The mountains are like tides, and the setting sun of the Yellow River is charming.
Lei Feng Wan Li shook the mountain, only to feel that the foot of the dangerous peak was high.
Appreciation meeting:
Mountain, with its majestic and continuous, or with its majestic, steep and beautiful, or with its step by step, quiet and deep, touched the hearts of thousands of people in Qian Qian. Throughout the ages, writing poems about mountains is like pebbles crossing a river. As Du Fu wrote, Mount Tai: Once you reach the top, you will see that other mountains are short under the sky ... Su Like Dongpo described Lushan Mountain, which looks like a mountain peak at the side of the mountain, and the distance is different. I don't know the true face of Lushan Mountain, but I am only on this mountain. Just like Yang Wanli wrote about mountains: it is easy to go down the mountain if you don't know the way, and the pedestrians who earn it like it wrong. In Wanshan circle, this mountain releases the mountain barrier. Wang Zhihuan wrote in The Stork House: But when you walk up a flight of stairs, you broaden your horizons by 300 miles. Although it is not about mountains, the artistic conception is the same as Du Fu's Taishan poems, which all mean that if you want to have a big vision and a big pattern, you must climb up again. Their poems, in just a few words, are not only about mountains, mountains and sounds, but also full of philosophy of life, making them sung through the ages.
And Mr Yao Dianzhong's poem about mountains is innovative on the basis of everyone's writing about mountains in the Tang and Song Dynasties, which is enough to be praised through the ages.
The first two sentences of this poem describe the scenery: the mountains are as heavy as the tide, and the setting sun of the Yellow River is charming. Looking around, the mountains are like a tide. It's hard to imagine such a mountain view without having been to the Yunnan-Guizhou-Sichuan Plateau and having traveled all over the mountains of Shanxi. The spirit is great. The flowing Yellow River has only one line in the fiery sunset in the distance, and the mountains, rivers and charming red sunset depict a vast and magnificent picture.
At this point, the poet turned his pen: Wind and thunder shake Wan Li Mountain, and the dangerous peak is high!
These two sentences are not only about the Northern Wudang Mountain, but also a summary of all the mountains in memory. Not only writing a scene, but also writing a realm of being a man and doing things, a realm of life. When I buried myself in climbing the mountain, I didn't notice the height I had reached. When I stood up to wipe my sweat, I suddenly heard the wind whistling and thunder rumbling, as if I could feel the roar of the Yellow River at the foot of the mountain, and I realized that I was standing on a high and dangerous peak.
No wonder everyone sat together and chewed this poem for a long time. The more they read, the more interesting it becomes. The more they read, the more they feel and the harder they work. Not only does the poet's extraordinary mind leap from the page, but also an optimistic spirit permeates it, which makes people feel shocked and shocked.
Calligraphy is a lonely road, copying ancient posts and chasing the ancients far away. Calligraphers enjoy themselves in a quiet study for thousands of years. Caring for mountains and rivers is the other side of calligrapher's artistic life. Huai Su "watched Xia Yun change with the wind and suddenly realized that it was wonderful." Huang Tingjian "sits and looks at the mountains and rivers, and every time he works in them, he seems to be helped by the mountains and rivers." The scenery is full of mystery and nourishes the artist's spirit. Mr. Yao climbed the North Wudang Mountain, feeling relaxed and happy. Calligraphers wrote with vigorous brushstrokes that "the mountains are like a tide, and the setting sun of the Yellow River is arrogant." The word "mountain" rises like a cloud, and the word "tide" rolls like a wave. The first two sentences are written casually, concise and elegant. "When Wan Li thunders and shakes the mountain, the foot of the dangerous peak is high." The poet daydreamed, but forgot the constraints. He felt the wind and thunder shook the foot of the dangerous peak. The word "shake" depicts an exciting soul, and the word "peak" describes the various mountains. Your own mind is the best in the world, and the poems hidden in your sleeves are rolled back. The magnificent landscape opened the channel of calligrapher's mind and gained a stirring life experience. "Up the Mountain" is a simple and simple work, but it is bold and dry, with a strange rhyme. When it comes to the realm of calligraphy, Mr. Yao has a refined exposition. He said: "In the past, Liu Zhifeng said to him,' Seeing the mountains is affectionate, and seeing the sea is meaningful.' That is to say, to throw yourself into the mountains and rivers, by going up one flight of stairs, as Zhuangzi said, should communicate with the spirit of heaven and earth. Materialization is the unity of man and nature. It seems too mysterious to say so, but it is not unpredictable, but emphasizes people's inner cultivation. Not only painting, but also calligraphy. When the characters break away from the direct pictographs and undergo the evolution of calligraphy style, they become the books of famous calligraphers, and each calligraphy book has formed its own specific image. So the concrete image is the same as the concrete thing. Through observation, analysis, synthesis and thinking in images, we can appreciate its spirit, master it and pass it on, not painting the ancients one by one, but inheriting its spirit. No, it can only be accounted for, not accounted for. "This passage is easy to understand and profound, and the vigorous and powerful work" Ascending the Mountain "is a wonderful work after materialization, and it is the voice of Mr. Wang who won the scenery and won the big scenery.