Serious calligraphy

Degang Guo and Jiang Kun have completely different attitudes towards calligraphy. It is well known that Jiang Kun likes calligraphy. His words have appeared on the internet from time to time in recent years, and I am more concerned because I am curious. I use four words to evaluate Jiang Kun's calligraphy: "The more you write, the better". Jiang Kun's calligraphy in his early years was very immature, lacking in calligraphy skills and techniques.

Appreciating the calligraphy of Degang Guo and Jiang Kun, Jiang Kun is better than Degang Guo. In addition to cross talk, he also likes other literature and art. He writes poems and practices calligraphy when he has time. Degang Guo's calligraphy is also very interesting, with a very casual feeling, just like his cross talk, showing a humorous style. Therefore, many people say that Degang Guo's calligraphy is similar to his cross talk, which is very humorous. Don't give it to me! Of course, some critics think that Degang Guo's calligraphy is not strictly calligraphy, but just calligraphy, just an insignificant graffiti work.

Jiang Kun is also a cross talk master, who studied under Mr. Ma Ji, a cross talk master. Jiang Kun is the chairman of China Music Association and a leading figure in the field of phonology. Compared with Degang Guo's calligraphy, Jiang Kun's calligraphy is more rigorous. It can be seen that there is a foundation of traditional calligraphy, and the level can only be considered average. Jiang Kun's calligraphy is different from Degang Guo's. Jiang Kun's calligraphy is the work of children. He studied calligraphy since childhood, but his successor gave it up. Many years later, he picked it up and studied it again.

Jiang Kun also likes calligraphy very much. Besides crosstalk, Jiang Kun likes calligraphy best. Jiang Kun thinks that calligraphy can't be written casually, and can't be written whenever you want. He thinks that calligraphy is a very serious matter. Practicing calligraphy can make people calm down, not impetuous and enjoy the life of calligraphy.

The author thinks that the calligraphy of two teachers, Degang Guo and Jiang Kun, among which Degang Guo's calligraphy can only be regarded as brush calligraphy. He didn't put too much effort into traditional calligraphy, but just liked to write a few strokes for the sake of calligraphy temperament. However, Jiang Kun's calligraphy has the foundation of traditional calligraphy, and his calligraphy is best written in lines, but it is not very prominent and quite satisfactory.