Calligraphy fonts are willing to appreciate calligraphy fonts. The picture is willing 1.
Calligraphy font is willing to give up pictures 2
Calligraphy font is willing to give up pictures 3
Calligraphy font is willing to give up pictures 4
Calligraphy font is willing to figure 5. Calligraphy has to go through six levels.
Go through the central pass first. What is the center? Cai Yong, a calligrapher in the Eastern Han Dynasty, once said? Do a pen heart and often do some painting? Make the nib run in the middle of stippling, that is, the center. ? It is an eternal and difficult conclusion that writing a book is expensive in using the center. In the past, I only had some superficial perceptual knowledge about the concept of pen-centered, and I don't know why. For example, stippling edges are neat, clean and serrated, or the ink color is dark and weak, which is often puzzling. Later, in the process of learning, I strictly followed the requirements of the central pen. After a period of study, I inadvertently found that the previous phenomenon gradually disappeared, the three-dimensional sense was enhanced, and the stippling was also elegant, and I really experienced the feeling of using a pen in the center. With the gradual deepening of my study, my understanding of the center has also deepened. I found that it is good to take the pen as the center, but besides seal script and official script, it is also necessary to keep the pen as the center. If the characters of Kai, Xing and Cao are also taken as the center, will there be a lack of interest and intimacy? With this question, in order to further analyze and study, I consulted some books and masterpieces before I realized that nothing can be copied mechanically; Understand? Is it to take advantage of bone building? Dialectical relationship between arbitrarily changeable center and winger.
Second, cross the front line in Tibet. The so-called hidden front is to use the reverse front when starting the pen, the back front when closing the pen, and the nib is hidden in the stroke. The stippling written is strong and straight, giving people a feeling of being subtle, muddy and calm. Hidden front is particularly important in seal script, official script and regular script, and hidden in seal script and official script. Therefore, Tibetan front must train and master brushwork. When you write, follow the script, so that the words you write will be exposed everywhere and highlighted everywhere. There are many broken pens, which are shaped like broken wood. Dotting is prominent everywhere, not muddy or impetuous, calm and subtle. When I started to study China official Zhang Qianbei, I felt very difficult. Faced with difficulties, I made up my mind to practice well according to the basic essentials of hiding a pen. Finally, after a month, I feel that I am trying to adapt. I have never been used to writing and collecting pens, and I have basically passed the hidden head of Zhuanlishi. When I wrote Li Yanqin Monument, there were no words at first. Yan? Taste. What is the reason? After observation and analysis, it was found that the main reason was that the pen was not hidden well. Can't you draw horizontally, especially long horizontal and vertical paintings? Bones? Shape, long cold? Silkworm head dovetail? Same effect. When the problem is found out, the key is to practice according to the requirements of hiding the first pen in regular script, find out the law, practice the feeling and make it a habit. Only in this way can we write a stippling similar to a French post. Only by stippling and writing images can we get the image of words, and only by writing images can we write the magic of calligraphy fonts and truly enter the posts. Later, in the process of learning, I also realized that Zangfeng and Lufeng were twin brothers. In short, Tibetan and dew are often complementary. Those who hide are hidden, and those who show are exposed. The combination of hiding and revealing will have a natural, beautiful and vivid appearance and charm.
Third, close it when it is good. The thickness change of strokes is completed in the action of lifting and pressing, which is the key to writing stippling well. Liu Xizai once said? Every book needs a pen to press and a pen to lift? The continuity and necessity of lifting pen during transportation are pointed out. The process of writing is actually the process of pressure exchange. When the pen tip runs on paper, it always passes through the transmission of lifting and pressing, plus the rich changes of priorities, so that stippling has vitality and produces wonderful charm and vivid images. If the lines written are the same thickness as the lines, they are just like hard-pen words, with no appearance and no aesthetic feeling. This is because of the lack of stippling. It's easy to grasp when you click it, but difficult to mention it. Once a move is done, it is even harder to submit it. In order to make myself better master the boosting technique, I selected some words that are basically written in one stroke and have obvious boosting characteristics, such as? Kim? 、? Who is it? 、? Huh? 、? Crane? 、? Settings? 、? Quality? 、? Capital? 、? Shao? 、 ? Wet? 、? Disadvantages? -Wait. At the same time, we should also pay attention to some stippling training, such as skimming like a willow leaf and gently pressing with a pen. After training, I can master the rules and characteristics of these standardized characters and stippling.
