Who are the "friends of Zhu Sanba"?

At that time, the name of Eight Friends of Zhushan was "Full Moon Society", which was a master of pastel and porcelain printmaking that was partially lost to the people after the imperial kiln factory stopped burning. The eight friends here are: Wang Qi, Wang Dafan, Wang Yeting, Deng Bishan, Bi Botao, WHO, Cheng Yiting and Liu Yucen. Except Jiangxi people, among the eight friends born in 1904, the youngest artists are Wang Dafan, He Ren and Liu Yucen, who are from Shexian County, Huizhou and Taiping County, Anhui Province (now huangshan district, Huangshan City).

If you count Xu Zhongnan Hotan and Hyun, the Eight Friends of Zhushan are actually ten people, which is not contradictory. Just as "Jiangxi Poetry School" is not all "Jiangxi people", "interest is not based on form". The "Eight Friends of Zhushan" in Mid-Autumn Festival can also refer to a group of painters who pursue the style of "Yangzhou Eight Eccentrics" in the middle of Qing Dynasty.

Extended data:

When the thought of "Eight Friends of Zhushan" matured, the rule of Qing Dynasty was over. This liberates the creative thinking of ceramics. Let's read it slowly from their works.

Wang Qi (1884—— 1937) is the leader of "Eight Friends of Zhushan". Under the influence of Wang, Pan and others, he first initiated and organized Jingdezhen Ceramic Research Association with others, and later formed the "Moon Festival" with others in 1928. As the head of "Eight Friends".

The mountains are mainly outlined in bright black, and the yin and yang circles are dyed in ochre. The ink color is beautiful and open, and the second order is orderly, and then the snow color is expressed by applying powder and leaving white space. When using Fucai materials, he overcame the characteristics of few color steps in the snow scene and skillfully applied famille rose glass white to the snow scene, which made the color materials in the picture light and comfortable, and the snow color was vivid and layered, which not only had the powdery effect of traditional color filling, but also had the vivid meaning of painting.