The horizontal and vertical sectors are the same as the brush strokes, but the size is slightly smaller, which can be A4A3 or normal stationery. Banner: Take the works of long Xuan paper and straight book as banners. Couplet: two opposite banners written on the upper and lower couplets, also called couplets, couplets or couplets.
Nave: Banners with full paper or slightly smaller than full paper are hung on couplets separately or side by side. Dou Fang: Cut rice paper into a genre with a size of about eight quarts (about 1 square), which is called. Plaque: also known as shawl, banners are placed horizontally or engraved on boards and hung on the wall. Screen: Use nave, banners and other similar materials to write a group of works according to the length of the poem.
Fan: The size is fan-shaped, including fan face and folding fan. It can also be mounted or rolled into a book. Album: Small works are framed and read, combined into a book and opened into a book, so the content is either coherent or established separately.
Original: "Thinking of a Quiet Night" Li Bai
The foot of my bed is shining so brightly. Is there frost already? I looked up at the moon and looked down, feeling nostalgic.
Vernacular translation:
The bright moonlight sprinkled on enough paper, as if the ground was frosted. I couldn't help looking up at the bright moon in the sky outside the window that day, and I couldn't help but bow my head and think of my hometown in the distance.
Li Bai's Thoughts on a Quiet Night was written in Yangzhou Inn on September 15th, the 14th year of Emperor Xuanzong of the Tang Dynasty (726). Li Bai was twenty-six years old. At the same time, there is also a song "Autumn Night Travel" which was also produced in the same place. On a night with few stars, the poet looked up at the bright moon in the sky and was homesick. He wrote this famous poem "Thoughts on a Quiet Night", which will be read down through the ages.
The first two sentences, the poet's illusion in a specific environment in a foreign country. A stranger will feel that being busy during the day can dilute his sadness, and when the night is still, homesickness will inevitably ripple in his heart. On a moonlit night, especially on a frosty autumn night.
"Could there have been frost?" The word "doubt" in the poem vividly expresses that the poet woke up from his sleep and mistook the Leng Yue in front of his bed for the thick frost on the ground. The word "frost" is better used, which not only describes the bright moonlight, but also expresses the cold of the season, and also sets off the loneliness and desolation of the poet wandering abroad.
The last two sentences deepen homesickness through the portrayal of action expressions. The word "Wang" takes care of the word "doubt" in the previous sentence, indicating that the poet has changed from a daze to a sober one. Staring at the moon eagerly, he couldn't help thinking that his hometown was also under the bright moon, and naturally he came to the conclusion that "I sank back, and I suddenly thought of home".
The action of "bowing your head" depicts the poet completely lost in thought. The word "miss" left a rich imagination space for readers: the old brothers, relatives and friends in that hometown, the mountains and rivers, the grass and trees in that hometown, the lost years and the lost past are all thoughts. A word "Xiang" contains too much content.
Just four poems, written fresh and simple, clear as words. The idea is meticulous and profound, and there is no trace after blurting it out. The content is simple but rich; The content is easy to understand, but it is inexhaustible. What the poet didn't say was much more than what he had already said, which reflected the wonderful situation of "nature" and "no work and no heart"