Fourth, there is a good turning point. ? Turning point? The application in calligraphy is very important. ? Turn? This is a method of writing circular, rotating and angular strokes with a pen without square folding. The key point is that the pen keeps standing at the rotating joint, only the change of lifting pressure, and there is no treatment of breaking and stopping. Like a broken hairpin? , is the most used brushwork in seal script, line and grass. ? Fold? With what? Turn? On the contrary, it is the stippling method of writing squares. Folding method is mostly used at the beginning of Bi calligraphy (the means of hiding the front of characters), at the end of the pen and at the junction of horizontal painting and vertical painting. This method is mostly used in regular script, official script, running script and cursive script. Practice? Turn? On the other hand, I mainly choose words with obvious characteristics in the book, such as? Think? 、? Back? 、? Because "? Pass? 、? Things? 、? Xi？ 、? Hu? 、? Cui Li? The upper part,? John? And then what? Question? The right part Wall? The lower right part of? Strange? Lower part, etc At the same time, we should also pay attention to the training of retaining meaning in some paintings. ? Turn? The most basic writing is line and grass, especially grass? Turn? Only when the method is mastered can cursive characters be written in one stroke, and can cursive characters run and fly? Fold? In practice, I specially selected Yan Bei and Preface to the Holy Teaching by Wang Xizhi. Heng Chang? 、? Tian? 、? Door? 、? "Yes, Mr? One? 、? Day? 、? Month? If so, wait Used as a model word. Fold? The key points of practice have achieved good results.
Fifth, pass the speed barrier. The urgency of writing is very important in writing. The slowness of brushwork is the main reason for the different styles of works and the change of rhythm. If you put pen to paper late, you can recover its abundance, and if you put pen to paper quickly, you can be smooth and vigorous. Only by organically combining urgency and moderation can we achieve better results, otherwise we will be arrogant late, impetuous when we are serious, and lose the game when we are quick. Think? Quick? Is skilled, the best embodiment is wrong. Think? Cursive script? The essence of "fast" is even worse. I practiced with such mistakes at the beginning of my study, but I couldn't write the original French post anyway. Shape? Not to mention? God? Yes Drawing bitter experience from my distress, after some thinking, I realize that the speed of calligraphy is different, and the writing speed is different with different fonts and different stippling. Only when we are studying can we approach the writing speed and rhythm of the original words? Shape? 、? God? . Generally speaking, the writing speed of seal script, official script and regular script is relatively slow, the line drawing speed is relatively fast, the horizontal drawing and skimming drawing are relatively fast, and the vertical drawing and scribbling are relatively slow. Can it be urgent, slow and light? After repeated training, with the rapid application of rhythm in writing, I gradually became proficient in rhythm and gradually entered? Do whatever you want. A more comfortable stage of use. You'll realize. You can be quick, so you have to be late to get the spirit, and you will feel lost. The truth.
Sixth, pass the light and heavy customs. The weight of the pen directly affects the style, characteristics and artistic effect of the work. Those who use a light pen make people feel relaxed, beautiful, elegant and elegant; If you use a heavy pen, you will feel calm, clumsy, concise and simple. The weight of the pen is mainly based on? Strength? The size of the pen, and this strength depends entirely on the strength control when writing. This kind of strength is the strength that people feel because of the friction between the pen tip and the paper. The pen is not empty, round, unreal and restless. Dedicated virtual pen, like near oil; Special pen will be stupid again. From the perspective of writing skills, lightness and emptiness are a pair of unified and opposite contradictions, and they are closely related. The so-called combination of reality and reality, to achieve this, we must achieve a good style of writing in hard training. In order to make better use of the pen tip, we must attach great importance to the operation of the pen tip in clinical research and grasp the proportion of its reality and seriousness. In addition, in the past, the pen was held high, and the pen tip was pushed forward by wrist and arm strength. Pay great attention to the pen and pen to the end, such as? Skimming? Painting or something? Autumn? Fire? The last blow. After hard training, the strength and texture of stippling lines will be obviously improved.
The above six elements are not independent, but complement each other. Only by combining them organically in the process of writing can we create high-level works.