Treading on the Shasha·The plum blossoms in the waiting hall are withered
[Author] Ouyang Xiu ? [Dynasty] Song Dynasty
The plum blossoms in the waiting hall are withered, and the willows on the stream and bridge are thin. The grass is fragrant and the wind is warm, shaking the bridle. The sorrow of separation gradually becomes infinite, and the distance continues like spring water.
Every inch of the soft intestine is filled with pink tears. The building is too high to be close to the dangerous building. Pingwu is full of spring mountains, and travelers are outside the spring mountains.
Tags: lovesickness, farewell, graceful words, emotional scenes, other translations of "Traveling to the Shasha·Waiting for the Plum Blossoms with Broken Plum Blossoms"
The plum blossoms in front of the guest house have withered, and the new thin willows beside the stream bridge are light Hanging, the spring breeze steps on the fragrant grass, and people traveling far away jump on their horses and whip their whips. The farther away you go, the more endless the sorrow becomes, just like the water of the spring river that stretches far away.
When your intestines are broken every inch, and pink tears flow down your cheeks, don’t climb a high building and look into the distance and lean on the railings. At the end of the flat grassland is the Chung Chun Mountain, and travelers are still outside the Chung Chun Mountain.
Comments on "Treading the Shasha·Waiting House with Plum Blossoms"
⑴ Waiting House: A building that welcomes guests. "Zhou Li·Di Guan·Yi Ren": "There is a city within fifty miles, and there is a waiting hall in the city."
⑵Cao Xun: The fragrance of grass. Xun, the aroma invades. Zheng bridle (pèi): the reins of a pedestrian's mount. Bridle, reins. This sentence is adapted from the poem "Farewell" by Liang Jiangyan of the Southern Dynasties, "The wind is warm in the boudoir, and the grass on the street is scented".
⑶Far away: describes the appearance of being far away.
⑷Cuncun Rouchang: The Rouchang is broken, describing extreme sorrow.
⑸Yingying: The appearance of tears filling the eyes. Pink Tears: Tears flow down the face and mix with the pink makeup.
⑹Dangerous railing: also called "dangerous railing", the railing on a high building.
⑺Pingwu: grassland extending forward flatly. Grassland. Appreciation of "Treading on the Shasha·Waiting for the Broken Plum Blossoms in the Pavilion"
This poem writes about the feeling of separation and lovesickness in early spring. The first part of the poem describes the separation sorrow of the traveler on the journey, and the second part describes the separation sorrow of the woman at home. The two places miss each other, a kind of feeling. The theme of the whole article expresses the separation sorrow. This poem is a representative work of Shenwan Ci style. This is a poem about a traveler's feelings on the journey, the emotions of separation, the subject matter is common, but the technique is wonderful, the artistic conception is beautiful, and it is far-reaching to read. In the first film, the traveler is triumphantly removing the fallen plum blossoms and saying goodbye to his lover in the villa in the spring when the grass is fragrant and the wind is warm. At first he didn't notice it, trusting the horse to wander leisurely; gradually moving further and further away, the sorrow of separation came to mind, gradually becoming infinite, just like the distant spring water, naturally and truly depicting the sadness of people looking back at home. You can imagine the despair and pain of the residents looking forward to missing the travelers. The travelers are still far away from the Spring Mountains. This poem describes the sorrow of separation in the spring scene. The more the scene is preaching, the deeper the sorrow becomes. The language is light and affectionate. In the first film, "The sorrow of separation gradually becomes distant and infinite, and the distance is endless like spring water." These two sentences are the eyes of the whole poem. The endless sorrow of separation is like the endless spring water, turning abstraction into concreteness, which is an apt metaphor. The journey gradually becomes farther and farther away, the sorrow of separation comes to mind, the distance gradually becomes infinite, and the trust is like the endless spring water in the distance, which naturally and truly depicts the process of the traveler's feelings of separation and separation. Related content of "Traveling on the Shasha·Waiting for the Broken Plum Blossoms"
Artistic technique Author: Anonymous This poem is a famous poem that is often praised by people. It writes about the sorrow of separation while traveling in the South in early spring. The first part of the poem describes the separation of travelers on the journey, and the second part of the poem describes the separation of family in imagination, the love between two places, a kind of feeling, the middle part of the whole article... Introduction to Ouyang Xiu, the author of "Traveling to the Shasha·Waiting for the Plum Blossoms in the Pavilion"
Ouyang Xiu (1007-1072), courtesy name Yongshu, nicknamed Zuiweng, Liuyi Jushi, Han nationality, was born in Yongfeng, Jizhou (now Yongfeng County, Ji'an City, Jiangxi Province), a writer and historian in the Northern Song Dynasty. And he is famous in politics. Because Jizhou originally belonged to Luling County, it called itself "Luling Ouyang Xiu". His posthumous title was Wenzhong, and he was known as Ouyang Wenzhonggong in the world. Later generations called him, Han Yu, Liu Zongyuan and Su Shi, the "Four Great Masters of Eternal Writing". Together with Han Yu, Liu Zongyuan, Su Shi, Su Xun, Su Che (three Su), Wang Anshi, and Zeng Gong, they are known as the "Eight Great Masters of Prose in the Tang and Song Dynasties". Ouyang Xiu lost his father when he was young and was raised by his widowed mother to study. In the eighth year of Tiansheng's reign (1030), Emperor Renzong of the Song Dynasty became a Jinshi. He first served as a left-behind official in Xijing. He made friends with Yin Zhu and Mei Yaochen and sang peace with them through poems.
Later, he entered the imperial court and served as the collation of Guange. Ouyang Xiu was demoted because of his affairs. He blamed Gao Ruona, the admonisher, and was demoted to the magistrate of Yiling County. He was transferred to the magistrate of Qiande County, and was reinstated as the collation of Guange. He served as the direct bachelor of Longtuge and the transfer envoy of the capital of Hebei Province. He was sent to Chuzhou for business, and also to Yangzhou, Yingzhou, and Kaifeng. Later, he became a scholar of the Hanlin Academy and was informed of the tribute examination. He was the deputy envoy to the privy council, the counselor of political affairs, and the minister of the Ministry of punishment. , Minister of War, etc., returned with the prince's young division and presented it to the prince's grand division. Ouyang Xiu was the leader of the poetry innovation movement in the Northern Song Dynasty. He inherited and developed Han Yu's theory of ancient prose. He advocated that writing should be used to clarify the Tao, and opposed "abandoning everything but not caring about the heart" ("Reply to Wu Chong's Scholars"). He advocated applying writing and opposed "giving up everything". Take the near and take the far" ("Second Book with Zhang Xiucai"), which emphasizes the combination of literature and Taoism, giving equal emphasis to both, promoting simple and natural writing, and opposing the flashy and extravagant writing style. His essays such as "On Clique", "Remonstrance with Gao Si", "New History of the Five Dynasties: Preface to the Biography of Lingguan" and other political and historical essays either criticize the current ills or draw lessons from the past. Lyrical prose such as "Fu" expresses feelings about mountains and rivers, or expresses feelings through scenes, which are simple, smooth, euphemistic and tortuous. (Overview image source:) Ouyang Xiu's other works
○ The Drunkard's Pavilion
○ Shengchazi·Yuanxi Festival
○ Butterfly Love Flower·Deep Courtyard Deeper
○ The Thrush
○ Spring in the Jade House·Zun Qian plans to tell the return date
○ More works by Ouyang Xiu