After reading The Red Lantern, I was greatly inspired by the story of The Red Lantern. The protagonist of this article is: Chen, whose parents were killed by Japanese devils. Both Zhang and Zhang are railway workers. Li Nainai: My husband is also a railway worker. A red lantern is a signal light to indicate the passing of a train.
Their three surnames are not the same family. They formed a new revolutionary family to fight against the Japanese invaders. They are all guerrilla traffic policemen. Red lanterns are contact signals. The code word for the traffic police connector. A traffic policeman at Songling base handed an important secret code to Li Yuhe, and asked Li Yuhe to give it to the sharpening master of Beishan guerrillas. Li Yuhe didn't hand over the password because of the Japanese's strict search. Fearing death, Wang betrayed his friends for honor, became a traitor and betrayed him. Tell the Japanese Hatoyama School about the secret code transfer.
In order to get the secret code, Hatoyama first lured, then tortured, and finally put Li Yuhe, Li Nainai and Li Tiemei in prison together. None of them gave in. The Japanese killed Li Yu and Li Nainai without a password. After Li Nainai, Wang Li and Wang Li died heroically, the Japanese followed Li Tiemei to get the password. Li Tiemei, who has a flexible mind, finally disguised himself as Huilian, and soon handed the secret code to the traffic police sharpening master in Beishan base area, thus completing the task. Since then, Tie Mei has replaced Li Yuhe as the official traffic police of the Party organization. Japanese devil Hatoyama was arrested by the New Fourth Army.
Reading The Story of the Red Lantern made me understand that our happy life was hard-won, and it was bought by thousands of revolutionary martyrs in Qian Qian with their own blood and lives.
Li Tiemei/kloc-joined the revolution at the age of 0/5 and became the official traffic police of the revolutionary party organization. What about me? I am a teenager this year. I live in a new society, grew up under the red flag and lived a happy life. Is there any reason not to study hard? Too much homework makes you afraid of hardship. Sometimes it's done without looking at the topic and understanding it. I didn't study hard, so I didn't do well in the exam. Just like the final grade of the third grade, the average score of the four courses is 92. How can this work? How can we live up to our rapidly developing country? I am even more sorry for our teacher. I'm also sorry for the teachers, uncles and aunts who usually scrimp and save to help me study.
From now on, I must study hard, never live up to everyone's hopes for me and master more knowledge. Just like Li Tiemei in The Red Lantern. In the future, he will be a useful talent for our great prime minister.
Reflections on The Red Lantern 2 Today, I was lucky enough to watch China's famous excellent drama The Red Lantern, and I was deeply touched! This is an excellent play! I have heard about this play for a long time. People in my mother's day knew this play very well. Many people can hum it. I've always wanted to see it I finally saw it today, hehe! It really deserves its reputation!
What impressed me most about The Red Lantern was the lines in it. Many of them use metaphor and contrast, and the language is very sharp and inspiring. Even if I didn't experience that era, I could feel the people in dire straits at that time, and an unyielding and rebellious force reached my heart. The backbone of China people is car-scrapping! I really feel that many languages are classic. I really don't blame the older generation for rote learning and plot design. People in many places were thoughtful and resourceful at that time! I admire it!
Then there is the charm of Chinese Peking Opera. It's the first time to watch such a play in person, which is completely different from that on TV. For the first time, I think our quintessence is so vivid! The actor's action has a virility, and the card is in place! Take a quick look! There is also the stage, everyone's every move, the posture of the characters, and the arrangement of the shapes displayed by different roles. If we can freeze it, there will be many unforgettable scenes. For example, grandma told Tiemei about her past family affairs, which was a very peaceful picture, while Li Yu and Tiemei were mixed with grandma and walked fearlessly to the execution ground. This is an epic picture. It is a true portrayal of China people's perseverance! Think about it, our generation is indeed a generation!
Beijing opera is really a "corner" art, and it is really an art with a unique beauty spirit. When a person sings and dances, beauty is a stage performance art that acts on people. From Mei Lanfang to Ma, Tan, Zhang, Qiu, Li, Yuan, Ye and Du are all performing artists who appreciate beauty with extraordinary talents and skills. From Sun Yue, Zhang Xuejin, Sun Yumin and Liu Changyu to Li Weikang, Yang Shurui and Wang Rongrong, and today, Li Kuizhi, Li Shengsu, Han Shengcun, Kang Jing and Zhang Xinyue. Don't underestimate the inheritance of this art from generation to generation. This is not only the successor of a certain school, but the continuation of our national traditional cultural spirit. It is a continuation of loyalty, filial piety, righteousness, courtesy and sincerity. Our cultural roots for thousands of years have never been cut off, and the long-standing river of culture has never been cut off.
