Because of his extensive reading, Mr. Wang's calligraphy and painting are full of thick scroll breath, with lofty ideas, beautiful artistic conception and different customs. Bai Yin's paintings and calligraphy are characterized by great beauty, and both landscape paintings and animal paintings are influenced by the soul of poetry and the bones of books. Drinking under the Moon, written by Mr. Wang, integrates Mr. Wang's poems, books and paintings. In the picture, Yue Hui is like water hibiscus, a clean cat-tiger, sitting quietly by the pond, enjoying himself and drinking wine leisurely. If careful readers pay attention to the water tone inscribed on the painting, they will get such a message: refuse to go with the flow, stay away from filth, feel noble as moonlight, like lotus, which is precisely the intersection of Mr. Wang's feelings and personality, or the spirit of Mr. Wang's painting tigers and customs. The traditional painting method of tiger painting is mostly mountain tiger or pokeweed root, which shows the so-called "power of tiger tiger" with bared teeth and fierce spirits. Generally speaking, the scenery is nothing more than mountains, pines or reeds and grass. Because Mr. Wang wants to express the poet's noble feelings, he can oppose popular painting. First of all, in terms of modeling, none of Mr. Wang's tiger paintings show teeth and claws, and none of them scream. Therefore, Mr. Wang has his own unique insights and unique aesthetic taste. He thinks: Great hero, great self-confidence, fearless, so there is no need to be arrogant in strength, quiet without anger is wonderful, and it is the wind of kings. From modern Zhang Shanzi and Hu Shuangan to the present, there is not a tiger painter who paints tigers without showing his teeth and claws. Even if you open some so-called famous tiger painters' paintings, there are still some big mouths or sharp teeth and claws. Mr. Wang believes that these are all due to less reading, low style, poor aesthetic taste and even bad habits. Mr. Wang, a collector who studies tiger culture and tiger painting, commented very well: "In the history of painting, no painter has painted a tiger in a lotus pond and placed it in a moonlight lotus to express unity, purity and noble feelings. Mr. Bai Yin was indeed the first one. If you have a colleague, you must confess. " Throughout the contemporary tiger painters, there are not a few people who draw inscriptions like dots, but there are few industrial poems (those who know flat patterns and have literary talent and artistic conception). From these aspects, Li is the only tiger painter who can combine poetry and calligraphy to look at contemporary poetry and calligraphy. From this, we say that Mr. Bai Yin is a master of tiger painting, a masterpiece of poetry, books and paintings. Readers should know that this sentence is true when they walk into his poems, books and paintings. The white "Drinking under the Moon" is known as Mr. Hu's masterpiece of painting a tiger because of its extraordinary conception and beautiful artistic conception. As early as 2005, it was printed into postal postcards by the State Post Bureau and widely distributed.
The quality is clean and neat, and the bones are not allowed to sink into the mud. As a poet, Mr. Wang has a lofty mind and refuses to go with the flow. Mr. Wang is a member of China Calligraphers Association, China Artists Association, director of China Fine Arts Professors Association and China Painters Association. He entered the era of global economic integration, global government corruption and commercialization of art and academia. Mr. Wang is self-restrained and noble, and he doesn't want to go with the flow. In the year of no doubt, he resigned from all the above-mentioned associations (except the poetry association), and he did not speculate on this. He devoted himself to writing books, giving speeches and preaching in order to study and draw pictures. In artistic creation, he disdains being superior to the present, just wants to be on an equal footing with the ancient sages and sages for the rest of his life, and is determined to learn from the classic masters in the history of painting and calligraphy, just to compete for a position with them. Mr. Wang often said: the hype of the painter before his death can only be fleeting, the reader's eyes are sharp, and the elimination of art history is ruthless. In the history of art, "it takes 500 years to count."
As a scholar, Mr. Wang has a profound cultural background, and his works have real collection value. Mr. Long Wen, the main collector of Bai Yin calligraphy and painting and the president of Bai Yin Calligraphy and Painting Tibetan Friends Association, put it well: "Cultural relics first lie in their cultural heritage and historical value. Mr. Li is different from other painters who are only busy painting without paying attention to reading. He followed his teacher Lu's research method, and he worked very hard, writing in three points, drawing in three points, reading and writing in four points, pursuing poetry and pursuing literature. Because of this, there is a profound cultural heritage in vain, and his paintings have real collection value in the sense of cultural relics. "
Since 1998, Mr. Wang's works have been collected not only by many Tibetan friends in China, but also by units and individuals abroad (Russia, France, Germany, Japan, the United States, South Korea, New Zealand and other countries). In the view of several domestic collectors of our Calligraphy and Painting Friendship Association and the main researcher of Li's poetry and calligraphy, there is no doubt that the poet and painter Li treats art with the spirit of martyrdom. If he continues to work like this, he will be another truly rare scholar and painter after Wu Changshuo, Qi Baishi, Huang, Lu. I believe that with the passage of time and the involvement of more researchers, the connotation of singing white will be known by more bosom friends. History will prove its value.
Written by Bai Yin Calligraphy and Painting Tibetan Friends Association in October 201165438+27-29.