1, Five Dynasties Yellow Painting School
On behalf of painter Huang Quan. Yellow School is also called "Yellow School" and "Huang Jiafu". It occupies an important position in the history of flower-and-bird painting in China. It is one of the two schools of flower-and-bird painting in the Five Dynasties.
2. Xu Xi Five Dynasties Painting School.
Representative painter Xu Xi. Painting school is also called "Xu School" and "School". It is one of the two schools of flower-and-bird painting in the Five Dynasties.
3. Four Families in the Six Dynasties The Six Dynasties refer to the Three Kingdoms of Soochow, the Eastern Jin Dynasty and the Song, Qi, Liang and Chen Southern Dynasties, all with Jiankang (Wu Ming Jianye, Nanjing, Jiangsu) as their capital.
Fourth, in the history of painting, refer to Cao Buxing in Soochow, Gu Kaizhi in Eastern Jin Dynasty, Lu Tanwei in Southern Song Dynasty and Zhang Sengyou in Southern Liang Dynasty. Zhang commented on the paintings of the Six Dynasties in the Tang Dynasty: "Zhang (monk) gets his flesh, Lu (exploration) gets his bones, and Gu (opening) gets his spirit." Paintings of the Six Dynasties are rare, especially those of Cao Buxing. After the Tang Dynasty in Yuan Dynasty, it was thought that Cao Buxing's Military Symbol Map was "vividly written, and it was suspected that it was written by people in the late Tang Dynasty and early Song Dynasty".
4. Northern Landscape Painting School in Northern Song Dynasty
Several painters of northern landscape painting school have their own characteristics; Guan Tong's "steep rise", Li Cheng's "broad vision" and Fan Kuan's "hero" have always been called "three major landscapes".
5. Southern Landscape Painting School in Northern Song Dynasty
Also known as "Jiangnan Landscape Painting School". Represented by Dong Yuan and Ju Ran.
6. Four Schools in Southern Song Dynasty
The four masters in the Southern Song Dynasty refer to Li Tang, Liu Songnian, Ma Yuan and Xia Gui in the history of China painting. They are also known as the "Four Masters of Southern Song Dynasty" and "Li Liu Ma Xia". Four paintings belong to painting style.
7. Mi Pai in Song Dynasty
The paintings painted by Mi Fei and Mi Youren in Song Dynasty were called "rice", "millet" or "two meters" in the history of painting.
8. Yuan Sijia Yuan Dynasty
There are two main theories: one is Zhao Mengfu, Zhenwu, Huang and Wang Meng, and the other is Huang, Wang Meng, Ni Zan and Zhenwu. The second is popularity. There are also Zhao Mengfu, Gao, Huang, Zhenwu, Ni Zan and Wang Meng, collectively known as the "six-yuan family". Although the painting styles have their own characteristics, they were mainly developed on the basis of Ju Ran in the Eastern Yuan Dynasty and the Northern Song Dynasty. They were the mainstream of landscape painting in Yuan Dynasty, and had a great influence on Ming and Qing Dynasties.
9. Huzhou Bamboo School
Wen Tong in the Northern Song Dynasty, Su Shi in the Yuan Dynasty, Zhao Mengfu and Wu Changshuo in the Late Qing Dynasty are the main representatives of Huzhou Bamboo School.
10, Southern and Northern Dynasties in Ming Dynasty
The theory of "Southern and Northern Schools" is an artistic thought and theory put forward by Dong Qichang, a painter and calligrapher in Ming Dynasty.
Its main idea is to use the Zen theory popular among scholars at that time to compare the schools of landscape painting with the schools of Zen, and divide the development history of landscape painting into two schools. Just as Zen Buddhism divides the north and the south with the concepts of "epiphany" and "gradual enlightenment", the distribution of landscape painting is based on the difference in style and technique between "light and shade" and "hook". Historically, the northern Sect of Zen was defeated in the competition with the southern Sect and gradually declined. In Dong Qichang's view, the Northern School of Landscape Painting also experienced a similar process, and he admired the Southern School.
1 1, Ming Sijia
Shen Zhou, Wen Zhiming, Tang Yin and Chou Ying. They are teachers and friends, and their painting techniques have their own styles and characteristics, which have a great influence on later generations. Shen and Wen were similar in style, and later developed into Wu School.
In the Ming Dynasty, they got married brilliantly, including Dai Jin in the early stage, Lin Liang, Wei Wu and Lv Ji in the middle stage, and Chen Hongshou in the later stage.
12, Wu School in Ming Dynasty
Short for "Wumen Sect". Representative figures Shen Zhou, Wen Zhiming, Tang Yin, Chou Ying, etc.
13, Songjiang School in the late Ming Dynasty
Also known as "Cloud Painting School". Representative figures include Dong Qichang and others.
14, Wu Pai in the middle and late Ming dynasty.
In the middle of Ming Dynasty, the painting circle was headed by "Wu Pai", and in the later period, it admired "Songjiang School". Songjiang originally belonged to Wu, and later generations collectively called the two factions "Wu Pai". Representative painters include Dong Qichang and Chen Jiru.
