At that time, Wang Qia and Xunxian were "both good names" (attached with Biography of the Book of Jin and Wang Dao, quoted below), which was highly valued by Emperor Jin Mu. Li Guan rode on the civil history of Zhong Shulang, Situ Zuo Changshi, General Jianwu and Wu Jun. He paid tribute to the leader and sought to increase the order of books in China, but refused to accept it. He wrote a letter to Kim 10, stating his reasons and expressing his difficulties. His words are sincere. Emperor Jin Mu praised him for "clearing your orders".
In 358, the 36-year-old Emperor Jin Mu died.
Wang Qia was smart and studious since childhood, and stayed up all night. He is versatile and knowledgeable. Especially in calligraphy, he can be impartial, learn from others, be good at all kinds of calligraphy styles, especially Li and Xing. Wang Xizhi, his subordinate brother, said, "My brother won't surrender me." Although it is beautiful, it also shows that Wang Qia has made great achievements in the art of calligraphy.
Wang Qia's books are all laws, especially good at grass. He studied calligraphy with Wang Xizhi, and turned Cao Zhang into the grass of today, which swept the world and was imitated and appreciated by people at that time. This is his great contribution to the innovation of calligraphy art. Together with his younger brother Wang Xizhi, he started a new era in the history of calligraphy in China.
China's calligraphy art, in the long-term development process, has formed its own laws and become a specialized knowledge. Especially in the era of Wang Xizhi and Wang Qia in the Eastern Jin Dynasty, the art of calligraphy developed from quantitative change to qualitative change, which created conditions for the innovation of calligraphy style. Wang Qia is also in such a trend of the times. His calligraphy art attainments are profound, and each stroke is unpretentious, with the source of pen and word. He has a craftsman's potential to ride the wind, outstanding and beautiful, elegant and rhythmic, well used, and very interesting in pen and ink. To this end, Li Simiao commented on him in "The Later Book": "As the first brother, the book does not reduce me. I can have ten papers and believe in excellent works! Custom pen, such as escape, virtual thin. The right army algae police can't do anything, and it is intended to fake its name. " This shows the high achievement of Wang Qia's calligraphy art.
As the son of Rainbow Xizhi, a "calligraphy family", Wang Qia was obsessed with the art of calligraphy. He forgot to eat and sleep, pursued tirelessly, practiced hard and explored constantly. Calligraphy was very active at that time. With the development of society, communication is becoming more and more frequent. In order to facilitate and smooth writing, promote the change of style, make it more practical, thus achieving a high degree of aesthetic value and unifying the two. As a result, not only appeared a "calligrapher" Rainbow Xi Zhi who "prepared all kinds of styles" and created a generation of calligraphy style, but also an influential and accomplished generation of calligrapher Rainbow QIA. It made a hundred flowers blossom in the Jin Dynasty, and made it a golden age in the history of China's calligraphy. At that time, I saw the running script of Wang Qia's father Wang Dao. Wang Qia is the most famous among the philosophers of Wang Dao, and his calligraphy was very popular at that time.
His wife Gou was also a good calligrapher and one of the few female calligraphers at that time. Although Gou's calligraphy art is not as good as that of Mrs. Wei (Wei Shuo) and (the wife of Wang Xizhi's son), it was deeply loved by people at that time. Wang Qia's sons Wang Xun and Wang Min were also famous calligraphers in Jin Dynasty. At that time, the calligraphy of the Wolf Evil King was at its peak and passed down from generation to generation. In this family, besides Wang Xizhi and Wang Biao, Wang Qia also played an important role. Although Wang Qia left little ink, his position in the history of China calligraphy is very important. He was also a great calligrapher in the Jin Dynasty.