It is said that Peking Opera is a stage performance art that acts on people's minds, because Peking Opera is not acrobatics, martial arts or "duet", but "thrilling" with a plop, which entertains people's eyes and ears and stimulates their senses. It's called mass entertainment. Peking Opera is an elegant art and a national treasure. Beautiful, romantic, perfect and enjoyable. The aesthetic quality of Peking Opera, like classical poetry, calligraphy, painting and antiques, is an art that enlightens the soul, cultivates sentiment, nourishes the spirit and purifies the soul. In today's words, Peking Opera is a spiritual bond connecting Chinese people all over the world and a cultural treasure that condenses national spirit and casts national soul.
The art of Peking Opera is surreal, spatio-temporal, political and national. The Peking Opera culture represented by Mei Lanfang conquered the Japanese audience at 19 19, fascinated American friends at 1930 and inspired Soviet comrades at 1935. At that time, Brecht, who was extremely clever, was inspired by appreciating the art of Peking Opera and founded a far-reaching drama school. In those days, the "national army" and "* * *-army" both sides of the Taiwan Strait are inheriting the art of Peking Opera today. It's really because the art of Peking Opera is extensive and profound, and friends are everywhere. The so-called Peking Opera culture is the crystallization of China traditional culture.
The Red Lantern has been handed down because it embodies the national spirit and soul and has been integrated into the tradition. It embodies the character and integrity of Chinese sons and daughters, and the indomitable personality will still shock the hearts of future generations.
Han Shengcun, Kang Jing and Zhang Xinyue, the "three generations", show their spirituality and strength in the play, which indicates that there is still unlimited room for their future stage career. I only hope that they can "experience" the artistic spirit of Mr. Mei Lanfang's dedication and innovation. Create something, act on the hearts of contemporary people for the quintessence of China art, and then arrange several good plays to be performed in Xuzhou.
"Don't be happy with things, don't be sad for yourself" is indifferent and indifferent. These new Beijing opera stars should win enough respect from the whole society.
After watching Hanging the Red Lantern, all three model operas are distant memories. In this week's art introductory class, I was able to watch the Beijing opera "Hanging the Red Lantern High" and experience this distorted art form for myself.
"What saplings will bear fruit, and what seeds will blossom." This is a pre-deformation theory and invariance theory. Even though Li Yuhe boasted that iron beauty was the spark of revolution, this statement denied the legitimacy of the pursuit of truth by people with lofty ideals in other class positions. If the description of artistic image needs Li Yuhe's rough and simple language, then, as people criticized, Li Yuhe's long lyric poems before the execution not only did not strengthen the image of the hero, but made people feel a little gentle. In different scenes, Li Yuhe sometimes uses bitter words, such as "thief Hatoyama", exquisite sentences with allusions and rhetoric, and verb-object phrases full of classical Chinese flavor, such as "I want you to think about your fate", which is as bureaucratic as a spokesman for the Ministry of Foreign Affairs. Although this artistic image is tangible, its personality is disordered. Formally, it is a so-called hero among the three highlights, but it is actually a simple patchwork and hodgepodge of heroes with different personalities.
"In order to save China, save the poor and defeat the Guizibing." Resisting Japan and saving the nation can only be regarded as a tool theory, not an axiology. Since Li Nainai outlined the goals of the working class from generation to generation, how can War of Resistance against Japanese Aggression be regarded as the final expectation? In the play, the concepts of "poor people" and "workers" are often confused. At the time of the drama, workers accounted for a small proportion of the proletarians in China, but they were equated. This is not the treatment of art, it is the embodiment of the coercive power of politics on art in a special period, which violates the authenticity of art. In the process of dealing with this drama, Jiang Qing also violated many artistic instructions, such as asking Li Yuhe to use the Internationale as the background music when he died. Li Yuhe pointed out that Yukio Hatoyama had a trick and his camp was stronger, which was inappropriate. Similarly, just because Premier Zhou pointed out that we should follow the old idioms, we should not be mechanically divorced from the plot. It is not only the blind obedience of deductive skills, but also the attitude of actors to participate in artistic creation, which deserves our scrutiny. In the era of drama performance, a poor man and a bottom switchman are glamorous and potbellied, creating a capitalist's wealth.