15, Zhejiang School of Painting in Ming Dynasty
Referred to as "Zhejiang School". Dai Jin, a pioneer painter and scholar, was born in Qiantang, Zhejiang, hence his name. There is an important branch of Zhejiang Painting School-Jiangxia Painting School, whose representative is Wei Wu in Jiangxia. The three Zhejiang schools are Dai Jin, Wei Wu and Lan Ying.
16, Jinling Eight Schools flourished in the late Qing Dynasty.
The eight Jinling families refer to Gong Xian, Fan Yin, Wu Hong, Zou Zhe, Xie Xun, Ye Xin, Gao Cen and Hu Nian.
17, Jiangxi School of Painting in the Late Ming and Early Qing Dynasties
Referred to as "Jiangxi School". One of Chinese painting schools. Represented by Luo Mu, a painter in the early Qing Dynasty.
Features: At first, he studied with Wei Shichuang of the same age, and later with Dong Yuan and Huang Zongzong. His paintings are beautiful, with changeable brushwork, moist ink and rough style. In his landscape paintings, the overall style and personality characteristics of this new painting force are fully reflected. His work, "Lin and Sen are beautiful, and ink and wash are natural", presents a simple and unpretentious scene.
18, Huangshan School in the early Qing Dynasty
It refers to a group of landscape painters from different backgrounds who took root in Huangshan Mountain in the early Qing Dynasty, absorbed in appreciating the true scenery of Huangshan Mountain and depicting its wonders, thus creating a new road in the history of landscape painting. Shi Tao, Mei Qing and Jian Jiang are also called the three giants of Huangshan School. They are all painters who have been in Huangshan for a long time, learning from nature and the ancients. They are not bound by ancient laws. Although they belong to the same school, they all have distinct personalities and artistic styles.
19, Xin 'an School of Painting in the Early Qing Dynasty
At the end of Ming Dynasty and the beginning of Qing Dynasty, the painters in Huizhou area and the main Huizhou painters living in other places at that time made good use of pen and ink, used scenery to express the escape of the soul, and advocated the painter's personality and integrity factors in painting theory. Their painting style tended to be desolate and had a distinct literati style, which made them shine in the China painting circle in the17th century. Because these painters have the same geographical relationship, life belief and painting style, they are called "Xin 'an Painting School". Xin 'an Painting School mainly studies Huangshan Mountain, so some people advocate belonging to Huangshan Painting School, but their styles are different, just like Jianjiang and Chengsui have their own characteristics.
20. Eight eccentrics in Yangzhou in the middle of Qing Dynasty
2 1, Changzhou School of Painting in Qing Dynasty
Also known as "Pilin School" and "Wujin School". The representative figures are Yunhe and Tang Pishi, who are good at landscapes and flowers and birds.
Features: painting with direct contact and dipping color, chic and elegant, paying attention to shape, but not satisfied with shape. Have the emotional appeal and charm of literati painting. His landscape paintings have also achieved great success, winning with charm and interest.
22. Four Kings
Wang Shimin, Wang Jian, Wang Yun, Wang. He directly or indirectly accepted Dong Qichang's influence on painting fashion and artistic thought. The technique is profound, the painting style advocates antique, and many works tend to be stylized. The "Four Kings", together with "Yun", are called "six schools in Qing Dynasty" and have always been regarded as the authentic representatives of painting circles in Qing Dynasty.
23. Loudong Painting School in Qing Dynasty
With Wang Shimin, Wang, Wang Jian and Wang Yi as the core.
24. Yushan Painting School in Qing Dynasty
Yushan Painting School is referred to as "Yushan School". The founder of "Yushan Painting School" is Huang. Shan's father is Wang Hao.
25. Four eminent monks in the early Qing Dynasty
Namely Hong Ren (), Kun Can (), Badashanren () and Shi Tao (Zhu Ruoji). Badashanren and Shi Tao were both adherents of the late Ming Dynasty, both of whom belonged to the Ming imperial clan and later became monks. They are all proficient in Zen, lyricism, calligraphy and painting, and each has its own unique attainments. Kun Shen Xi Shi and Shi Tao are also called "two stones".
26. Nine friends in the picture
In the Song of Nine Friends in Painting written by Wu in the early Qing Dynasty, nine painters such as Dong Qichang, Yang, Cheng Jiasui, Zhang Xuezeng, Bian Wenyu, Shao Mi, Li, Wang Shimin and Wang Jian were praised as "Nine Friends in Painting".
27. Ten Philosophers in Painting
"Ten philosophers in painting" refers to Lou Dongpai painter 10 in Qing Dynasty. That is, Gao Xiang, Gao, Li Shichuo, Zhang Pengchu,, Wang,, Chai Shen, etc. 10.
28, the sea painting school
Referred to as "Shanghai School", the representative painters are Xu Gu, Ren Xiong, Ren Xun, Ren Yi (Bonian), Wu Changshuo and others.
29. Modern Lingnan School of Painting
Referred to as "Lingnan School". The founders are Gao,, and Chen.