Who is the founder of Chengpai Art?

Cheng (1904- 1958), male, one of the four famous artists in Beijing Opera, is the founder of Cheng School. Cheng, formerly known as Cheng Lin, was a Manchu. Beijingers, later changed to Han nationality, surnamed Cheng, first named Cheng Junong, later changed to "Jade Frost". From 1932, it was renamed as Qiu Yan and changed to Yu Shuang. Born in 65438+65438 0904+ 1 year1October, Guangxu 29th year 1 1 month14th. When he was a child, his family declined. At the age of six, he joined the ranks of butterfly immortals, studied martial arts and became a martial arts student. A year later, he studied drama under the famous martial arts teacher Ding. Later, because of his beautiful appearance, he changed from Chen Tongyun to Hua Dan. Later, he found his voice was great, so he changed to Tsing Yi and studied under Chen Xiaoyun. Cheng's childhood basic skills training is extremely difficult. He received these trainings with amazing perseverance and survived a painful childhood. When he entered the stage at the age of eleven, he became famous by singing, reading, doing and playing, which was refreshing both inside and outside the industry. In the Tangui Tea Garden (formerly Dongan Market), he collaborated with Zhao Tongshan, Liu Hongsheng and Sun Juxian to perform such plays as Songzi in Mulberry Garden, Yuanmen Chop Zi and Zhu Shazhi. 19 17 He stopped performing and continued his studies because of his voice problem. He studied painting, calligraphy, boxing, sword dancing and watched film art, which greatly improved his artistic accomplishment and aesthetic taste and made full preparations for his future artistic creation. 1922 performed in Shanghai for the first time, causing a sensation. When he 1923 came to Shanghai again, the audience in Shanghai was ecstatic and the art gradually matured. From 1925 to 1938, Cheng entered his heyday and the mature period of "Cheng School" art. At this time, Cheng was already a creative, performing and directing artist and became a relatively powerful artist. At the same time, influenced by progressive thoughts, he was filled with indignation in the face of the dire social reality of the working people. He has created many dramas with patriotic and democratic thoughts, such as Moon Hee Returning to Han, Tears in the Barren Mountains, Young Women's Dream, The Mourning of Shu and so on. In different periods, such as anti-feudalism, anti-warlord civil war and anti-Japanese imperialist aggression war, it aroused strong audience voices and expressed the strong desire of the broad masses to oppose war, oppression and hope for peace. After this period, he gave priority to tragic performances, followed by a series of tragic works mentioned above, such as "The Record of Hosts" and "Mei Fei", which successfully created a number of tragic figures, and he was also famous for being good at performing tragedies. Of course, Cheng doesn't just perform tragedies. Sorin Capsule is his other masterpiece. In artistic creation, Cheng is brave in innovation and creation, and pays attention to four tones in stage performance. According to his unique voice characteristics, he created an indirect and intermittent singing style and formed a unique feature. The characters he created are elegant and dignified, just like white chrysanthemums in frosty days, with a sober beauty, and later became one of the "Four Famous Hunters in Denmark". Cheng also has a series of distinctive creative features in his performance, including his eyes, figure, footwork, fingering, sleeves, fencing and so on. As a complete art school, he has been fully displayed on the stage of Peking Opera. Cheng pays attention to drawing lessons from the art of brothers and sisters and integrating them into his own artistic creation. He is an outstanding master among many artists. On the premise of bold innovation, he wrote and performed his last new play "Anti-Marriage between Britain and Taiwan" in the early days of the founding of the People's Republic of China. The drama has made a great breakthrough and innovation in the aspects of singing, lyrics, stage performance and art design, which has been unanimously affirmed by experts and audiences. 1956 Beijing film studio filmed the film art film Tears of the Barren Mountain for him. In order to keep more tunes and sleeves, many new aria (adapted by Wu Zuguang) were added to the film, and more than 200 sleeve performances created by him combined with the plot were filmed. At 1957, China People's Broadcasting Station asked him to record Wujiapo with Yang. In his later years, Cheng devoted himself to the teaching of stage art and summarized his experience. 1949 attended the first session of China People's Political Consultative Conference as a special guest. 1950 was elected as a deputy to the National People's Congress and a member of the Presidium of the Council of China Opera Association. 1953 Vice President of China Opera Research Institute. 1957, premier Zhou Enlai introduced him to join the China * * * production party. Cheng devoted his life to the cause of Peking Opera. His outstanding achievement is one of the peaks that Beijing Opera has reached in the past hundred years. He had a profound and significant influence not only on the role of Beijing Opera, but also on the development of Beijing Opera and China Opera. , Zhang Zhuoyun, Xin,,, Li Shiji, etc.