Chen Lei's Calligraphy Works

Chen Lei: 19 17 was born in Huachuan, Heilongjiang. 1936, joined the China * * * production party. He once worked in the secret work of the Party in Jiamusi City. 1938 joined the Northeast Anti-Japanese Coalition. He used to be secretary-general of Heilongjiang Provincial Committee. He is a famous calligrapher in China. The following are Chen Lei's calligraphy works that I arranged for you. I hope they are useful to you!

Appreciation of Chen Lei's Calligraphy Works

Pictures of Chen Lei's Calligraphy Works 1

Pictures of Chen Lei's calligraphy works 2

Picture 3 of Chen Lei's Calligraphy Works

Figure 4 of Chen Lei's calligraphy works

Spatial structure of calligraphy

On the premise of following the principles of Chinese font and stroke order, the stippling lines of calligraphy cross-combine and divide the space to form the spatial structure of calligraphy. The spatial structure includes three parts: single word structure, whole line circulation and overall layout.

Structure of a single word

The structure of a single word requires neatness, fluency, balance of length and density. In this way, on the basis of caring for the truth, we can pay attention to the decay, intricate changes, natural image, danger in peace and interest in danger.

All lines of qi

Are the characters in calligraphy works connected up and down (or before and after)? Link? It is required to proceed from top to bottom and respond coherently. Although the static characters such as regular script, official script and seal script are independent, the strokes are broken and connected. Running script, cursive script and other dynamic characters can be word for word, with hairspring traction. In addition, we should also pay attention to the change of size, positive response, contrast between reality and reality, and the resulting sense of rhythm. In this way, the circulation of qi can be natural and coherent, and blood vessels can be unblocked.

general layout

In calligraphy works, the combination of dots into characters, hyphens into rows and lines into chapters constitutes the cutting of space by dots, thus adding salt to the overall layout of calligraphy works. It is required that the density between words and between lines is appropriate, and the white is black; Flat and balanced, positive to each other; Rugged and full of changes. Among them, the static characters such as regular script, official script and seal script are mainly fair and balanced; The dynamic characters such as running script and cursive script are complicated and ups and downs.