In the classic TV series "Water Margin", in order to play the image of Lu well, the actor gained 20 Jin in a few months after damaging his health. In contrast, in this movie with higher ratings and higher expectations, is it really that difficult to ask an actor to control his diet out of a sense of responsibility for artistic creation so as to be close to his artistic image? As one of the eight model operas during the Cultural Revolution, The Story of the Red Lantern was one of the few spiritual foods for the people of the whole country at that time and could be watched repeatedly. I only watched it once in class and once after class. If I hadn't borrowed the script, I really didn't understand many details. In other words, dramas used for mass communication have many literary failures, which are not conducive to widespread communication. For example, the "red butterfly" on the glass, when the grandparents and grandchildren are excited, they hold high the signal and light up. There are some details that I still don't quite understand. Why can't shooting at a distance of three centimeters from you be established? I think it would be difficult to understand so many melodramatic details once or twice if people who lacked spiritual food at that time did not appreciate them repeatedly. It can be said that this work, which was widely circulated at that time and reflected the artistic understanding and educational effect, was too pedantic and divorced from the masses to some extent. The starting point of this play is to emphasize its organizational function.
My hometown is Anqing, Anhui, and the dialect is Huangmei Opera. When I was a child, I grew up watching local Huangmei opera and TV series. I don't like the fast and high singing of Beijing Opera. The feeling that Peking Opera actors give me is inevitably the same as that of Red and Black's Ridrina's evaluation of the director of The Madhouse. This heroic and fearless spirit, at first glance, is exciting. After listening to a few more paragraphs, people will get excited and have excessive hearing fatigue. Besides, the lyrics in Beijing Opera are so fast that I can't keep up with the enunciation. The more I watch it, the more bored I get. Far less gentle and soothing than Huangmei Opera. Back to the story of the red lantern, compared with the language art I don't like, "Li Yuhe's leg hurts badly, and one leg stumbles and rubs his leg to show his face." Li Yuhe stood tall, unbuttoned his clothes, showed his face, sneered, buttoned his buttons and put his hands behind his back, and then took the stage contemptuously. These action demonstrations originated from classical Peking Opera are extremely vivid.
On the whole, I don't like Hanging the Red Lantern. I don't come from the era of national peril described in the script, nor from the era when hero worship prevailed in the script. The stronger Li Yuhe's heroism, the more he emphasized how timid China people were before his time, and left the country with the same mess to this generation, the more he emphasized how useless people were during the Cultural Revolution and had to stand up through remembrance and memory. Art appreciation needs emotional singing, but I don't think people's struggle a hundred years ago is taken for granted, because I am sure that China people two hundred years ago are not worthy of our respect. I think the biggest feeling I get from watching this drama is the dissatisfaction and hatred towards China people, who were intoxicated before the drama happened and hurt future generations. This drama, the emotion that the screenwriter hopes to convey and the emotion that I feel after watching it, can't form a * * * voice at all, and I can't see its creative light.
Reflections on The Red Lantern 4 Today, I was lucky enough to watch China's famous and excellent drama The Red Lantern, and I was deeply touched! This is an excellent play! I have heard about this play for a long time. People in my mother's day knew this play very well. Many people can hum it. I've always wanted to see it I finally saw it today, hehe! It really deserves its reputation!
What impressed me most about The Red Lantern was the lines in it. Many of them use metaphor and contrast, and the language is very sharp and inspiring. Even though I have not experienced that era, I can understand that people were living in dire straits at that time, and an unyielding and rebellious force reached my heart. The backbone of China people is car-scrapping! I really feel that many languages are classic. I really don't blame the older generation for rote learning and plot design. People in many places were thoughtful and resourceful at that time! I admire it!
Then there is the charm of Chinese Peking Opera. It's the first time to watch such a play in person, which is completely different from that on TV. For the first time, I think our quintessence is so vivid! The actor's action has a virility, and the card is in place! Take a quick look! There is also the stage, everyone's every move, the posture of the characters, and the arrangement of the shapes displayed by different roles. If we can freeze it, there will be many unforgettable scenes. For example, grandma told Tiemei about her past family affairs, which was a very peaceful picture, while Li Yu and Tiemei were mixed with grandma and walked fearlessly to the execution ground. This is an epic picture. It is a true portrayal of China people's perseverance! Think about it, our generation is really a happy generation!
I have never suffered since I was a child. I don't know how much blood our predecessors have shed, which has brought us today's stability and future prosperity! So we can never forget countless sacrificed heroes and countless struggling ancestors! Cherish the happy life today! Make your own contribution to this society! Contribute your strength!
This is what I feel after watching Hanging the Red Lantern. I think it is of great educational significance besides enjoying the drama. In short, it is quite rewarding.