1, Preface to Lanting Collection
Preface to Lanting Collection (also known as Preface to Lanting Collection and Preface to Lanting Banquet Collection) is the preface of Wang Xizhi, a calligrapher in the Eastern Jin Dynasty. Known as "the best running script in the world", Taizong loved it alone. The full text consists of 28 lines and 324 words, each of which is "floating like a cloud, charming like Youlong, full of twists and turns and endless changes".
2. Manuscript of Ji Ming's Sacrifice to His Nephew
"Sacrificing a Nephew" (full name "Sacrificing a Nephew and Praising a Good Doctor") is a calligraphy work created by Yan Zhenqing, a calligrapher in the Tang Dynasty, in the first year of the Tang Dynasty. Wang Xizhi's Draft of Sacrificing a Nephew to Ji Ming in the Eastern Jin Dynasty, Preface to Lanting and Sushi's Cold Food Post in Huangzhou in the Northern Song Dynasty are called "the three major running scripts in the world" and "the second running script in the world".
3, "Jiuchenggong Liquan Ming"
The Inscription of Liquan in Jiucheng Palace is a regular script calligraphy work written by Ou Yangxun Shudanwei, a calligrapher in the sixth year of Zhenguan in Tang Dynasty (632). Known as "the first inscription in the world." It enjoys the reputation of "the ultimate rule of regular script" and is regarded as a model of regular script by calligraphers in past dynasties. It is also the most copied work by beginners of calligraphy in past dynasties.
4. The mysterious pagoda of Master Dada.
The full name of the Xuanta Monument is the Record of Monks in the Tang Dynasty, which enshrines the virtues of the three religions. Angu Temple was given the inscription and preface of the Xuanta Monument of Zida Master, referred to as the Xuanta Monument of Dada Master, which was edited by Liu Gongquan and sealed. Because of its charm, vigorous bones, rigorous structure and delicate fonts, it is known as the "six valleys".
5, "Huangzhou Cold Food Poetry Post"
Huangzhou Cold Food Poetry Post is a collection of poems written by Su Shi. The whole calligraphy is written in ups and downs, fast and steady, dripping with joy, in one go. The change of Su Shi's mood and emotion is reflected in the change of stippling lines, either front or side, which is changeable, easily disconnected and natural.