Sadness of parting
Warm rain, sunny wind, the beginning of breaking ice, the eyes of willow leaves and the cheeks of plum all feel the heart of spring. Who and * * *? Tears melt powder, and the buds are heavy.
At first glance, I tried to sew the shirt with gold thread. The pillow was oblique, which broke the hairpin and the phoenix. There is no good dream when you are alone and heartbroken, but you still have to cut your snuff in the middle of the night. Li Qingzhao
(1084- about 1 15 1) Song poetess. No. Yi 'an Jushi was born in Zhangqiu, qi zhou (present-day Shandong). Father Li was a famous scholar at that time, and husband Zhao Mingcheng was a textual research scholar. In his early years, he lived comfortably, and once cooperated with Ming City to collect and sort out calligraphy and painting stones. The nomads from the army entered the Central Plains and lived in the south. Ming Cheng died of illness and was in a lonely situation. In his lyrics, he wrote about his leisure life in the early stage, lamented his life experience in the later stage, and was deeply touched. Some of them also showed nostalgia for the Central Plains. In form, it makes good use of line drawing, forms its own school and has beautiful language. On the theory of ci, he emphasized harmony, advocated elegance and affection, put forward the theory that ci is different from one family, and opposed the method of writing poetry. He can write poems, but he doesn't keep much. Some of his poems are old and lyrical, which is different from his style of ci. There are Collected Works of Yi 'an Jushi and Yi 'an Ci, which have been lost. Later generations have a collection of Yu Shu's ci. There is a collection of Li Qingzhao's school notes today. This is a poem about women, and it is also an alternative in Yi 'an's poems. The boudoir has a strong atmosphere, which is the highest in the Song Dynasty.
The motif of this word is the beauty and parting pain commonly used by graceful poets. However, after some concentration and alcoholization by the author, new ideas were brewed.
"Warm rain, sunny weather and the wind breaking the ice at the beginning" points out that the scenery is pleasant and then early spring. The "Liu Yanmei car" closely related to the topic can also be called "one safety and seven sentences". This sentence is rich in meaning and punning, which not only complements the scene of the sentence, but also depicts the image of a thoughtful woman very concisely. It is this beautiful image, tortured by the sadness of parting, that makes her fidgety and infatuated.
From the sentence "Who fell in love with wine and poetry? * * ",think that the person must be her husband. Li Qingzhao's first poem means that even if Liu Mengmei blooms and the scenery is attractive, the author has no intention of watching it. Facing the bright spring, she had no relatives to accompany her, so she could only cry alone. She completely ignored the pleasant scenery and luxurious clothes. In the "warm rain and breezy wind" weather, she leaned back on the pillow without emotion, leaving behind words such as "tears melt and powder remains heavy" and "pillow damages women", which are sincere and delicate, vivid and vivid, and truly express the feelings of young women in boudoir.
The conclusion sentence "I don't have a good dream when I'm alone, but I still cut the snuff lane in the middle of the night" is called "the sentence of ecstasy", which means implicit and vivid, and the image of thinking of a woman is clear and wonderful, which is quite interesting. According to legend, snuff is a harbinger of happy events. Thinking about snuff is more intriguing and infectious than telling her that she misses her loved ones. Looking forward to people not returning, the protagonist will naturally feel disappointed and desolate, which can deepen "who is drunk and who is poetic?" * * * "in the last film, it makes the expression of the theme more profound and subtle.
This is an authentic graceful and restrained poem, especially the sentences such as "Tears melt, powder and flowers are heavy" and "First try, gold thread is sewn on the shirt, the pillow is inclined, and the pillow hurts the hairpin", which can be compared with the most typical graceful and restrained words. However, this poem is written with profound meaning but not extravagant, graceful but not elegant, without losing the fresh and simple style of Yi 'an Ci.