy began in Yan Liu, then studied in Su Mi, and was left to its own devices in its later years. Poetry is elegant and the words are clear, so it is hidden by the title of the book. More than 90 years old, still an epitaph, tireless all day long, not old. A few days before his death, he was as energetic as before. The new book tablet has spread all over the world, also known as Weng Fanggang, Liu Shi 'an (Liu Yong) and Wang Menglou (Wang Wenzhi). The king of Japan sent people to ask for books, and North Korea, Ryukyu and other places also attached great importance to their books. He is the author of The Legacy Collection of Luo Zhaoan, On An, Correcting Right and Wrong, Illustrated by Japanese Officials, and History of Writing. There are many books handed down from generation to generation, especially in small letters. Su was written in the fifty-ninth year of Qianlong (1794) at the age of 72. Paper and ink. It is 33.4 cm long and 57 1 cm wide. It's in the Palace Museum. Liang is knowledgeable and has a unique vision. He wrote countless inscriptions and inscriptions, which have been well-known for 60 years. This running script works, its books are not limited to Su and Mi, it has its charm, its powerful appearance and its rich flavor. Is the result of inheriting the legacy of Zhao Mengfu and Dong Qichang. Every word in this volume is clearly explained by setbacks, with delicate and skillful techniques, seemingly ordinary, without novelty and surprise. However, it is not easy to do this. Liang writes freely, and his skills and temperament are in harmony in this work. Although this volume is not Liang's best work, it can also reflect the basic situation of his calligraphy level.