Founder Writing of Chinese Characters —— Simplified Writing of Tiger cursive script
Zhongjiang hard pen cursive script
Cursive writing of the word "gold"
The calligraphy style of "De" is Mi Fei style.
Simplified writing of the word "Zheng Fang da Cao"
2) Cursive script can be divided into Cao Zhang, Jincao and Kuangcao. The basic content of cursive script includes the following three aspects: First, cursive script is a kind of character with omitted strokes and simple structure. Secondly, cursive script takes stippling as the basic symbol, replacing radicals and a certain part of characters, which is the most symbolic style. Thirdly, cursive strokes echo each other, which is convenient for writing quickly and expressing the writer's feelings.
Question 2: How to write the cursive picture? Click to see a larger image.
Question 3: How to write cursive script,
Question 4: There are many ways to write the cursive script of the upper body, and the most cursive script is the above two points, and the lower body is enough, but the lower body is the opposite.
Question 5: How to write the cursive script of the word "I" as shown in the figure (50 famous handwriting, click to see the big picture)
Question 6: How to write cursive script and official script? ! ! ! !
Question 7: How to write the word "thing" in cursive?
Question 8: How to write all the cursive scripts as shown in the picture (25 kinds of famous handwriting, click to see the big picture)
Question 9: How to write Song's cursive script? There is a requirement that any text should be simple and easy to write in use, and there is a tendency to save simple strokes and scribble. This trend is the main reason for the evolution of characters. In the period of social change and cultural development, characters are frequently used, individuals are easy to simplify, and variant characters are accelerated. In order to make the text more conducive to application, it is necessary to revise it.
There are traces of cursive script in Oracle Bone Inscriptions period. Tai Shi Shu, Li Si Zhuan, Cheng Miao Li Shu and Cai Yong's Xiping Book of Songs, written in eight-part script, are all standard characters promulgated by Zhou, Qin and Han dynasties respectively to standardize the popular characters at that time, and are also recognized as the beginning of a new script that has formed regular script. But the trend towards simplicity has not stopped. As early as in the inscriptions of Shang Dynasty Oracle Bone Inscriptions and Zhou Dynasty, which recorded the important events of emperors and generals, there were stick figures and scrawled handwriting. "Qu Yuan is a grasshopper" and "Dong Zhongshu's calligraphy is not on the page" in Historical Records show that the ancient prose of the Warring States period and the official script of the Western Han Dynasty are incorrect in rapid writing. According to Wei Jinzhi, Liu Mu, the revered king of Beihai in the Eastern Han Dynasty, is "good at history books, and today people think it is a model". Before Liu Mu died, Ming Di sent a post horse to write ten cursive scripts. During the reign of Zhang, it was a good example to learn Chinese characters. Emperor Zhang once ordered the writing of cursive script. It can be seen that since the middle of 1 century, cursive characters have not been written in a hurry, but have been cherished and imitated. It can be seen from the Han bamboo slips unearthed in modern times that the simplified characters of the official script of the Western Han Dynasty have become popular. In the era of Xin Mang, there were more stroke-saving and ligature characters. In the 22nd year of Jianwu (AD 46), the bamboo slips were completely cursive. However, from the Zhou Dynasty to Xin Mang, cursive script was never listed as a kind of calligraphy. Shuo Wen Jie Zi was written in the 12th year (AD 100), and Xu Shen said in Xu that "there was a cursive script in Han Dynasty", which was the beginning of cursive script. At the end of the Eastern Han Dynasty, famous artists such as Zhang and later Zhong You emerged in large numbers, each of which became a genre. At that time, Zhao Yi had an article "Non-cursive script", and Cai Yong also had a similar discussion on maintaining the status of orthography, which reflected that cursive script was very popular. From the end of the Han Dynasty to the Tang Dynasty, cursive script developed from Cao Zhang with the meaning of official script to today's cursive script, and even to wild cursive script. Liu Tianyi's cursive works
Cao Zhang originated in the Western Han Dynasty and flourished in the Eastern Han Dynasty. The font is in the form of official script, and the characters are different and correct each other. Cao Zhang's name has been interpreted in different dynasties. It is the most absurd to say that Cao Zhang got his name from the chapter in Urgent Chapter since the end of Han Dynasty. It is speculated that Zhang Di liked cursive script or ordered it to be used as a souvenir, and even said that Zhang Di created cursive script. Some chapters are synonymous with the articles of association and Zhang Kaizhang, which are in line with the early cursive script with eight strokes, and the words are not related to each other, and the strokes have changed into rules to follow, which many people believe. When did this grass come into being? There are two viewpoints: Zhang Zhi in the late Han Dynasty, Wang Xizhi in the Eastern Jin Dynasty and Wang Qia. From the handed down tables, stickers and unearthed Han bamboo slips and bricks, it can be seen that at the end of the Han Dynasty, eight-part essay, as a regular script, had a writing method similar to real books. Cursive scripts can also mutate. Cui Yuan, a cursive writer a little later than Zhang Zhi, wrote the cursive script "Like a string of beads, never leave" and "Stop the momentum, what is left?" The descriptions of "tangling", "hanging from the head without a tail" and "being clever and adapting temporarily" show that the cursive script in the late Han Dynasty was smooth and unconventional. The development of calligraphy has no obvious boundaries. It is said that this grass originated from the bud of Zhang Zhi as a new body; It is said that this grass originated from the two kings, focusing on the typical formation. True books have been handed down since the Tang Dynasty. In the Tang Dynasty, cursive script, represented by Zhang Xu and Huai Su, became an artistic creation completely divorced from practicality. The cursive script, also known as the big grass, is bold and unrestrained, with a continuous momentum, such as Zhang Xu's Thousand Stones, the Four Methods of Ancient Poetry in the Tang Dynasty, and the Autobiographical Post by the monk Huai Su. Zhang Xu was called "the sage of grass" in history, but Sun's "Pu Shu" is another way of saying it, and there is no connection. "Big grass" and "small grass" are symmetrical. Big grass is pure grass-based and difficult to identify. Zhang Xu and Huai Su are good at it, and their words are written in one stroke, sometimes out of line, but the context is constant. In Qing Dynasty, Feng Ban gave a lecture on cursive script in "Blunt Printing Book": learn from it, learn from it, learn from it, and learn from Zhang Xu as weeds, so it is better to learn from Huai Su. Huai Su's cursive script is easy to recognize, the handwriting is fine, and the relationship between words is clear and easy to put pen to paper. Zhang Xu's glyphs vary widely, often a number, and the momentum between them is constant, which is difficult to identify and forms a unique style. As mentioned in Han Yu's Preface to Giving People a Noble Mind, Zhang Xu's cursive script is "angry and embarrassed, sad and sorrowful, resentful and resentful, yearning, drunk and annoyed, unfair and moving in the heart, which is bound to be reflected in the cursive script", so it is difficult to learn from Zhang. The Derivation and Development of Huai Su's Calligraphy Works
Almost common brushwork of official script is ... >>