Since ancient times, scholars have paid more attention to "handwriting" and "calligraphy" than to "inscriptions". If nothing else, I saw the so-called "brushwork and handwriting". In order to restore the writing state of the ancients at that time to the greatest extent, I was eager to "crack" the calligraphy tips of the masters.
But compared with hard stone (sculpture), people's writing carriers at that time, such as paper, silk, wood and bamboo, were quite difficult to preserve. There is no way but to study and restore from inscriptions. Talk is better than nothing.
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However, people are often dissatisfied with the status quo. They think that after changing the writing medium, especially after the writing medium is completely different, the original brush marks are easy to be "deformed" and corrected, and the artistic conception and charm of soft pen and writing are lost.
Therefore, after Wang Xizhi's Preface to the Lanting Pavilion, it was strongly recommended and worshipped by all previous dynasties.
From this cognitive point of view, Ou Yangxun has more steles than posts, and his few handwriting is also highly valued, such as "Lan Zhai Tie".
Many people say "crooked and messy" at first glance, which is influenced by the stereotype of many block letters.
I just read this post and don't know much about it. I can't read it at all, so some words on it are too strange. Later, through the "headline" question, I saw a respondent explain that "Jean Ya" was "Alanya (if)", which was a Buddhist term at that time. Those who find "accusations and insults" are also "grateful". At that time, they were very modest, so they untied it and wrote this post:
At that time (the sixth year of Zhenguan), calligraphers went to Lanrang (a place to practice Buddhism, which may be a temple, but it is probably not an ordinary Buddhist temple, and it is very likely to be a "royal temple") and saw many historical inscriptions-"You can find all your books everywhere" (why can there be so many famous calligraphers in past dynasties? Is it a special collection of calligraphy inscriptions? Is the forest of steles still a museum? ), after reading it, I only feel a lot more thorough in my heart-"waking up from a dream" gives birth to: Who is the good book in the world so far? Are you on a par with the ancients? ! -It is estimated that the heroic spirit in the heart of the writer has the feeling of being a chivalrous great man. When he sees his achievements, he tells himself to take care (let future generations comment on it), so there is the language of "Pearl Krabs is heavy"!
Interestingly, at that time, people or Ou Yangxun liked to use reduplicated words, such as "first pause" in some positions.
Look at the handwriting again, it can be said that it is not skewed and messy (Yan Zhenqing and Mi Fei's running script is indeed scrawled), but it shows a considerable "foundation" of regular script, sighing as a mountain (the other mountain is the preface to Lanting).
It is not uncommon to start with the word "true", but it is rare to directly break away from this word. For example, a stone falling from a height is like a slap in the face, giving people an unconventional impact. Then, the word "six" is oblique, strewn at random, flying up and down obliquely, not taking the usual road;
There is also the word "provoke". The second one is a series of winding and jumping up and down, which shows that the skill of "grass method" is extended to Lian Bi by ordinary people, and the turning point is easy to be weak, while Ou Yangxun is leisurely, with no intention of weakening and refining. It really flies like a dragon; There is also the word "pian", which happens to be left-handed, protruding from the side of the pair (through the word "bian"), which reminds people of the origin of some words in the hair body! ……
This post is a handwritten message after the visit, which is equivalent to the current "celebrity inscription". It is clear in time that in the midsummer of the sixth year of Zhenguan, in the same year, that is, last month (Meng, Zhong and March), the famous "The Ritual Spring of Jiucheng Palace" was written. It can also be seen that Ou Yangxun is a model of never too old to learn. Zhenguan is about 75 years old, and he is really "old". Later, around the age of 80, the famous monument was born.
Wang Xizhi, a senior master who followed Wang Xizhi's example, carefully studied the inscriptions of past dynasties. It is said that one of them is the inscription of Suo Jing, a calligrapher of the Western Jin Dynasty in Lu Yu. He bridled the reins several times to observe and study, and then copied in front of the monument for three consecutive days until he became familiar with it. Be a good bookworm and learn a good story.
So reading ancient posts is to learn and communicate with the ancients, so cherish it!
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