Cao Quanbei 1
The structural features of Cao Quanbei are: spacious and smooth, free and unrestrained, horizontal glyph, long square structure at intervals, smooth horizontal opening, subtle and steady vertical structure, which makes the structure look elegant. The extension of the structure, the indulgence of the pen, and the mellow beauty of Cao Quanbei's mood reflect the calligrapher's artistic ingenuity and creative self-confidence in seeking stability in turmoil and freedom in unrestrained, which makes his works beautiful and heroic. The unique personality and specific connotation of this monument's elegant style are far from being comparable to other Han Li.
2. Zhang Qianbei
Zhang Qianbei is a work in the late Eastern Han Dynasty. Throughout Fang Bi, it is square, angular, rigorous in structure and concise in brushwork. The style of this book is correct, simple and powerful. At first glance, it seems naive, but careful taste can make it exquisite. The composition and style are also smart, calm and powerful, and quaint. "Fang Bi" is used for brushwork with sharp edges and corners, and has the characteristics of neatness, straightness, squareness and flatness. The thickness of strokes is between bisection and trisection. The transition of wave painting is not obvious, which is different from the three monuments of Confucius Temple. "Square, round and clever, thick strokes, vivid and natural."
The fonts are all the way to Gu Zhuo, and a large number of fonts in the tablet have infiltrated into the seal structure, and the fonts are square. Although the handwriting is full of words, it is elegant and elegant, and the peeling marks are natural. This kind of writing became popular in Wei and Jin Dynasties. The structural combination is complex, flexible, interesting and calm. The word stele yang is simple and elegant, while the word stele yin is slightly vertical and noble and clear. Those who learn from Han Li regard this monument as the last example. But there are many people who get its beauty, and few people who get it can hide its hidden connotation. I hope the wise can have both.
3. Ritual Monument
Li Bei's calligraphy is thin and broad, and its strokes are vigorous. It is as sharp as Mo Xie. Its structure is located in the middle of the horizontal lines and contains two tight lines, which has always been regarded as the extreme principle of official script.
Li Bei's strokes are thin, hard and vigorous, and the strokes are thin, sharp and sharp, forming a strong visual contrast, which is somewhat similar to the calligraphy of Juyan Han bamboo slips. However, thin but not obvious, does not hurt the weak, very powerful. In particular, Beiyang's calligraphy is exquisite. On the other hand, the side of the monument and the shadow of the monument, because the names of donors and the amount of donations are recorded, look much more random, with random size and density, but there is a beauty of change.
Compared with other famous Han steles, it is different from English steles in beauty, simplicity, indulgence, strangeness, exquisiteness, founder and beauty. The monument has its own style, which is its success. Learning official script, it is best to start from this tablet.
4. Yiying Monument
"Yi Ying Monument" is a famous Yi product in Han Li. It is simple and powerful, with clear tone and clear back. Especially in the second half, the penholder is reversed to the left, so that every point is drawn into the wood, and the buckle is very tight, which is particularly wonderful. The characters in Yi Ying Bei seem to be regular, but in fact they are clever and beautiful, and the word potential expands to the left and right. The book is rigorous and simple in style, and it is one of the models to learn from Han Li. -"Appreciation of Historic Sites" Fee
5. ode to Shimen
The full name of Shimen Fu is Fu of a Captain, also known as Fu of a Captain Yang, which is a cliff stone carving. It was carved on the cliff of Gu Jie Shimen, Bao Bei, Baocheng County, Shaanxi Province, in the second year of Han Dynasty (A.D. 148). The handwriting is wild and childish. Yang Shoujing called it: "Wild cranes idle gulls, flying high." The cursive theory in You Xiang's official script. Weng Fanggang's Records of Hanshu Jinshi said: "Those whose strokes are longer than one or two words will hang their ears and lose their books because of stone cracks, so they can follow the law." This statement is not necessarily accurate, because apart from the word "fate", the last strokes of "sound" and "yin" are quite long, which is actually the style of bamboo and silk in Han Dynasty. Look at the lettering on the Chinese brick and tile. There are many such strokes. It embodies the unrestrained indulgence of Chinese characters and has an elegant and novel charm. Ode to Shimen is a multi-purpose pen with little change in thickness, but beginners don't use enough pens, and it is easy to become slim and slippery, losing Han Li's dignified and vigorous style. -"Appreciation of Historic Sites" Fee
This cliff calligraphy is natural and diverse in Gu Zhuo. From the beginning of each stroke, it will be punished by negative influence, which is hidden; The intermediate operation is slow, solemn and sincere; Return to the front when you close the pen, which is round and smooth. The whole word is easy to write and interesting, and it is known as the "cursive script in the official". Yang Shoujing's "Pingbei Ji" said: "Its brushwork is really like a wild crane gull, and it is outside the cloud nine, from which all the schools of Shu embroidery in the Six Dynasties came out."