Appreciation of Ma Bole's Calligraphy Works
Pictures of Ma Bole's Calligraphy Works 1
Pictures of Ma Bole's calligraphy works 2
Picture 3 of Ma Bole's Calligraphy Works
Figure 4 of Ma Bole's calligraphy works
Ma Bole's personal data
Ma Bole (1942.4? ) Suzhou, Jiangsu. Good at Chinese painting. 1962 graduated from Suzhou University of Arts and Crafts, majoring in Chinese painting. After that, I worked in education. 197 1 started his professional creation. He is currently the vice president of Suzhou Traditional Chinese Painting Institute and an adjunct professor of Suzhou University. Painting mountains and figures, good at calligraphy. In his early years, he majored in painting in American schools, studied the history of painting in China, and dabbled in classical literature and philosophy. Learn landscape painting from Shen Zhou in Ming Dynasty to Shang Zong? Yuan Sijia? ; Portrait painting is highly praised by Liang Kai in the Southern Song Dynasty, Chen Hongshou in the Ming Dynasty and Ren Yi in modern times, so it is also the most borrowed. In the long-term study and creation, he thinks:? Pen and ink is the soul of Chinese painting, and the quality of pen and ink is often thousands of miles away, depending on the author's cultivation, grasp and identification. ? So what? Pen and ink? With deep efforts and decades of observation and experience of life, it gradually took shape? Lofty and easy to think, fine pen and Mo Miao? Landscape painting and figure painting. His works are famous for their exquisite brushwork and elegant artistic conception, and are known as? Contemporary strength? One of the painters. He is the author of Lu You's Poems, Three Heroes in the Wind and Dust, Poems by Zhang Ji and a night-mooring near maple bridge, etc.
Calligraphy is a meticulous craft.
Calligraphy is first and foremost a craft. You must be familiar with paper and pens, just as carpenters should be familiar with axes and saws. Classic inscriptions are masters of introducing doors. This truth seems simple and popular, but it is actually intriguing. The ancient people's calligraphy was very good for the simple reason that they spent more time writing than today. Paper and pens are an extension of their bodies. Chinese characters are like a cabbage in their garden, and the subject and tools have been integrated. People are too busy now, and there are football and stock market to pay attention to. Three days of writing, two days of fishing and drying nets are very hard. The best way to get close to the state of the ancients and refine their skills is to stick to their posts. Be loyal to your post, follow the trend, converge your existing writing habits, and strive to be admitted to the ancients? Rules? If you go to China, don't be afraid to look like the ancients, that is, you are afraid that you are not like the ancients. If you can get a nine-point image, don't reduce it to an eight-point image. Some people are ordinary, but their eyes and hands are not in place, not as beautiful as the post said? Meaning? Self-deception and misleading others. The reason is very simple, just like going all out to chase beautiful women, asking for all of them, naturally wonderful, welcome, have to? Meaning? Yes Speaking of which, someone must refute me, the master's position is different, isn't it? Meaning? What? I can only say that you are not a master, or before you become a master, you can only do things honestly, which is the only way to become a master or everyone. After choosing a post, my practice is to read it for a few days first, that is, after reading it, I will get to know it again. After I got a certain feeling about the style of this post, I entered an important stage? Be careful, choose the part that attracts me most, word for word, stroke by stroke, accurate, and don't change the ranks, so as to understand the spirit of the original post. As the saying goes, details determine success or failure. For example, watching a diving competition, the same action 107C often gets different scores, because the quality of the action is different. At present, there are countless people who write about Wang Zi, and the difference between ordinary people and experts is often in these local details, only at the beginning and end. This link is the most important, and to some extent, it can get twice the result with half the effort. The posts I often post are the preface to the Collection of Sacred Education of the King and the Book Score. I'm ashamed to tell you that I haven't finished reading these two posts once in 20 years, because every time I open a post, I turn to what I like.
There are many arguments about which of these three elements is more important: writing with a pen, writing with words and composing music. In my opinion, masters such as Zhao and Qi have their own choices, and these three are equally important to our generation. In the study of copying, we often lose sight of one thing and lose sight of the other, so we can't have both. Pay attention to the brushwork, the structure will be bad and the gas will not be smooth; Pay attention to rules and regulations, and the brushwork is not in place. My approach is to concentrate on writing at a certain stage, pay more attention to using a pen at a certain stage, and experience the law at a certain stage. Among the classics with Wang Zi style, learning the Preface to Saint Education should effectively improve the characters, copying the notes should be more flexible and changeable, and learning Ge Tie and Shu Pu should appreciate its wonderful style.
Posting is boring, but compared with the original posts such as Preface to the Lanting Pavilion and Cold Food Poems, it is lifelike. When you want to confuse the audience, the pleasure is no less than creation! Posting is a lifetime thing. Even the master of Rainbow duo will ask for books in his later years, let alone my generation!