What kind of exquisite calligraphy world can we find in Mr. Jiang Yin's calligraphy works? The following are Jiang Yin's calligraphy works that I a
What kind of exquisite calligraphy world can we find in Mr. Jiang Yin's calligraphy works? The following are Jiang Yin's calligraphy works that I arranged for you. I hope it works for you!
Appreciation of Jiangyin's Calligraphy Works
Pictures of Jiang Yin's calligraphy works 1
Picture 2 of Jiang Yin's calligraphy works
Jiang Yin's calligraphy works Figure 3
Picture 4 of Jiang Yin's calligraphy works
Formal beauty of calligraphy
If western painting depicts the human body in order to praise the physical beauty of nature's creation, then the text structure of stippling combination in China's calligraphy presents an almost abstract, almost conceptual, but it can really shape all kinds of physical beauty of virtual reality.
Ancient hieroglyphics * * * are commonly known as seal script * * *, and their forms come from paintings, such as' sun',' moon',' mountain',' Sichuan',' tiger',' monkey',' deer' and' turtle'. The social function of characters is different from that of painting, which determines that hieroglyphics are very general and extremely refined.
China's Chinese characters have changed several times, and hieroglyphics have gradually lost pictographs. Only the regular script * * * made by stippling includes cursive script and running script. This kind of regular script, in terms of expression, seems to have no image but only form, but in the eyes of knowledgeable people, it still has the inherent beauty of form that can be viewed as a picture. For example, Wang Shizhen, a scholar of the Ming Dynasty in Afghanistan, said, "Mr. Wentong in Shishi painted bamboo with calligraphy, while Taoist Huang Tingjian painted bamboo with calligraphy, which made the wind and rain restrained and the edges thin and straight." Another example is Zheng Banqiao, one of the eight eccentrics in Yangzhou. It was from Huang Tingjian's calligraphy that he learned the wonderful truth of painting ink bamboo. It is true that it is difficult for beginners of calligraphy to appreciate the picturesque beauty of the body from regular script. However, with considerable aesthetic quality and rich artistic association, once you come into contact with the works of famous scholars in the book forest, it is not difficult to have such a great appreciation and understanding, and it is so natural and far-fetched.
Jiang Kui said in the Southern Song Dynasty: "The elders are like handsome men, the short ones are like lean men, the thin ones are like mountains, the fat ones are like distinguished guests, the healthy ones are like warriors, the charming ones are like beauties, the worshippers are like drunken immortals, and the last ones are like wise men." Judging from my long-term social life experience, this passage shows the shape of long, short, thin, fat, energetic, charming, respectful and upright, giving people the typical features of various characters. Although the theory is close to conceptualization and stylization, it also contains the usual aesthetic standards of ordinary people. Slim figure gives people the feeling of beauty and handsome, flat figure gives people the feeling of honesty and stability, generous figure gives people the feeling of generosity and broadness, tight figure gives people the feeling of caution and sensitivity, regular figure gives people the feeling of solemnity, and strange figure gives people the feeling of danger and innocence.
The structure of calligraphy art pays attention to the beauty of space, change, impermanence of law and uncertainty of shape. This beautiful combination of various forms seems to be arbitrary and handy, but it is not. "A small loss, if a beauty is ill, a painting does not agree, like a strong man folding shares." On the structural shelf of calligraphy, the points are not lost, the paintings are not lost, the paintings are sparse, and the portraits are vertical and horizontal. Only in this way can it get rid of shortage, grotesque and stagnation, and create formal beauty that is smart, bold, Gu Zhuo or leisurely.